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AFI Dean Susan Ruskin Talks Future of Filmmaking
Malina Saval Associate Editor, Features Since joining the American Film Institute faculty as dean and executive vice president in July 2019, Susan Ruskin has kept a steady eye on what lay next in the field of film school education. Ruskin, Variety Entertainment Educator of the Year, discusses why TV and film are more alike than different, what advances in technology means for screenwriters and why film school is still a rock solid bet when it comes to forging a career in the cinematic arts.  With so many avenues to break into the biz, why choose AFI?  There are many different pathways to get into the industry, but I do believe that film school offers one thing that going straight into the industry does not–and that’s a safe place to fail, and a place to meet your collaborators for life. And that is a fast track to success that you cannot get without the sort of protection of being in a space where you get the opportunity to make things and fail at making things and figure out who you are as a storyteller. One of the greatest strengths about AFI is that you come into the discipline that you want for your MFA and you have a very bespoke curriculum. And at the same time, you’re making at least three movies in your first year. We’re doing upwards of 175 productions. You get that opportunity to collaborate. And I don’t know a better way of doing it. 
variety.com
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WME Hires Samantha Korn as Comedy Talent Agent, Carly Frankel Joins Digital Department (EXCLUSIVE)
Joe Otterson TV Reporter WME has hired Carly Frankel as an agent in the digital department and Samantha Korn as an agent in the talent department focused on comedy, Variety has learned exclusively. Frankel will focus on the agency’s podcasting business, including the comedy, personal development, and narrative nonfiction verticals. Prior to joining WME, she was senior development executive at Wondery, having originally joined the company in 2019. In that role, she worked across creative and business development to identify original podcast concepts and to bring them to production. She was previously at Wondery where she most recently served as a senior development executive, working across creative and business development to both identify hit original podcast concepts and bring them to production. Following Wondery’s acquisition by Amazon Music in 2021, Frankel was instrumental in designing the company’s consolidated greenlight and deal protocols for original programming. She is based in WME’S Beverly Hills office.Korn comes from “The Late Show with Stephen Colbert,” where she most recently served as a creative executive for Colbert’s production company, Spartina. Prior to that, she started her professional career at CAA and went to “The Late Show” to work for then-executive producer and showrunner Chris Licht. In addition to “The Late Show” and its associated specials, her credits include “Pickled” for CBS and “Tooning Out the News” for Paramount+. She is also based in the Beverly Hills office.

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