In the year of coronavirus, the Venice Film Festival opened on a low-key note with a local Italian drama that, though finely crafted by director Daniele Luchetti, pushed no envelope and made no splash.
It also included a new credit at the end, which we’re likely to see for some time to come: “cast medical exams,” followed by a doctor’s name.
The Ties (Lacci) takes place in an airless pre-COVID space, primarily the apartments of a husband and his wife and his lover, where a tale of unfaithfulness and blame plays out with none of the pixie-ish sense of humor that lightens many Luchetti films.
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