Tribeca Film Festival: Last News

Earlier this year, a documentary by the name of “Sugarcane” premiered at the Sundance Film Festival and presented audiences with a harrowing look at the Canadian Indian residential school system and the emotional fallout stemming from years of horrendous abuse behind these doors. For those who may have bore witness to such a film, there’s an unusual sense of recurrence in the topics unveiled throughout “Missing From Fire Trail Road,“ one which starts as what could be initially presumed to be a simple look at a missing persons case from several years prior but eventually flows into strangely familiar territory.

It’s Austria, circa 1750, and we open on a woman, devoid of emotion, as she quietly and chillingly casts her newborn over the side of a waterfall. This is how the creepy “The Devil’s Bath” begins.

There exists a moment, perhaps several, in director Sandi DuBowki’s documentary “Sabbath Queen” where shaky attempts to solidify focus on one subject as numerous struggles for screentime become blindingly apparent and the project threatens to spiral out of control. That’s not to say there isn’t a compelling narrative throughout, only that there are too many, and in such a chaotic effort, topics become somewhat diluted to varying degrees, and meaningful quotes from any of the frequent talking heads start to lose their impact.

“Wise Guy: David Chase and the Sopranos,” premiered at Tribeca Film Festival on June 13 and revealed how the late Gandolfini battled demons while playing a mob boss on the iconic HBO series. His TV wife, Edie Falco, said in the doc that Gandolfini “was a very good, kindhearted man,” but that the role “may have taken a toll on him,” according to USA Today.

“Brat Pack” – a collection of popular young actors in the 1980s — have made it clear that they weren’t, and in some cases, still aren’t, fans of the group nickname.The phenomenon started with the 1985 New York magazine cover by David Blum. He had a night out in Los Angeles with Emilio Estevez, Rob Lowe, and Judd Nelson, and decided to coin the now-iconic phrase which was inspired by the “Rat Pack,” a group of entertainers (including Frank Sinatra and Dean Martin) from the 1940s and 1950s.Estevez, Lowe, Nelson, Andrew McCarthy, Demi Moore, Anthony Michael Hall, Molly Ringwald and Ally Sheedy make up the Brat Pack, as they all appeared in the ensemble of classic ‘80s films such as “St.

he told Us Weekly. “Brats” is about the famous group of ‘80s stars, their memories of their heyday and their gripes with that moniker. The circle of stars associated with the label are Emilio Estevez, Ringwald, Demi Moore, Ally Sheedy, Judd Nelson, Anthony Michael Hall, Jon Cryer and McCarthy.(Tom Cruise, Robert Downey Jr.

What defines country music in America today? The new doc “Rebel Country” seems, at first, singularly focused on this question, but the film quickly makes clear that it has much more on its mind to consider, such as what led country music to where it is today and the challenges that many singers in its space have faced. It is a film that doesn’t hold your hand to tell the hard truths about country music’s evolution and history.

Inspired in part by 1970s experimental filmmaker Nikos Nikolaidis and jumpstarted in earnest in 2009 by Yorgos Lanthimos with “Dogtooth,” and perhaps to a lesser extent Panos H. Koutras’ “A Woman’s Way,” the so-called Greek Weird Wave movement quickly spread like wildfire in the country.

Roger Federer’s 2022 retirement at age 41 certainly unleashed a tidal wave of mourning.The Swiss ace — renowned for his graceful movement, easy power and class — dominated courts around the world for more than two decades.So, when the 20-time winner of the four major tournaments put down his racket for good, the mood wasn’t so much the changing of the guard as the death of the king. For many, Roger Federer was tennis.“It’s been a wild journey,” Federer told the audience at the SVA Theatre in Chelsea.

Tribeca Film Festival, never-before-heard audio recordings of the “Cleopatra” star, who died in 2011, reveal her true, sometimes brutal feelings about her seven husbands. She says Conrad Hilton Jr. abused her while she was pregnant, and that actor Michael Wilding wasn’t dominant enough for the duo to survive, according to People.But Taylor is particularly harsh about hubby No.

True cinephilia lives outside the confines of your front door, way past the boundaries of your home and native language. So, for all the talk of Martin Scorsese as a preeminent master of American cinema, it’s always been heartening to know the filmmaker and cineaste has appreciated all aspects of international cinema, from the East to the West and beyond.

It would seem that were one to gaze into the future of sci-fi filmmaking, society will never see an end to the concept of UFOs as a plot device, with “They’re Here” the latest, but far from greatest, contender for the spot of genre-defining piece presumably meant to spark a conversation about whether or not we remain alone in the vastness of space. While this particular outing may indeed be rich in onscreen conversation regarding the possibility of interstellar visitors between whoever might be occupying the film at any given moment, it’s far from eye-opening and, it would seem, purposely aimless.

The life of a long-haul truck driver isn’t for everyone, nor could it be considered easy even for those years deep in the job; weeks/months away from home, the majority of any given 24-hour time period spent manipulating the steering wheel of a fully loaded 80,000-pound semi, sleep deprivation, the only meaningful social contact coming from the briefest of moments at a truck stop or over the chatter of a CB radio, and the list goes on.

“I was having a man’s life in a woman’s body,” Diane von Furstenberg, famous Belgian fashion designer and businesswoman, says more than once in the new Hulu documentary. It’s a weird sentiment to say in a doc about female trailblazing empowerment, agency, and freedom, but one supposes it fits for the era when women’s lib was thriving, but perhaps not every woman was reaping its benefits.

the 2024 Tribeca Film Festival is back with a trove of diverse and innovative fare. There are character-driven indies with Hollywood stars, a documentary about one of the world’s greatest sports figures of all time and an entire mini-festival celebrating Tribeca co-founder Robert De Niro.

“Mean Streets” is headed to the Upper West Side.On Saturday, June 15, Martin Scorsese and Robert De Niro will screen their seminal 1973 film at New York City’s Beacon Theatre as part of the 2024 Tribeca Film Festival.Following the showing, Scorsese and De Niro will chat about the film in a conversation moderated by beloved rapper and New York native Nas.And if you want to be there to see the classic flick about four friends in their 20s drifting through life in their neighborhood streets and bars with its Academy Award-winning director and star, it isn’t too late to scoop up tickets.At the time of publication, the lowest price we could find on tickets was $75 before fees on Vivid Seats.For those that want to get closer to the action, it won’t cost you that much to see Bobby and Marty up close and personal from the orchestra.Prices start at $108 before fees for the orchestra section closest to the stage.Want to see one of the greatest New York City films in NYC with the top of the line talent in the room with you?We’ve got everything you need to know and more about how to see “Mean Streets” at the 2024 Tribeca Film Festival below.All prices listed above are subject to fluctuation.A complete breakdown of the best ticket prices by section at the Beacon Theatre can be found here:(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout.)Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

The Tribeca Film Festival has actually been known as the Tribeca Festival for four years now, but perhaps the name change and evolution of the festival has never been more evident than with the announcement of its robust and impressive 2024 TV slate.

Today, the 2024 Tribeca Festival today unveiled its features lineup, offering a diverse array of narrative, documentary, and animated films. Scheduled to run from June 5-16 in New York City, this year’s Festival promises a thoughtfully curated program and includes everything from timely documentaries addressing political and social concerns to independent narratives showcasing award-winning actors.

Carlos Santana was the O.G. hippie in the ’60s, think again.In fact, the 76-year-old guitar hero was once an anti-weed warrior as his namesake band was huffing — and puffing — to succeed in the San Francisco scene alongside groups such as the Grateful Dead.“I’d been around marijuana all my life since I was a child, but I never toked,” reveals Santana in the new documentary “Carlos,” which opens in theaters on Friday.Indeed, the “Smooth” operator was that guy who was a downer to the doobies — in part, to protect his own good name and reputation.“You’re building a band around me, and I noticed that they smoke weed.

A trans man has to navigate the complexities of gender transition treatment while also chronicling the Afghani Taliban in Monica Villamizar and Jordan Bryon’s intensely personal and political “Transition.” Despite its relatively straightforward title, this documentary, which premiered at Tribeca, is a staggering work that, somehow, manages to contextualize not only Bryon’s personal transition but also juxtapose that life against the deeply segregated Taliban fighters that he is chronicling for The New York Times.

on her blockbuster Eras Tour, then blame it on the Boss.According to no less than Paul McCartney, Bruce Springsteen is responsible for this concert season’s trend of marathon shows — stretching three hours and beyond — put on by everyone from Swift and Beyoncé to the “Born to Run” rocker himself.“I blame Bruce Springsteen,” McCartney, 80, joked about the New Jersey legend’s famously epic-length concerts, during a talk with Conan O’Brien at NYC’s Tribeca Performing Arts Center on Thursday night. “I told him so.