Angela Schanelec - celebsbar.com

EXCLUSIVE: Cinema Guild has acquired U.S. distribution rights to Debora Stratman’s well-received latest Last Things, which premiered in the New Frontiers section at this year’s Sundance Film Festival.

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New York Film Festival Unveils Main Slate For 61st Edition

Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.

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Cinema Guild Takes N. America On Pedro Costa’s Cannes Title ‘The Daughters Of Fire’; Plots Hong Sangsoo’s ‘In Water’ Double Bill

EXCLUSIVE: Cinema Guild has acquired North American distribution rights for Portuguese director Pedro Costa’s short film The Daughters of Fire, following its buzzy world premiere in Cannes this year.

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Angela Schanelec Gives Oedipus Myth a Post-Modern Makeover in Berlin Competition Title ‘Music,’ in Which Songs Are a Healing Balm (EXCLUSIVE)

Leo Barraclough International Features Editor Berlinale competition film “Music” opens with gray clouds racing across the face of a Greek mountain as a storm prepares to break. It is a suitably dramatic prelude to the tumultuous events that will unfold, albeit rendered in an understated manner by German director Angela Schanelec, who won the Berlinale best director award in 2019 for “I Was at Home, But.” As the storm lifts, an abandoned baby boy is rescued a paramedic, who names him Jon. Years later, Jon, now a young man, kills another man, accidentally, and ends up in prison. Here, he is tended to by a female guard, Iro, as his eyesight begins to deteriorate. When he is released, the two get married and have a child. But several years later, his wife discovers a terrible secret.

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Berlinale Competition Film ‘Music’ Finds U.S. Distribution With Cinema Guild (EXCLUSIVE)

American distribution following its world premiere at the Berlin Film Festival. Cinema Guild will release the film in theaters following its North American festival premiere later this year. The film tells the story of a a pair of wayward young people who abandon theirnewborn child on a stormy night in the mountains of Greece. Taken in by a family of farmers, Jon grows up without knowing his father or mother. Years later, after a tragic accident, he is sent to prison, where he meets Iro. The two form a connection, expressed through music, that will, by turns, haunt them and uphold them the rest of their days. Freely inspired by the story of Oedipus, Schanelec’s latest is as terrifying as myth and as gentle as a folk song.

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‘Music’ Review: Angela Schanelec’s Radically Mystifying But Rewarding Riff on ‘Oedipus Rex’

Jessica Kiang Writing about music is like dancing about architecture, the maxim goes. And writing about “Music,” the latest beautiful and strange deep-niche arthouse artifact from uncompromising formalist Angela Schanelec, feels like a similarly doomed proposition. The limitations of language are seldom as apparent as when grappling with the silvery elisions and crisp, cryptic omissions of this glancing take on Sophocles’ “Oedipus Rex.” Schanelec is unlikely to vastly expand her fanbase here, but the tiny, fervent following she has accrued over the course of now 10 fantastically intricate features may be more than ever entranced by the fertile illogic of “Music,” a postmodern expression of a premodern text.

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Genre Diversity Key in German Films

Ed Meza @edmezavar German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun. The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest. Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.

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‘Music,’ Angela Schanelec’s Take on Oedipus Myth, Debuts Trailer Ahead of Berlin Premiere (EXCLUSIVE)

Leo Barraclough International Features Editor Angela Schanelec’s “Music,” which will have its world premiere on Feb. 21 in competition at the Berlinale, has debuted its trailer with Variety. The film, which stars Aliocha Schneider and Agathe Bonitzer, is freely inspired by the myth of Oedipus. International sales are handled by Shellac. Found at birth abandoned on a stormy night in the Greek mountains, Jon is taken in and adopted, without having known his father or mother. As a young man, he meets Iro, a warden in the prison where he is incarcerated after a deadly tragic accident. She seems to seek out his presence, takes care of him, records music for him.

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Facts About Angela Schanelec

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Angela Schanelec: Last News

All news where Angela Schanelec is mentioned

Facts About Angela Schanelec

Who is Angela Schanelec?

Why is Angela Schanelec in the spotlight?

Where can I find the latest news about Angela Schanelec?

Is there a full biography of Angela Schanelec available?

What are the most talked-about moments involving Angela Schanelec?