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08.09.2023 / 20:05

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‘Memory’ Review: Jessica Chastain & Peter Saarsgard Star In Michel Franco’s Stunted Observation On Trauma [Venice]

It’s hard to encapsulate the cinema of a particular filmmaker in just one word, but if one were to try their hand at it with Mexican maverick Michel Franco, a word that’d come to mind is violence. The filmmaker’s work is built upon the looming expectation of violent transgression, society standing flimsy atop the fragile idea of cordiality.

Jessica Chastain Merritt Wever Michel Franco Peter Saarsgard Mexico Venice Film Festival Memory Venice 2023

‘Daaaaaali!’ Review: Quentin Dupieux’s Eye For The Beautiful & Absurd Finds Its Perfect Subject In The Spanish Artist [Venice]

Todd Haynes’ biopic “I’m Not There” famously featured several actors in the role of Bob Dylan, each embodying the artist in one era of his varied musical career. The idea, of course, was to acknowledge Dylan’s shapeshifting nature as well as the fact that his work can mean different things to different people — some may find one actor’s interpretation more convincing and accurate than that of another.

Bob Dylan Quentin Dupieux Todd Haynes Jonathan Cohen Gilles Lellouche Pio Marmaï Spain Venice Film Festival Venice 2023 spanish

David Fincher On Why He Chose To Use The Smiths In ‘The Killer’: “I Thought It Was Amusing And Funny”

It surprised no one earlier this year when Trent Reznor & Atticus Ross officially came on board to score David Fincher‘s “The Killer.” After all, the pair have scored all of Fincher’s films since 2010’s “The Social Network.” But it surprised audiences at the movie’s world premiere in Venice last weekend when Reznor & Ross’ work didn’t feature prominently in “The Killer” at all.

Trent Reznor Atticus Ross David Fincher Michael Fassbender county Smith city Venice The Killer Venice 2023

‘Hit Man’ Review: Glen Powell Co-Writes And Stars In A Smart, Sexy, Delightful Richard Linklater Comedy Tailored To His Talents [Venice]

That Glen Powell is a gem of an actor is nothing new, but twenty years into his career, and after stealing the show in a bunch of films and series, we can all finally stop praying for him to get a leading role worthy of his talents. In “Hit Man,” Powell reunites with his “Everybody Wants Some!!” director Richard Linklater for a part that allows him to be by turns nerdy, sexy, and funny, but at all times almost unbearably charming.

Glen Powell Adria Arjona Richard Linklater county Powell city Venice Venice Film Festival hit man Venice 2023

Venice Director Admits Roman Polanski’s ‘The Palace’ Is A “Weak” Film But Says Negative Reviews Were Too “Mean”

With 12 reviews so far, Roman Polanski’s latest film, “The Palace,” currently sits at a horrendous 0% on Rotten Tomatoes. Polanski hasn’t really had a hit film in a very long time and has also been at the center of controversy for decades, but a 0% is still really rough, with some reviews calling it the worst movie of the year.

Alberto Barbera Roman Polanski city Venice The Palace Venice 2023

‘Coup De Chance’ Review: Woody Allen’s Clumsy But Passable Dramedy Is More Mediocrity From His Waning Late-Stage Period [Venice]

I remember reading years ago that whenever the time comes for Woody Allen to make a new film, he opens a drawer in his desk and picks at random from the piles of scripts he has written over the years.

Woody Allen Valérie Lemercier Niels Schneider Melvil Poupaud Venice Film Festival Venice 2023

‘Hesitation Wounds’ Review: Tülin Özen‘s Striking Performance Drives Selman Nacar’s Gripping 24-Hour Moral/Legal Drama [Venice]

You don’t need to know much about the criminal justice system to understand its broken, biased, and grim nightmare— unfair, unjust, unforgiving, a bureaucratic Kafka-esque hellscape you never want to be trapped within. Turkish filmmaker Selman Nacar (“Between Two Dawns”) understands this all too well—he was a law student for several years before switching to filmmaking and saw all the flaws in the legal justice system firsthand.

Turkey Venice Film Festival Venice 2023

‘Priscilla’ Review: Sofia Coppola’s Understated Biopic Lets Us Draw Our Own Conclusions [Venice]

The most powerful aspect of Sofia Coppola’s “Priscilla,” premiering in Competition at this year’s Venice Film Festival, is in the title: to focus on Priscilla Presley, née Wagner, formerly Beaulieu, is to show a side of a marriage and of the King himself less familiar than and in some ways different from the romantic popular legend. But Coppola’s film does much more than simply show us the facts of how a fourteen-year-old girl gets to become the girlfriend and then wife of one of the biggest artists of all time.

Sofia Coppola Jacob Elordi Priscilla Presley Cailee Spaeny city Venice Venice Film Festival Venice 2023

‘The Killer’ Review: David Fincher’s Homage To The Classic Crime Thriller With Michael Fassbender Is Entertaining But Orthodox [Venice]

The question of whether or not technology has killed the classic crime thriller has popped in and out of the discourse as the years saw pocket watches morph into sci-fi-looking gadgets capable of getting one both dinner and a first-class ticket to Dubai in the space of a couple of minutes.

David Fincher Tilda Swinton Michael Fassbender Dubai city Venice Venice Film Festival The Killer Venice 2023

‘The Beast’ Review: Léa Seydoux Leads Bertrand Bonello’s Epic, Time-Spanning Sci-Fi Warning About A.I. [Venice]

You didn’t expect French filmmaker Bertrand Bonello to make a conventional sci-fi, did you? Good, because “The Beast” is far from it. It all starts in 2044 with beautiful actress Gabrielle (Léa Seydoux) in desperate need of a job.

George Mackay Lea Seydoux Bertrand Bonello France city Venice Venice Film Festival the beast Venice 2023 epic

‘The Wonderful Story Of Henry Sugar’: Wes Anderson Reveals His Short Anthology Adapts Three More Roald Dahl Stories

Wes Anderson fans were surprised when the filmmaker revealed earlier this summer that his upcoming Netflix project “The Wonderful Story Of Henry Sugar” is only 37 minutes long. But there’s a good reason for its short length.

Wes Anderson Rupert Friend Netflix Venice 2023 The Swan

‘Aggro Dr1ft’ Review: Harmony Korine Goes Sicko Mode In A Visually Stunning Journey Through Miami Thug Life [Venice]

Ten years after “Spring Breakers,” the neon pinks and greens of Harmony Korine’s mainstream breakthrough return in an Internet-inflected and even more abstract ode to the thug life, with seriously mixed results. To call “Aggro Dr1ft” stupid or silly isn’t wrong, but it is missing the point.

Travis Scott Harmony Korine Spring Breakers county Scott county Travis city Venice Venice Film Festival Venice 2023 AGGRO DR1FT

‘Hollywoodgate’ Review: Ibrahim Nash’at’s Terrifying Film Documents The Taliban’s Takeover Of Afghanistan [Venice]

A scene early in Ibrahim Nash’at’s chilling new documentary “Hollywoodgate” makes clear the stakes of Nash’at’s undertaking. Invited by the Taliban to film a top leader, the new air force commander Malawi Mansour, and a lower-ranking Taliban Mukhtar, after the departure of American Troops from Afghanistan in 2021, Mansour makes clear his feelings about the documentary and Nash’at.

USA Afghanistan Malawi Venice Film Festival Venice 2023

‘Maestro’ Review: Bradley Cooper Plays It A Little Too Safe With Undaring Leonard Bernstein Biopic [Venice]

Before “Maestro” plunges into the sharp monochrome of its first chapter, Bradley Cooper’s Leonard Bernstein relays to a camera crew how he can still feel the presence of his wife within the walls and gardens of their beautiful countryside manor. “I miss her so much,” he says, the passage of time denounced by the sprawling maze of wrinkles that frames his youthful blue eyes.

Carey Mulligan Bradley Cooper Leonard Bernstein city Venice Venice Film Festival Maestro Venice 2023

Venice 2023: Last News

‘DogMan’ Trailer: Luc Besson’s Latest Starring Caleb Landry Jones Hits Theaters On March 29, Expands On April 5

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