After the release of 2017’s “Darkest Hour,” filmmaker Joe Wright was living the dream. His film was nominated for six Oscars (winning two), and it appeared he was going to enter the conversation as one of the best filmmakers working today.
Unfortunately, the drama surrounding his follow-up (“The Woman in the Window”) overshadowed the actual content (which itself wasn’t beloved) and led to perhaps one of the lowest points in his acclaimed career.
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