Kelly Reichardt: Last News

Michelle Williams doesn’t quite know how to describe it.There’s just this thing that comes over her when she’s on a movie set, granting her a transportive ability to shape-shift and access untapped reservoirs of emotion somewhere between the time a director yells “action” and “cut.”“Everything opens up,” she says. “And I’ve found that the more I practice acting, the better I can navigate this kind of dream space. It’s a space where you don’t really exist.

Brent Lang Executive Editor of Film and MediaMichelle Williams is expecting her third child. The Oscar-nominated actress, 41, and her husband Thomas Kail, 44, will welcome the baby this fall, Variety has learned.“It’s totally joyous,” Williams tells Variety. “As the years go on, you sort of wonder what they might hold for you or not hold for you.

The 2022 edition of the Cannes Film Festival will include a record number of films directed or co-directed by female filmmakers, one year after Julia Ducouranu’s “Titane” took home the festival’s top award.

The 2022 edition of the Cannes Film Festival will include a record number of films directed or co-directed by female filmmakers, one year after Julia Ducouranu’s “Titane” took home the festival’s top award.

Claudia Eller Co-Editor-in-ChiefIt’s beyond distressing how women directors continue to get short shrift at Cannes.How could it be that this year only three movies helmed by females will be contenders in the main competition of the world’s most prestigious film festival?It’s horribly disappointing, but far from shocking, given that last year only four out of 21 competition titles were directed by females and considering Cannes’ poor track record when it comes to recognizing women filmmakers competing throughout its 75-year history. After all, just two movies by women directors, Jane Campion’s “The Piano” and Julia Ducournau’s “Titane,” have ever won the coveted Palme d’Or.Of course, I’m thrilled for director Kelly Reichardt (“Showing Up”), Valeria Bruni Tedeschi (“Forever Young”) and Claire Denis (“Stars at Noon”), but nonetheless their movies represent a meager portion of the 18 titles in competition at Cannes.

Wilson Chapman editorThe official poster for the 75th Annual Cannes Film Festival has been released, paying tribute to Peter Weir’s beloved film “The Truman Show.”First released in 1998, “The Truman Show” stars Jim Carrey as a man who has spent his entire life unknowingly raised as the subject of a 24/7 reality show. The Cannes poster captures a moment from the climax of the film where Truman escapes from the set of the show, discovering that the sky is a painted wall with a staircase leading to the exit.

Cannes Directors’ Fortnight has unveiled its line-up for 2022. Scroll down to see the full list.

Elsa Keslassy International CorrespondentA few hours after unveiling Cannes Film Festival’s 2022 Official Selection on the Champs Elysees, artistic director Thierry Fremaux sat down with Variety to discuss the festival’s drive to not give in to calls for a cultural boycott of Russian films and filmmakers, efforts to have more female directors in competition, discussions to bring back streamers in a near future and what those rumors about David Lynch in the lineup were about. The all-star competition lineup of this upcoming 75th edition boasts no less than four Palme d’Or winning directors, including Japanese master Kore-eda Hirokazu (Japan) and Swedish helmer Ruben Ostlund (“Triangle of Sadness”), as well new films by David Cronenberg (“Crimes of the Future”), Kelly Reichardt (”Showing Up”), James Gray (“Armageddon Time”) and dissident Russian director Kirill Serebrennikov (“Tchaïkovski’s Wife”).

The 75th Cannes Film Festival, which runs May 17-28, was already due to be a starry affair with the likes of Tom Cruise in Top Gun: Maverick and Baz Luhrmann’s Elvis screening out of competition. Today it got even hotter with a strong Official Selection that should make for glamorous red carpets, but one that will likewise treat serious subject matter.

Elsa Keslassy International CorrespondentThis year’s crop of filmmakers at the Cannes Film Festival don’t represent a new benchmark in terms of gender diversity. Since becoming the first international festival to sign a gender parity pledge in 2018, Cannes has failed to make substantial progress in ramping up the representation of female directors in competition which remains dominated by male directors.Cannes director Thierry Fremaux told Variety last week that he was aiming to “hopefully” have a “stronger presence of female directors” in 2022.

Crimes Of The Future, starring Lea Seydoux, Kristen Stewart and Viggo Mortensen. It takes place in the not-so-distant future where humankind has evolved and is “learning to adapt to its synthetic surroundings”.Other films in the running for the festival’s top prize include new outings from filmmakers Claire Denis, Kelly Reichardt, Arnaud Desplechin, Jean-Pierre and Luc Dardenne, James Gray and Hirokazu Kore-eda.Top Gun: Maverick and Baz Luhrmann’s Elvis Presley biopic were previously announced for the festival, although they’ll be played out of competition.

The number of female filmmakers selected for Cannes Film Festival’s Competition program dipped this year, with three of the 18 titles unveiled this morning helmed by women. However, because the selection is smaller this time, the percentage remained consistent.

Not only is the Cannes Film Festival returning to its traditional May timeframe for its 75th edition, but the easing of the pandemic means non-European attendees will no longer have to be tested for COVID every other day. Oh, and big world premieres are on tap too, of course.

Nick Vivarelli International CorrespondentAmerican auteur Kelly Reichardt, an icon of the international film community thanks to her signature “slow cinema” style, will be honored by the Locarno Film Festival with its Pardo d’onore Manor lifetime achievement award.Since making her acclaimed 1994 debut “River of Grass,” Reichardt has followed her own singular orbit as a true outlier of indie cinema over the course of nearly quarter of a century and a dozen works including “Old Joy,” “Wendy and Lucy,” “Meek’s Cutoff,” “Night Moves,” and “First Cow” — which opened Locarno in 2020 — that have cemented her reputation as one of the most distinctive voices in cinema today.Reichardt’s new pic “Showing Up” is tipped to premiere in Cannes in May. The Swiss fest dedicated to indie and cutting-edge cinema in a statement described Reichardt’s films, which she also edits, as being “characterized by intense research on realism and hallmarked by proudly independent creative and production processes.”“Rewriting the codes of popular genres — thriller, western, road movie — has allowed Reichardt to shift her gaze to new, previously marginalized standpoints that reveal her unusual approach, bringing to the fore topical, urgent issues such as female empowerment and the ecological crisis,” the Locarno statement also said.Locarno’s artistic director Giona A.

Elsa Keslassy International CorrespondentAs the Cannes Film Festival will announce its Official Selection on Thursday, Variety is starting to get a slightly clearer picture of what 75th edition will look like, though fewer titles than usual have leaked. Led by Cannes’ artistic director and general delegate Thierry Fremaux, the selection committee has been flooded with late submissions and is now in the thick of deliberations.Most surprisingly, according to two well-informed sources, there will even be a David Lynch feature film which has been completely off the radar and stars Laura Dern — either as a cameo or a supporting role — along with some other Lynch regulars.We already know the sun-dappled celebration will land several high-profile films from U.S.

Film at Lincoln Center and The Museum of Modern Art has set Audrey Diwan’s Happening and The African Desperate by Martine Syms will bookend the 51st edition of their collaboration, New Directors/New Films running April 20–May 1 in NYC.

Wilson Chapman editorGolden Lion winner “Happening” will open the 2022 New Directors/New Films Festival, Film at Lincoln Center and the Museum of Modern Art announced Tuesday.Now in its 51st year, the New Directors/New Films Festival screens the best films made by young filmmakers, many of which tend to be their debut features. The festival has served as an early showcase for many notable directors, including Ryusuke Hamaguchi, Kelly Reichardt, Pedro Almodóvar, Spike Lee, Lynne Ramsay, Michael Haneke, Wong Kar Wai, Guillermo del Toro and Luca Guadagnino.

Marta Balaga Thai cinematographer Sayombhu Mukdeeprom – whose films include Luca Guadagnino’s Oscar nominee for best picture “Call Me by Your Name” and Apichatpong Weerasethakul’s Palme d’Or winner “Uncle Boonmee Who Can Recall His Past Lives,” and who recently lensed Netflix thriller “Beckett” – received the third Robby Müller Award on Thursday, following in the footsteps of Mexican DP Diego García and American director Kelly Reichardt.The trophy is given out by International Film Festival Rotterdam, the Netherlands’ Society of Cinematographers and Andrea Müller-Schirmer.“When he films empty space, it becomes clear that it was actually never empty,” argued the jury, but Mukdeeprom was also feted by his illustrious collaborators, from Guadagnino and Tilda Swinton to “Arabian Nights” helmer Miguel Gomes. “You came to work for one year, not knowing what we were going to shoot or how, so I think you are kind of crazy.

Matt Donnelly Senior Film WriterThe small and powerful Sundance drama “A Love Song” has found worldwide distribution in Sony’s Stage 6 Films and Bleecker Street, Variety has learned exclusively.The acclaimed two-hander about love, loss and loneliness is led by Dale Dickey (“Winter’s Bone,” “Hell or High Water”) and honorary Academy Award winner Wes Studi (“Hostiles,” “The Last of the Mohicans”).The film, sitting at 93% Fresh on critic aggregator Rotten Tomatoes, marks the writer-director debut of Max Walker-Sliverman. Bleecker Street will release the film to domestic theaters this summer, while Stage 6 is currently charting the international release strategy.Dickey plays Faye, a wanderer who stations herself at an idyllic \ campsite in the Colorado Mountains – cooking simple meals, retrieving crawfish from a trap, and scanning her old box radio for a station.

Peter Debruge Chief Film CriticThe same day faded-romance drama “A Love Song” screened for the Sundance Film Festival, I caught an interview with Marilyn Bergman on NPR in which the late lyricist described the time director Richard Brooks came to her and partner Alan with a request: “I want you to write me a song that is to appear twice in [“The Happy Ending”]. Early in the film, I want it to function perhaps as a proposal of marriage between these two young lovers,” he said to them.

The New York Film Critics Circle has kicked off its voting Friday morning for its 2021 awards, with the group taking its customary place as an early barometer of the movie-kudos season.