Rodrigo Moreno: Last News

The Berlinale has unveiled the jury for its main Competition as well as those for the sidebars of its 75th edition running February 13 to 23.

EXCLUSIVE: TV industry veteran Katharina Feistauer has joined film service Mubi.

EXCLUSIVE: Arizona Distribution has acquired French rights for Argentinian director Federico Luis’s first feature Simon of the Mountain ahead of its world premiere in Cannes Critics’ Week in May.

Rafa Sales Ross Guest Contributor Tamara Tatishvili is going full steam into her first edition of the International Film Festival Rotterdam, which runs Jan. 25 – Feb. 4, following her appointment as the head of the festival’s funding arm, the Hubert Bals Fund.

Nick Vivarelli International Correspondent Though the Red Sea Film Festival will feature a slew of films from the Middle East and North Africa (MENA) region – including 11 feature films from Saudi Arabia – there is a rich roster of international fare set to launch locally from Jeddah. Kaleem Aftab, the festival’s director of international programming, says they received lots more submissions for this year’s third edition.

An Iranian American woman navigating culture clash, an Argentine bank heist and an animated ghost story voiced by Stephen Fry and Hugh Laurie debut this weekend with a handful of docs and some notable expansion, vying with Apple wide release Killers Of The Flower Moon.

Academy Awards. The film had its debut in the Critics’ Week section of the Cannes film festival in May and was directed by first-time feature filmmaker Amanda Nell Eu. The announcement was made on Thursday by Malaysia’s Communications and Digital Minister Fahmi Fadzil following selection by the National Film Development Corporation (FINAS). The film was a eight-way coproduction involving companies from Malaysia, Taiwan, Singapore, France, Germany, The Netherlands, Indonesia and Qatar, and emerged from a succession of labs, project markets and international funds. Since winning the Grand Prix at the Critics’ Week, “Tiger Stripes” has been a popular choice on the festival circuit, with stops so far at Neufchatel, The Hamptons, Sitges, London, Fantasia, Taipei and next week’s Pingyao events.Dir. Amanda Nell Eu. International sales: Films Boutique. All submissions and materials for the 2023 race must be received by the Academy of Motion Pictures Arts & Sciences by 5 p.m. on Oct. 2. And films must meet all the qualifying conditions between Dec. 1, 2022, and Oct. 31, 2023. A shortlist of 15 will be announced on Dec. 21. Final nominees will be announced on Jan. 23, 2024. The 96th Academy Awards is set to take place on March 10, 2024. Argentina, the South American country with the best Academy Awards history, has chosen as its Academy Awards submission “The Delinquents,” Rodrigo Moreno’s incorrigibly playful heist movie, which world premiered at Cannes Un Certain Regard, delighting critics.

Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.

Marie Amachoukeli’s Ama Gloria has won the Best International Film Prize at the 40th edition of the Jerusalem Film Festival, running from July 13 to July 26.

Jessica Kiang Most of us know the illicit rush of the sick day slyly pulled when you’re not really sick. The turning you ignore on your commute, but that one day, for no real reason, you take. Oh, that sudden, intoxicating sniff of freedom! It’s perhaps the closest thing that many of us get as adults to the ceaseless adventure we thought, as children, we’d be living. Argentinian writer-director Rodrigo Moreno’s delightful “The Delinquents” knows the feeling too. Over the course of its droll, meandering, indefinably strange three hours, it may well persuade you that the crazy thing is not to break from your normal routine. The crazy thing is to ever go back. Filmmakers have long been attracted to the heist format for the high drama it can generate, but Moreno begins his movie with a bank robbery so banal it’s hard to believe that’s actually what is going on. And yet, at the end of a workday in a basement lock-room, here is balding bank worker Morán, played with a perfectly defeated air of middle-management moral relativism by Daniel Elias, packing wads of notes into a concealed duffel bag. The vault is no gleaming piece of “Mission: Impossible” engineering, but a scuffed, scruffy cell in which the note-counting machine keeps getting stuck mid-riffle. Even the vault door looks like it’s fed up of being a vault door, and is only continuing to function as such because that is all it knows. 

EXCLUSIVE: Here at the Cannes Film Festival, Mubi has taken rights in North America, UK, Italy, Latin America, Turkey, India and Benelux to Un Certain Regard movie The Delinquents (Los Delincuentes).

Manori Ravindran Executive Editor of International Magnolia Pictures International has acquired worldwide sales rights — including U.S. sales rights — to heist comedy-drama “The Delinquents” from Argentinian writer-director Rodrigo Moreno (“The Custodian”). The film will world premiere as part of the Un Certain Regard section at the Cannes Film Festival. In “The Delinquents,” the routine lives of two bank employees, Morán and Román, break down when Morán steals a small fortune from the bank’s vault. On the run, he glimpses a possible alternative to the gray life he’s been living and, in addition, falls in love. But he is forced to choose between this radical alternative and following through on his heist plans, so he resigns himself to a short prison stint. His colleague Román, unwillingly in possession of the stolen money, feels trapped by the secret he’s keeping; his paranoia increases until he too finds a way out, and also discovers a new love. But, bound by their common destiny (highlighted by the similarity of their names), the two protagonists are inevitably drawn together again.