Agnieszka Holland - celebsbar.com

Agnieszka Holland’s migrant crisis drama Green Border has achieved the best opening weekend in Poland for a Polish film in 2023 in spite of a fierce political backlash from the country’s right-wing government.

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Oscars: Poland Submits ‘The Peasants’ For Best International Feature Film

EXCLUSIVE: Poland will submit animated feature drama The Peasants for Best International Feature Film at the 96th Academy Awards.

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Luxbox Closes First Sales on ‘Puan,’ from ‘Rojo’s’ Benjamin Naishtat, ‘A Family Submerged’s’ Maria Alche (EXCLUSIVE)

John Hopewell Chief International Correspondent SAN SEBASTIAN — Paris-based Luxbox has clinched major territory pre-sales on anticipated San Sebastian competition title “Puan,” an original attempt by its writer-directors, María Alche (“A Family Submerged”) and Benjamín Naishtat (“Rojo”) to deliver a state of the nation take on Argentina – and any country in thrall of European ideas – but in a notably lighter tone than most Latin American arthouse fare. Key first major territory buyers take in Condor for France, whose release lineup has featured major auteurs such as Kelly Reichardt, Casey Affleck, Agnieszka Holland, Paul Schrader, Denis Villeneuve, Michel Franco and Ira Sachs.

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Director Agnieszka Holland Talks Fear Of Violence As She Travels To Poland With 24-Hour Security For Launch Of Migrant Drama ‘Green Border’ Amid Political Backlash

Director Agnieszka Holland has been forced to take 24-hour security protection as she returns to her native Poland for the theatrical release of migrant drama Green Border on Friday (September 22) in the face of a fierce political backlash and online hate campaign.

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Agnieszka Holland Defiant Despite ‘Abominable,’ ‘Dangerous’ Attacks as Venice Prize-Winning Refugee Drama ‘Green Border’ Prepares for Polish Theatrical Release (EXCLUSIVE)

Christopher Vourlias Polish filmmaker Agnieszka Holland has remained defiant despite a wave of vicious political attacks and online hate speech as she prepares to release her Venice Special Jury Prize-winning refugee drama “Green Border” in Poland on Sept. 22.

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Agnieszka Holland’s Venice Prizewinner ‘Green Border’ Lures Slew of Buyers Amid Political Backlash in Poland (EXCLUSIVE)

Elsa Keslassy International Correspondent The political backlash surrounding Agnieszka Holland’s Venice Special Jury Prize-winning refugee drama “Green Border” hasn’t kept the movie from being a hot seller. The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees, Polish activists and border guards.

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‘Walls’ Director Kasia Smutniak Talks Poland’s Borders and ‘The Green Zone’: ‘We Need to Determine What Side of the Story We Want to Be on.’

Addie Morfoot Contributor In Polish actor-turned-filmmaker Kasia Smutniak’s documentary “Walls,” she undertakes an uncertain and risky journey into the red zone — a dangerous strip of land in Poland that runs parallel to the Belarus border. Crossing the long border is a 115-mile steel barricade built to repel migrants from entering the European Union in search of refuge. Inside the red zone is Poland’s dense Białowieża Forest, known for its swamps, wolf packs, and desperate migrants trapped in political limbo.

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Venice Winners’ Press Conference: Yorgos Lanthimos Is “Personally Very Disappointed” Emma Stone Wasn’t Able To Attend Ceremony, But Director “Understands The Cause”

Speaking at the Venice Film Film Festival winners’ press conference, Poor Things director Yorgos Lanthimos said he was “personally very disappointed” that his lead actress Emma Stone couldn’t be with him to enjoy the film’s Golden Lion win, but that he also “understands the cause”, referring to the SAG-AFTRA strike which has kept the actress away.

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Venice Film Festival Awards Winners Announced – Follow Live

Refresh for latest…: The 80th Venice Film Festival officially draws to a close this evening with the main awards, including the top prize Golden Lion, soon to be handed out inside the Sala Grande.

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Polish Filmmakers Wrestle With the Weight of History, Even As It Unfolds Before Their Eyes

Christopher Vourlias Three decades ago, just a few years after the fall of the Berlin Wall ushered in a new era of hope and promise in Europe, Polish filmmaker Agnieszka Holland made the historical drama “Europa, Europa,” which follows the harrowing ordeal of a Jewish teenager who goes to impossible lengths to survive the Holocaust. The title, says Holland, was meant to express “the duality of the European tradition: Europe of our aspirations, the cradle of culture and civilization, the rule of law and democracy, human rights, equality and fraternity, but on the other hand, Europe as the cradle of the worst crimes against humanity, selfishness and hatred.” Throughout her career, the three-time Academy Award nominee has found inspiration in “the great and tragic subjects of the 20th century,” powered by the conviction that “history is relevant, that what happened is relevant,” Holland tells Variety.

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Polish Cinema’s Fall Festival Lineup Showcases Strength, Diversity of Its Growing Film Industry

Christopher Vourlias The fall festival circuit features a powerhouse lineup of Polish cinema that showcases an industry in full stride, with hard-hitting topical dramas, award-season hopefuls and potential box-office breakouts highlighting the strength and diversity of filmmaking in a country with a storied cinematic history. Among the hotly anticipated premieres at this week’s Toronto Film Festival is “The Peasants,” a lavish, hand-painted animated feature from the filmmaking team behind Oscar nominee and box-office sensation “Loving Vincent.” Meanwhile, three-time Oscar nominee Agnieszka Holland will be on hand for the North American premiere of “Green Border,” her searing portrayal of Europe’s refugee crisis that just bowed in competition at the Venice Film Festival.

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Battle Over Venice Film ‘Green Border’ Heats Up as Director Agnieszka Holland Threatens Legal Action Against Poland’s Justice Minister (EXCLUSIVE)

Marta Balaga Controversy over Venice title “Green Border” continues to heat up as director Agnieszka Holland gave an ultimatum to Poland’s Minister of Justice Zbigniew Ziobro following his comments about her film. According to the statement shared with Variety, Holland has hired the lawyers Sylwia Gregorczyk-Abram and Michał Wawrynkiewicz.

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‘Io Capitano’ Review: A Gritty, Heartbreaking Study of Migrant Dreams From Italy’s Matteo Garrone – Venice Film Festival

Even if the critical reactions have been mixed, Italian films have proven much stronger than usual at this year’s Venice Film Festival, with a notable resurgence of genre filmmaking in the likes of Adagio and Enea. Ironically, Matteo Garrone, the one local director in the selection whose actual stock in trade is genre of all stripes — gangster realism (Gomorrah, Dogman), satirical comedy (Reality), and baroque fantasy (Tale of Tales) — arrived this year with a blisteringly topical drama that might be his most traditional, and best, yet.

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Agnieszka Holland Calls Out Polish Minister’s ‘Hate Speech’ Comparing Refugee Drama ‘Green Border’ to Nazi Propaganda (EXCLUSIVE)

Christopher Vourlias Three-time Academy Award nominee Agnieszka Holland has called out a hard-right Polish minister who compared her refugee drama “Green Border” to Nazi propaganda, accusing him of “hate speech” and insisting that the Eastern European nation’s right-wing ruling party is “afraid” of her film’s damning portrayal of its response to the refugee crisis. The movie is competing for a Golden Lion at the Venice Film Festival this week. “We expected that they would be furious.

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‘Green Border’ Review: Agnieszka Holland’s Humanitarian Masterpiece Offers A Harrowing Vision Of The Refugee Crisis In Europe – Venice Film Festival

As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieska Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its directors age. Awards-wise, this may prove to be the international feature to beat.

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‘Green Border’ Review: Agnieszka Holland Delivers an Intense, Intelligent Broadside Against Frontier Injustice and Terror

Jessica Kiang While you’re still in the vice-like grip of its multilevel narrative it may not feel like it, but a film like Agnieszka Holland’s bruisingly powerful new refugee drama ultimately comes from a place of optimism. It is optimistic to expect and nurture of a reaction of potentially motivating outrage, when you portray the brutality of which human individuals, at the behest of human institutions, are capable. It is optimistic to believe that, faced with extraordinary cruelty, a viewer’s ordinary decency will be compelled to rise and rebel.

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Agnieszka Holland’s Venice Competition Entry Explores ‘Border’ Between Good and Evil Amid Europe’s Refugee Crisis

Christopher Vourlias Academy Award nominee Agnieszka Holland follows the harrowing ordeal of a refugee family trapped on the margins of the E.U. in “Green Border,” a gripping drama from the prolific Polish director that plays in competition at the Venice Film Festival.

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Agnieszka Holland’s ‘Green Border’ Debuts Clip Ahead of World Premiere in Venice Competition (EXCLUSIVE)

Leo Barraclough International Features Editor Triple Oscar nominee Agnieszka Holland’s “Green Border,” which will premiere in competition at the Venice Film Festival, before going onto Toronto Film Festival and New York Film Festival, has sold to multiple territories. Variety has been granted access to an exclusive clip from the film, and Holland’s notes on the production, which we quote from below, again exclusively.

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Agnieszka Holland, Wim Wenders, Aki Kaurismaki, Hamaguchi Ryusuke Feature in Toronto Centrepiece Program

Naman Ramachandran Auteurs Agnieszka Holland, Wim Wenders, Hamaguchi Ryusuke and Aki Kaurismaki are among the filmmakers featured in the Toronto International Film Festival’s (TIFF) Centrepiece program. The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.

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New York Film Festival Unveils Main Slate For 61st Edition

Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.

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Venice 2023: New Films From Bradley Cooper, David Fincher, Sofia Coppola and…Woody Allen

The red carpet may not have as many stars as in previous years, but the 2023 edition of the Venice Film Festival will feature a slew of highly anticipated films. And, likely, their directors taking center stage.

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Facts About Agnieszka Holland

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