John Lennon: Last News

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nme.com
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London’s new and immersive Live Odyssey announces collaboration with John Lennon’s family
John Lennon‘s family.Set to kick off on May 22 in Camden, ‘Live Odyssey’ has been previously described as “a celebration of the rich tapestry of British music, offering a unique experience for music lovers of all ages” through “a groundbreaking tribute to the sounds that shaped Britain”.The attraction – which combines a show, an exhibition museum and live experience together – will take attendees through six decades of music via a two-and-a-half-hour adventure that captures the evolution of British music, from the early anthems of the ’60s and ’70s to the Britpop explosion of the ’90s and today’s cutting-edge hits.Lennon’s sister Julia Baird will be unveiling a multi-sensory immersive exhibit dedicated to the late Beatle on its opening which “details the early years that shaped Lennon through to a life of stratospheric fame with The Beatles.”“This is the brutally honest story of The Beatles legend by his sister Julia, who reveals the unorthodox childhood they shared, memories of their mother, renewed family bonds, and the many sides of John Lennon,” a press release added.“Julia is set to reveal the battle between two strong, self-willed women – John’s mother and his Aunt Mimi – to win custody of John. Julia is candid about the sadness as well as the joy of their broken family life.
nypost.com
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Ch-ch-ch-ch changes: How David Bowie went from ‘Starman’ to soul man on his classic ‘Young Americans’ album 50 years ago
David Bowie famously sang about “Changes” in 1971, and true to his word, he turned and faced the strange on his 1975 LP “Young Americans.”Making a galactic journey from glam-rock to his self-described “plastic soul,” the man who came from Mars as Ziggy Stardust landed in Philadelphia to record his game-changing classic that came out 50 years ago on March 7, 1975.But the rock star — who died at 69 from liver cancer in 2016 — wasn’t exactly greeted with brotherly love in the city.“We were going to the birthplace of so many hits,” Tony Visconti — the “Young Americans” producer who had worked with Bowie since 1968 — exclusively told The Post. “But [Kenny] Gamble and [Leon] Huff, they didn’t want to work with us.”Indeed, the Sound of Philadelphia architects behind such R&B greats as the O’Jays, Teddy Pendergrass, and Harold Melvin & the Blue Notes were not open to this Brit invading their territory.“They actually said, ‘We don’t want no white boy stealing our music’ or something like that,” said Visconti, 80.But Bowie was on a makeover mission that could not be stopped on “Young Americans,” assembling his own soul squad, including Sly & the Family Stone drummer Andrew Newmark, Donny Hathaway bassist Willie Weeks, James Brown saxophonist David Sanborn and an emerging background singer by the name of Luther Vandross at Sigma Sound — the Philly studio where many Gamble & Huff hits were made.There was also session guitar player Carlos Alomar licking it up on hits such as the title track and his co-written classic “Fame” — Bowie’s first No.

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