Royal Albert-Hall: Last News

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Ted Lasso's Hannah Waddingham's scathing four-word response after Olivier Awards photographer's 'sexist' comment

Olivier Awards host Hannah Waddingham received a round of cheers and applause after she boldly stood up to a photographer who made an inappropriate comment on the red carpet - saying "don't be a d**k".The Ted Lasso star dazzled in a light purple sequined gown as she posed for photographs at the prestigious award show, held at London's Royal Albert Hall on Sunday. In a video shared on X (formerly Twitter), Hannah was heard addressing a photographer in the crowd, although his exact words were unclear.
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Eddie Vedder joined The Who on stage at Royal Albert Hall last night for TCT
Eddie Vedder joined The Who on stage during the band’s Teenage Cancer Trust show in London last night (March 20) – check out the footage below.The group played their second orchestral show of the week at the historic Royal Albert Hall after kicking off the 2024 TCT concert series on Monday (March 18).To begin the third and final part of yesterday’s gig, frontman Roger Daltrey introduced Pearl Jam‘s Vedder to join The Who on a collaborative rendition of ‘The Punk And The Godfather’ from their 1973 album ‘Quadrophenia’.Daltrey and Vedder traded lines throughout the energetic performance before embracing in the closing moments. Watch a fan-shot video here:The Who and Vedder have teamed up numerous times previously, including at a private cancer benefit show in Los Angeles in 2022 and a charity event in Chicago in 2015.Additionally, Vedder joined The Who on stage at their inaugural Teenage Cancer Trust concert at the Royal Albert Hall in 2000, and guested with the group at Wembley Stadium in 2019 (also on ‘The Punk And The Godfather’).This Sunday (March 24), Vedder will participate in a special closing night event for the 2024 TCT gig series, dubbed ‘Ovation’.
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‘Close Encounters Of The Third Kind’ In Concert At The Royal Albert Hall – European Premiere
Five tones. That’s all it took for John Williams to convey a sense of a wider form of communication that stretches from the Earth to the Cosmos. Close Encounters of the Third Kind is a film about (among many things) communication and the power of the universal language of music in particular. It is fitting, then, that the Royal Albert Hall would make room for Steven Spielberg’s 1977 Sci-Fi classic in its season of live orchestral performances this year. Not only is it a wonderful chance to revisit one of Spielberg’s finest, but it offers a means to greater appreciate just how emotionally complex William’s work is in this tale of making connection with beings not of this world. Seeing a film with a live orchestra is an experience that everyone should embark upon, be it your first time seeing the film for your 100th. It is a uniquely immersive experience, bringing you into the film in a way that no other screening format can quite muster. Music, and particularly the music of John Williams, is often used to heighten emotion and elevate scenes to their peak resonance, and the tangibility of seeing an orchestra play the score as the film progresses brings you even closer to those emotions in a truly profound fashion.The film and the score all build-up to one of the finest finales put to screen with the eventual meeting between our characters and the aliens who have been telegraphing their arrival. The moments of witty government conspiracy and deeply touching and devastating family drama give way to the meeting of human and alien, as the human race communicates to the huge, foreboding and colourful mothership through the medium of music. It is a sequence that never loses its grandeur on repeat viewing, a moment in which the
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