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‘Cocaine Bear’ Star Aaron Holliday Joins ‘Faces of Death’ Remake From ‘How to Blow Up a Pipeline’ Helmer Daniel Goldhaber (EXCLUSIVE)
John Bleasdale Guest Contributor “Cocaine Bear” and “Euphoria” actor Aaron Holliday has joined a remake of “Faces of Death” from “How to Blow Up a Pipeline” director Daniel Goldhaber. The project began filming on Monday in New Orleans. Holliday will join cast members Barbie Ferreira (“Euphoria”) and Dacre Montgomery (“Stranger Things”), who Legendary had previously announced. Helmer Goldhaber’s most recent film “How to Blow Up a Pipeline” is currently on international release, from a script co-written with Isa Mazzei, a regular collaborator who co-wrote his first feature, “Cam,” in 2018. Holliday recently broke out in Elizabeth Banks’ buzzy horror comedy “Cocaine Bear” for Universal Pictures. He stars in the Lord-Miller produced comedy-thriller alongside Keri Russell, Ray Liotta, Margo Martindale, and Jesse Tyler Ferguson. Holliday recently wrapped a leading role in James Kimball’s feature debut “For the Night,” alongside Will Block and Odessa A’zion. He also appeared in the Season 2 finale of HBO’s “Euphoria,” playing ‘Skye’ opposite Jacob Elordi and Eric Dane.
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‘How to Blow Up a Pipeline’ Review: Climate Activism Gets Explosive in a Taut Indie Drama
Dennis Harvey Film Critic Even among many who’ve grasped the scientific evidence, or experienced escalating weather extremes, climate change remains an abstraction for most — something too large and vague to trigger urgent emotional response. Not so the fictive activists in “How to Blow Up a Pipeline,” inspired by Andreas Malm’s nonfiction tome of the same name. Though diverse in background and motivations, the eight individuals here drawn together to attack an oil conduit in Texas share a sense that the planetary environmental crisis is immediate, and the time for gently chiding protests past.  Whether their actions constitute “eco-terrorism” and whether violence of any kind is ever justifiable in the service of progress are questions Daniel Goldhaber’s sophomore feature duly grapples with. Still, its degree of moral self-examination is unlikely to appease climate deniers, who’ll likely decry the film (if they notice it at all) as a recruitment poster for aspiring saboteurs. It’s more nuanced than that, but this strong, straightforward drama-cum-thriller about a divisive topic will nonetheless primarily appeal to viewers on the left side of the political dial. Neon is releasing to U.S. theaters on April 7.

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