Kelly Reichardt - celebsbar.com

U.S. director Harmony Korine will be heading to Switzerland this summer to receive an honorary award at the 76th edition of the Locarno Film Festival, running from August 2 to 12.

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‘Showing Up’ Review: Exhibitionism

River of Grass, Reichardt has specialized in quietly moving, minimalist dramas that probe at questions of class, friendship, and survival on the margins of both contemporary and 19th century America.And Williams has been her most rewarding collaborator, giving a career-best performance as an out-of-luck drifter in 2008’s indie hit Wendy and Lucy before starring in the Oregon Trail period piece Meek’s Cutoff (2011) and the stirring anthology film Certain Women (2016). In Showing Up (★★★★☆), Reichardt’s latest sharply woven drama (co-written, as usual, with Jonathan Raymond), the actress reaffirms the richness of this creative partnership with an achingly real performance as a small-time sculptor navigating the indignities of daily life.Williams is near-unrecognizable as Lizzy, a frumpy, quietly struggling young artist whose face seems contorted in a perpetual pout of frustration.

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Cannes Film Festival: Record Number Of Female Filmmakers To Play In Competition

The Cannes Film Festival revealed the lineup for its 76th edition Thursday morning, and the Official Selection featured a record number of films directed by women filmmakers set to play in Competition.

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‘Joyland’ Rocks Film Forum In Solid Arthouse Weekend – Specialty Box Office

Oscilloscope Laboratories’ Cannes Jury Prize Winner and Independent Spirit international film winner Joyland led New York’s Film Forum to one of its biggest opening weekends for a foreign language film in nearly a decade, taking in north of $21k on one screen, the distributor said. Buoyed by strong reviews and strategic marketing, the film by Saim Sadiq sold out nine showtimes, with the theater adding additional shows.

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Rachel Zegler and Alicia Silverstone to star in Jonah Hill-produced A24 comedy ‘Y2K’

Y2K.The film is set to be helmed by Saturday Night Live alumnus Kyle Mooney in his directorial debut.

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Hong Chau Joins Matt Damon In Apple Original Films’ ‘The Instigators’

EXCLUSIVE: Fresh off her Oscar-nomination for her role in A24’s The Whale, Hong Chau has found her next project as she is set to join Matt Damon and Casey Affleck in in The Instigators for Apple Original Films. Apple recently landed the coveted package, which has Doug Liman on board to direct.

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A24 Strikes Multi-Picture Deal With Canada’s Sphere Films (EXCLUSIVE)

Manori Ravindran International Editor Canada’s Sphere Films has signed a multi-picture deal with A24 that will cover nine of the U.S. studio’s films in the Canadian market. Under the deal, Sphere Films will theatrically release pics including Charlotte Wells’ Cannes breakout “Aftersun,” which is currently screening as part of TIFF, and Ari Aster’s “Disappointment Blvd.” starring Joaquin Phoenix. The latter is believed to be A24’s biggest production to date. The A24 deal comes off the back of Sphere Films’ acquisition of MK2 Mile End in April. Charles Tremblay, former boss of MK2 Mile End and now the president of Sphere Films, said: “We felt that by joining a larger media company like Sphere that would help our chances of being a larger distributor than on our own.”

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‘A Perfect Day for Caribou’ Review: Fathers and Sons Get Lost and Found in a Winning Monochrome Miniature

Guy Lodge Film CriticA cemetery is not an auspicious choice of rendezvous point for an estranged father and son arranging what might be one last meeting in “A Perfect Day for Caribou,” but the dry joke of Jeff Rutherford’s tender, affectingly reserved first feature is that things get more melancholic still when they leave its glum confines. Set over the course of a single day on the fringes of some dead American anytown, this at once quiet and talkative two-hander covers no especially new ground, but strides known territory with a keen eye for lonesome landscapes, and an ear for the eternal communicative impasse felt by men who know each other all too well and not at all. Sturdy, thoughtful performances from Jeb Berrier and, in particular, rising star Charlie Plummer should hook distributor interest in this low-key indie following its premiere in Locarno’s newcomer-oriented Cineasti de Presente strand.

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New York Film Festival Unveils 2022 Slate, With New Movies From Claire Denis, Kelly Reichardt and Paul Schrader

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

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New York Film Festival Sets Main Slate For 60th Edition

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

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‘I Don’t Want to Spend My Life Chasing Financing’: Locarno Honoree Kelly Reichardt Doesn’t Have to Prove Herself Anymore

Marta Balaga There has been an outpouring of love for Kelly Reichardt as of late, with the “Showing Up” helmer awarded a Carrosse d’Or at Cannes – only the fourth woman to be honored this way – and now a Pardo d’Onore Manor at Locarno.But it hasn’t always been smooth sailing for the U.S. director, described by the Swiss festival as a “committed, political and independent auteur.”“Things have gotten easier over time,” Reichardt tells Variety ahead of the event, looking back on her 28-year career.“I have done a lot of work in the last two decades and I work in a similar kind of mode and budget size. People are familiar with my producers and know them to be very reliable people.

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‘The Integrity of Joseph Chambers’ Review: Clayne Crawford Goes Hunting for Trouble in Spare Indie Drama

Peter Debruge Chief Film CriticIn “The Integrity of Joseph Chambers,” Clayne Crawford plays a middle-class insurance salesman who wakes up, shaves his mustache into something from the Chuck Norris/Burt Reynolds catalog of masculinity, kisses his wife Tess (Jordana Brewster) goodbye and sets out for an early morning hunting expedition. Say what you will about the Second Amendment, but Joseph Chambers has no business bearing arms, and this trip seems like a recipe for trouble.Writer-director Robert Machoian’s follow-up to “The Killing of Two Lovers” unspools like a stripped-down, one-man “Deliverance”: No group of buddies on a weekend canoe trip. No dueling banjos.

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Pregnant Michelle Williams Attends the Photo Call for 'Showing Up' at Cannes 2022

Michelle Williams arrives at the photo call for “Showing Up” at Palais des Festivals on Saturday (May 28) in Cannes, France.

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‘Showing Up’: For Michelle Williams & Kelly Reichardt, Their Cinema Is About Discovering “Another Layer” – Cannes

Filmmaker Kelly Reichardt’s work with Michelle Williams has spanned four movies now with the Cannes Film Festival closer Showing Up.

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Cannes Review: Michelle Williams In Kelly Reichardt’s ‘Showing Up’

Kelly Reichardt has been making minimal Americana since the early 1990s, mostly around the state of Oregon where she lives and mostly about her favored awkward squad: quiet square pegs who don’t quite fit the round holes society provides. In this ongoing quest she has found many collaborators, but none more attuned to her recessive brand of naturalism than Michelle Williams.

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‘Showing Up’ Review: Michelle Williams in Kelly Reichardt’s Exquisite Minimalist Drama of Art and Life in Portland

Owen Gleiberman Chief Film CriticLizzy Carr (Michelle Williams), the central character of Kelly Reichardt’s “Showing Up,” is a sculptor who is finishing up a series of ceramic figures she’ll be presenting in a gallery show. We see her working, throughout the movie, on the small clay statues — all women, each one about a foot tall, some mounted on rods, all with an intentionally rough, patchy surface that may look awkward and unpolished if you’re close up to it, but when you stand back a bit you see the aesthetic elegance of her style. (Giacometti would understand.) She’s making sculptures of female characters who look a bit ghostly in their lack of perfect line, but that’s part of their design (they all appear a little tormented), and that quality is balanced by the delicate surprise colors they’re painted with, which express their inner life.

Michelle Williams Kelly Reichardt Williams USA state Oregon county Williams city Portland show art

Pregnant Michelle Williams Hits the Red Carpet for a Screening of Her Movie 'Showing Up' at Cannes 2022

Michelle Williams hits the red carpet for a screening of her new film Showing Up at the 2022 Cannes Film Festival on Friday (May 27) in Cannes, France.

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Cannes Awards Predictions: Can the Dardennes Win the Palme d’Or a Third Time?

Clayton Davis The 2022 Cannes Film Festival is nearing its conclusion, and soon the jury will be selecting awards for this year’s impressive, albeit quieter, slate of films. After last year’s “Titane” from Julia Ducournau made history as the first female-directed film to fully win the Palme d’Or (Jane Campion’s “The Piano” tied with “Farewell My Concubine” in 1993), at this point in the festival, it doesn’t seem likely that a woman-directed project will walk away with it this year.“Forever Young” by French-Italian director Valeria Bruni Tedeschi seems to be the only film directed by a woman that has so far invoked any passion for bringing it to the finish line.

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Cannes Has Record Number of Female Filmmakers, But Lots of Ground to Make Up

Cannes Film Festival is making efforts to diversify beyond the cavalcade of many of the same male auteurs. Instead, there will be a record number of women directors in competition.Now the bad news.

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‘Holy Spider’ Producers Look to Hit High Note With Jazz Drama ‘Köln 75’ (EXCLUSIVE)

Christopher Vourlias Berlin-based One Two Films, in Cannes this week with Ali Abbasi’s competition title “Holy Spider,” is prepping a new feature from writer-director Ido Fluk, the filmmaker behind 2016 Tribeca selection “The Ticket.”“Köln 75” tells the true story of Vera Brandes, who, in 1975 and at the age of 17, staged the famous Köln Concert by jazz musician Keith Jarrett, which became the top-selling jazz solo album of all time. It stars Mala Emde (“And Tomorrow the Entire World”) in the lead role, alongside John Magaro (“First Cow”) as Jarrett.

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