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variety.com
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Tiptoeing Towards Regional Coproductions, Asian Governments Take Funding, Reform Steps
Patrick Frater Asia Bureau Chief Governments and agencies across Asia are taking steps to expand and extend the cross-border film coproduction movement. A seminar called ‘From Eurasia to Global Collaboration’ on Thursday, the third day of the Taiwan Creative Content Fest, represented a handy recap of funding and structural developments from four countries: The Philippines, Indonesia, Malaysia and Turkey. Alex Sihar, from Indonesia’s directorate of culture, part of the ministry of education, described an ongoing process intended to put the industry on a more professional footing. “While we have a long history of filmmaking and a very diverse culture, our films until recently have had very little international exposure, there has been little knowledge transfer and no incentives for location shooting or co-production.” Film policy was previously stretched across multiple ministries, but is now to be overseen by a film department under the education ministry, which is newly separated from educational matters.Co-productions are to be further encouraged and the country’s matching fund (which doubles up on funding available from the likes of the World Cinema Fund, TAICCA and Purin Pictures) is likely to be expanded. Indonesia is also a founder member of the Asian Film Alliance Network (AFAN, alongside Mongolia, Singapore, Taiwan, The Philippines, South Korea and Malaysia). Marylo Christine H.
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Daniel Hui, Martika Ramirez Escobar Projects to Receive Grants From Purin Pictures
Patrick Frater Asia Bureau Chief Purin Pictures, a non-profit film fund supporting independent cinema in Southeast Asia, has unveiled $170,000 of grants in its autumn funding round. Its reading committee chose three fiction and two documentary projects for production support and one fiction project for post-production support. The fiction films are “Daughters of the Sea,” a story of three intertwined lives, to be directed by Martika Ramirez Escobar (“Leonor Will Never Die”) and produced by Monster Jimenez and Rajiv Idnani, through Philippines company Arkeo Films; writer-director and editor Daniel Hui’s “Other People’s Dreams,” about two runaways who become invisible thieves in Singapore, produced by Tan Si En at Momo Film; and “Sitora,” by Diffan Sina Norman, a drama about the oldest member of a village community which is about to be consumed by the urban sprawl. The project is to be produced by Tara Ansley, Armen Aghaeian, Zurina Ramli through Malaysian firm Rangka Pictures. The two documentaries receiving production support of $15,000 each are “Black River,” directed by Tran Phuong Thao, and “When a Poet Goes to War,” by Myanmar’s Aung Naing Soe. With production by Swann Dubus through Varan Vietnam, “Black River” follows merchants who use old boats to set up temporary markets in the territories of Vietnam’s ethnic minorities.

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