orchestra: Last News

Scottish comedian Kevin Bridges has been announced as this year's host for the Teenage Cancer Trust event at the Royal Albert Hall. The stand-up comedian, 37, will host "A Night of Comedy" on Tuesday, 19 March with performances from Rob Beckett, Paul Chowdhry, Joe Lycett, Joanne McNally and Seann Walsh, plus special guests who are yet to be announced.This night is a part of the week-long event that will take place at the Royal Albert Hall from 18 March to 24 March to help raise vital funds for the Teenage Cancer Trust charity.There will also be performances from The Who with Orchestra, Noel Gallagher’s High Flying Birds, Young Fathers and The Chemical Brothers to name a few at the star-studded event.

RAYE has announced a huge London O2 Arena show in celebration of her historic BRIT nominations – find details down below.For one night only, RAYE will perform at the O2 on March 15 to 18,000 concertgoers, where she will be joined by The Heritage Orchestra and the Flames Collective.“I think we’ve completely lost our minds but we are bringing ‘My 21st Century Symphony’ to the O2 Arena,” RAYE shared.She further stated in a press release: “This is my first headline performance at The O2 Arena. We will have 90 guests on stage, including the Heritage Orchestra and Flames Collective, our guests from The Royal Albert Hall, to perform ‘My 21st Century Symphony’.

Ellise Shafer Following sold-out dates in London, New York and San Francisco, the “Avatar: The Last Airbender” concert series is expanding to a 100-city world tour. Beginning September 2024, the music of the hit Nickelodeon series will travel to cities across North America, Europe and the Asia-Pacific. The over two-hour concert, produced by GEA Live, brings “Avatar: The Last Airbender’s” iconic musical score to life with an orchestra as fan-favorite moments from the series are shown on screen.

—who portrayed middle-aged heiress Tanya McQuoid in the first and second seasons of the hit HBO series—rambled and danced her way into Emmys history when the orchestra tried to .This year, she followed it up with a possibly even better speech, slipping in a hilarious shout-out to the “evil gays” who killed off her character in the show's second season.Coolidge began the speech by thanking White Lotus showrunner Mike White for the opportunity to revive her acting career through her two-season arc. Ever the comedienne, she then turned her attention to the trio of co-stars who made her season-two performance so memorable.“I want to thank all the evil gays!” she , referencing “Pablo, Francesco, and Bruno: Thank you!”Jennifer Coolidge was nominated for outstanding supporting actress in a drama series alongside her White Lotus costars Aubrey Plaza, Meghann Fahy, Sabrina Impacciatore, and Simona Tabasco—in addition to Elizabeth Debicki from The Crown, J.

Jon Burlingame Taking an old film score and dropping it into a new film is “like wearing somebody else’s underwear,” veteran composer Earle Hagenused to say. Hagen, the Oscar-nominated, Emmy-winning composer of such classic themes as “The Andy Griffith Show,” “The Dick VanDyke Show” and “The Mod Squad,” would have been appalled by the musical choices in Netflix’s “May December.” A scene from that film, with Julianne Moore opening her refrigerator door to a melodramatic piano cue, has gone viral. It’s a funny moment if you don’t recognize that music.

Kristen Wiig and Will Ferrell had a scene-stealing moment during the 2024 Golden Globes on Sunday night (January 7)!

A stalwart of the region’s music scene was among those from Perth and Kinross recognised in the King’s New Year Honours List.

statement calling for an “immediate humanitarian ceasefire”.The union’s executive committee has also agreed to make a donation to the Red Cross to support humanitarian causes in Israel and Palestine and will also give money to the West-Eastern Divan Orchestra, which educates young Israeli and Palestinian musicians.According to the MU, the West-Eastern Divan Orchestra has seen its members “directly affected” by the conflict.The MU add: “The orchestra’s purpose has always been to bring individuals impacted by war together through music. In an increasingly polarised world, the ability to listen to and understand the pain of others is ever more important.”Explaining its plan to donate to both charities it adds: “We call for an end to war and violence,” before further discussing its support for a ceasefire: “We support the TUC and UN call for an immediate humanitarian ceasefire in the Middle East and strongly urge the international community to make all efforts to ensure that international law is upheld and all civilians are protected.“At the MU, we are aware of members being directly and indirectly impacted by events in the Middle East.

Five tones. That’s all it took for John Williams to convey a sense of a wider form of communication that stretches from the Earth to the Cosmos. Close Encounters of the Third Kind is a film about (among many things) communication and the power of the universal language of music in particular. It is fitting, then, that the Royal Albert Hall would make room for Steven Spielberg’s 1977 Sci-Fi classic in its season of live orchestral performances this year. Not only is it a wonderful chance to revisit one of Spielberg’s finest, but it offers a means to greater appreciate just how emotionally complex William’s work is in this tale of making connection with beings not of this world. Seeing a film with a live orchestra is an experience that everyone should embark upon, be it your first time seeing the film for your 100th. It is a uniquely immersive experience, bringing you into the film in a way that no other screening format can quite muster. Music, and particularly the music of John Williams, is often used to heighten emotion and elevate scenes to their peak resonance, and the tangibility of seeing an orchestra play the score as the film progresses brings you even closer to those emotions in a truly profound fashion.The film and the score all build-up to one of the finest finales put to screen with the eventual meeting between our characters and the aliens who have been telegraphing their arrival. The moments of witty government conspiracy and deeply touching and devastating family drama give way to the meeting of human and alien, as the human race communicates to the huge, foreboding and colourful mothership through the medium of music. It is a sequence that never loses its grandeur on repeat viewing, a moment in which the

Adam B. Vary Senior Entertainment Writer In “Maestro,” Bradley Cooper disappears into the role of legendary composer and conductor Leonard Bernstein, one of the most consequential American figures in classical music.

Plans to move the English National Opera (ENO) to the North of England have been warmly welcomed in Greater Manchester which will become the 'main home' for the cultural institution. But the news, which was announced on Tuesday (December 5), was met with some strange responses from the rest of the country on social media - including from some angry Londoners.

Jon Burlingame The greatest film score of 2023 isn’t eligible for an Academy Award. That’s because Leonard Bernstein composed it between 1944 and 1977, multiple pieces that collectively form the musical backdrop of “Maestro,” Bradley Cooper’s film about the 20th century American composer-conductor. The classical excerpts functioning as dramatic score include Bernstein’s ballets “Fancy Free” and “Facsimile,” parts of his Broadway scores for “West Side Story” and “Candide,” his opera “A Quiet Place,” music for the film “On the Waterfront,” portions of his second and third symphonies as well as his “Mass” and “Chichester Psalms.” “I think of the score as the co-star of the film,” says the composer’s oldest daughter, Jamie Bernstein.

News that the English National Opera (ENO) will be moving to Greater Manchester has been welcomed locally - but elsewhere in the country, some people aren't happy. Plans to make the city-region its 'main home' by 2029 were announced this morning (December 5).

Ellie Goulding has announced an orchestral show at London’s Royal Albert Hall with the Royal Philharmonic Concert Orchestra. The multi-platinum singer will take over the Royal Albert Hall with the orchestra on April 11, 2024, to perform classical rearrangements of tracks from her back catalogue, including cuts from her latest album, ‘Higher Than Heaven’, which she released in April.

Simu Liu is no longer taking part in Disney World’s 2023 Candelight Processional.

Feeling festive? With this stellar line-up at The Bridgewater Hall, Christmas 2023 promises to be an absolute cracker.

Jon Burlingame Approaches to film scoring have become increasingly eclectic—from jazz and classical to hip-hop and avant-garde—making it more difficult than ever for Academy voters to narrow the field to 15 for Oscar’s shortlist. Variety examines 16 of the possible choices, in alphabetical order: ‘American Fiction‘ – Laura Karpman Cord Jefferson’s movie—about a Black writer who, as a joke, writes a bad novel that becomes a best seller—has a lead character whose name is Thelonious and whose nickname is Monk.

Prestwick gets into the festive mood next weekend (November 25 and 26) with a two day Prestmas special.

This winter, join Manchester’s symphony orchestra, the Hallé, for a cracker of a Christmas - with concerts to suit all ages at The Bridgewater Hall.

K.J. Yossman “The Hunger Games” star Sam Claflin has boarded George C. Siougas’ short film “The One Note Man” as an executive producer.

Zack Sharf Digital News Director Much of the buzz around Bradley Cooper‘s “Maestro” so far has revolved around his shocking physical transformation into famed conductor Leonard Bernstein, but the actor-director-writer’s prep for the role might also blow some people away. Speaking at a recent Los Angeles screening for the film in a conversation moderated by “Hamilton” Tony-winner Lin-Manuel Miranda, Cooper revealed that he spent a whopping six years learning how to conduct just over six minutes of music in the style of Bernstein himself so he could record a crucial scene in “Maestro” live on set. The scene in question recreates Bernstein’s famous conducting of the London Symphony Orchestra at the Ely Cathedral in 1976.