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While Southeast Asian films have premiered at the Cannes Film Festival many times before, and even won the Palme d’Or, there’s an energy around the region this year that we haven’t felt on the Croisette at previous editions.

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Singapore Funding Behind Two Cannes Festival Films

Patrick Frater Asia Bureau Chief Funding from Singaporean state sources is involved in two features that make their debut at the Cannes Film Festival this month. A third film, “The Breaking Ice,” is directed by Singapore-born filmmaker Anthony Chen. “We are absolutely thrilled that we have the most number of Made with Singapore films debuting in Cannes this year,” said Justin Ang, assistant chief executive of media, innovation, communications and marketing at Singapore’s InfoComm Media Development Authority.Malaysian-produced “Tiger Stripes,” which will play in the Critics’ Week section, and Vietnamese-made “Inside the Yellow Cocoon Shell,” which will play in the Directors’ Fortnight section, both received cash injections from the Southeast Asia Co-Production Grant under the ‘Media Talent Progression Programme,’ which is backed by the Singapore Film Commission and the IMDA.

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‘Tiger Stripes,’ Malaysian Film at Cannes, Unveils Feisty First Trailer (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Debut feature “Tiger Stripes” has already amassed several firsts – it is the first Malaysian film in Cannes for several years and director Amanda Nell Eu is the country’s first female helmer selected for a festival appearance – and it is now releasing its first trailer. The film, which will play in the Cannes Critics’ Week section is the tale of an 11-year-old girl who starts to experience horrifying changes to her body. Eu says that the film is both a metaphor for issues of female identity and the arrival of puberty and also a body horror entertainer. “This comes from my dark sense of humor. People always label young girls as little monsters. They say that teenage girls are emotional or crazy or hysterical. So, my thinking was ‘why don’t I tell a story about a young girl who actually does turn into a monster’ and let me show you what a monster is. It is a metaphor and a genre film,” she told Variety.

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Cannes’ Critics Week Unveils Lineup of 62nd Edition

Elsa Keslassy International Correspondent Rolling off a successful edition that premiered Charlotte Wells’ celebrated film “Aftersun” with Paul Mescal, Cannes’ Critics Week is back with an international lineup spanning South Korea and Malaysia to France and Jordan, among others. The Critics Week sidebar runs parallel to the Cannes Film Festival, and focuses on first and second films. Under the leadership of artistic director Ava Cahen since last year, the lineup will boast 11 feature films chosen from 1,000 submitted movies. Out of these 11 movies, seven are feature debuts and six are directed by women. Among them is “Ama Gloria,” directed by French helmer Marie Amachoukeli, who previously won Cannes’ Golden Camera for “Party Girl” which she co-directed with Claire Burger and Samuel Theis.

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Indonesia’s KawanKawan Media Wraps ‘Gaspar,’ Reveals Extensive Slate (EXCLUSIVE)

Naman Ramachandran Prolific Indonesian producer KawanKawan Media, which has Makbul Mubarak’s “Autobiography” in competition at the Venice Film Festival’s Horizons strand, has a raft of projects on its slate. The company, led by Yulia Evina Bhara, scored a hat trick of wins at Locarno over the last few years with Yosep Anggi Noen’s “The Science of Fictions” (2019), Carlo Francisco Manatad’s “Whether the Weather Is Fine” (2021) and Ming Jin Woo’s “Stone Turtle” (2022), and won an award at CPH:DOX for Fanny Chotimah’s documentary “You and I” in 2020. Noen’s “Gaspar,” which is set in the Javanese city Semarang in 2032 and is an adaptation of Sabda Armandio’s novel “24 Hours of Gaspar,” has just wrapped production. It stars Reza Rahadian, Shenina Cinnamon, Laura Basuki, Sal Priadi, Kristo Immanuel and Dewi Irawan.