Tribeca 2023: Last News

Fresh off its world premiere at the Tribeca Film Festival, Rudy Valdez‘s doc “Carlos: The Santana Journey” hits theaters next month. First, it plays at select cinemas around the world for a three-day engagement before opening wide on September 29.

A trans man has to navigate the complexities of gender transition treatment while also chronicling the Afghani Taliban in Monica Villamizar and Jordan Bryon’s intensely personal and political “Transition.” Despite its relatively straightforward title, this documentary, which premiered at Tribeca, is a staggering work that, somehow, manages to contextualize not only Bryon’s personal transition but also juxtapose that life against the deeply segregated Taliban fighters that he is chronicling for The New York Times.

The 2023 edition of the Tribeca Film Festival closed out last night with a conversation between two of the best filmmakers of their generation, David Fincher and Steven Soderbergh. The Q&A covered all sorts of topics, but Fincher dropped an intriguing nugget in the midst of it.

On paper, there’s a lot to like about “Bad Things.” The premise is intriguing and creepy. The cast is full of quality actors.

The prospect of retirement is something anyone may find themselves facing down at some point, regardless of your chosen career or pastime. Within the world of professional sports, it’s an inevitable end that reaches every athlete oftentimes sooner than one might desire, with factors chief among them being age and the subsequent deterioration of skills that may result.  As a player reaches a time anywhere from their late-20s to early-40s, the moment of realization where that door starts to close can be met with either gradual acceptance or stubborn defiance, but make no mistake, it comes for everyone, and it’s up to the person at the center to decide what happens next.

A compelling introduction to the cultural history of the Jamaican musical genre dancehall, Ben DiGiacomo and Dutty Vannier’s “Bad Like Brooklyn Dancehall” sheds light on what one interviewee calls the associated “attitude, culture, and lifestyle” that crops up around dancehall music. Produced by Shaggy, one of the most notable names to push the genre into popular culture, ‘Bad Like Brooklyn’ may seem paint-by-numbers in its formal approach to introducing and dissecting a cultural movement — there are a lot of talking heads, archival footage, etc.

A great movie comedy is something of a miracle, a combination of circumstances, personnel, and timing that would seem impossible to replicate, even under the most ideal circumstances.

Kids – er, teens – say the darnedest things. During a weekend excursion back to visit his family, the newly separated Nicky (Luke Evans) gets a bit of tough love from his nephew.

How do you tell the story of a life? That’s a question many of the characters in “Bucky F*cking Dent” poise aloud, a little too aware of their construction. It’s a question its star David Duchovny should have asked himself behind the camera, too.

Some names, once viewed on a marquee or YouTube ad, tend to draw a specific audience ranging from real fans to, “Oh yes, that guy.“ I could put the Duplass brothers, Mark and Jay, into both of these categories, with a lengthy filmography largely encompassing projects their company Duplass Brothers Productions has spearheaded, such as 2010’s “Cyrus” and “Jeff, Who Lives at Home”; Mark, in particular, has emerged as the higher profile of the two, consistently delivering as an actor in diverse roles ranging from horror (“Creep”) to TV comedy (“The League”) offbeat humor (“Greenberg,” “Safety Not Guaranteed,” “Tully”) and more. “The Long Long Night,” another Mark Duplass vehicle, would likely fall into the latter category; originating from show creator/co-star Barret O’Brien, the six-episode series depicts the falling out between two former best friends, Pete (Duplass) and Carroll (O’Brien) and the night that kicked it off, told through black and white footage of said night in question as well as video messages the two send each other months later as they attempt to repair the damage done. Continue reading ‘The Long Long Night’: Simplicity & Complexity Somehow Propel The Unique Duplass Bros.

None of us were privy to the casting process for Alice Troughton’s “The Lesson,” but I sincerely hope, with my entire heart, that they opened a bottle of champagne after locking in Richard E. Grant.

The late Roger Ebert swore by the “Stanton-Walsh rule.” He claimed no film featuring character actors Harry Dean Stanton or M. Emmett Walsh could ever be entirely bad.

“Any controversial story one does, involving powerful people… Eventually you’re going to have to face the furnace and take the heat,” Dan Rather explains early in Frank Marshall’s bio-documentary “Rather.” “And unless you’re prepared to do that, then you’re going to have to get another line of work.” It’s an inspiring notion—and a pointed one, based on how Rather first made his reputation and then lost it. He’s now 91 years old, an elder statesman of American journalism and a jocular presence on social media, where his down-home wisdom and pointed criticism have earned him a new generation of fans.

The MAGA mob that stormed the U.S. Capitol on January 6, 2021 shared many surface similarities with the ideologically opposed mobs that fought against police in American cities over the past few years: improvised weaponry; social media fixation; an emphasis on combat tactics over strategic objectives.

Twenty-one years ago, Robert De Niro co-founded the Tribeca Film Festival with Jane Rosenthal. While its dates sandwich it between more prestigious festivals like Cannes and Venice, film fans can’t sleep on the festival, especially because of its world premieres.

What’s there to say about French director Michel Hazanavicius? His two “OSS 117” films with Jean Dujardin are foreign cult comedies. And then the duo struck gold stateside with “The Artist,” which won Best Picture, Best Director, and Best Actor at the 2012 Oscars.

Alice Troughton is a British TV director with credits under her belt like “Doctor Who,” “Atlantis,” “The Flash,” and “A Discovery Of Witches.” But for her feature directorial debut, “The Lesson,” in theaters next month, she spins a noir thriller that takes the adage of “don’t meet your heroes” to its most dangerous conclusion. Continue reading ‘The Lesson’ Trailer: Literary Noir Thriller With Richard E.

Earlier this week, the Tribeca Festival announced its film lineup for its nine-day event in June. Now it’s time to learn about the fest’s TV world premieres.

Earlier this week, the Tribeca Festival announced its film lineup for its nine-day event in June. Now it’s time to learn about the fest’s TV world premieres.