Giles Martin: Last News

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New ‘Beatles ’64’ documentary coming to Disney+, produced by Martin Scorsese
Beatles documentary from producer Martin Scorsese and director David Tedeschi is coming to Disney+ next month – find all the details below.The film, titled Beatles ’64, is set to arrive exclusively on the streaming platform on Friday November 29, it has been announced today (October 14).Per an official description, the forthcoming doc “captures the electrifying moment of The Beatles’ first visit to America” over 60 years ago.It adds: “Featuring never-before-seen footage of the band and the legions of young fans who helped fuel their ascendance, the film gives a rare glimpse into when The Beatles became the most influential and beloved band of all time.”Beatles ’64 is directed by David Tedeschi and produced by Martin Scorsese, Margaret Bodde, Paul McCartney, Ringo Starr, George Harrison‘s widow Olivia Harrison, John Lennon‘s son Sean Ono Lennon, Jonathan Clyde (Get Back) and Mikaela Beardsley.Jeff Jones and Rick Yorn serve as executive producers.Prepare to experience the electrifying moment when The Beatles first touched down in America. Beatles ’64, an all-new documentary from producer Martin Scorsese and director David Tedeschi, is streaming exclusively on #DisneyPlus November 29.
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The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”
The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.
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Paul McCartney kept ‘Now And Then’ a secret from session musicians: “We couldn’t tell them it was a new Beatles song”
Paul McCartney has revealed that he kept The Beatles‘ ‘Now And Then’ a secret from the extra musicians who played on the track in the studio.The song, dubbed the “final” single from the Fab Four, came out today (November 2) following the release of an accompanying short film titled Now And Then – The Last Beatles Song.‘Now And Then’ stemmed from a demo tape recorded by the late John Lennon, and was completed with the help of AI technology – which lifted the songwriter’s vocals off the initial recording.McCartney and his former bandmate Ringo Starr built on the demo in the studio along with producers Jeff Lynne and Giles Martin, the latter of whom is the son of late Beatles producer George Martin.At one point in the short film, McCartney recalled the process of adding a string arrangement to the single during a session at the famous Capitol Studios in Hollywood, California.“Giles worked up an arrangement like Giles’ dad would have done in the old days,” he explained.“We had to put the music out on the stands for the musicians, but we couldn’t tell them it was a new Beatles song. It was all a bit hush-hush.
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Listen to ‘Take 1′ of The Beatles’ ‘Tomorrow Never Knows’
The Beatles’ ‘Tomorrow Never Knows’ has been released – you can listen to the studio outtake below.The track forms part of a new special deluxe edition of the legendary band’s 1966 album ‘Revolver’, which is set for release on October 28.Recorded during the first ‘Revolver’ recording session on April 6, 1966 in Studio Three at EMI Studios (now called Abbey Road Studios), The Beatles were joined by their producer George Martin, recording engineer Geoff Emerick and technical engineer Ken Townsend.“John [Lennon’s] ethereal vocals (fed from his mic through a rotating Leslie speaker), and innovative tape loops – including Paul [McCartney] saying ‘ah, ah, ah, ah’, which when sped up produced a sound similar to a seagull’s screech – converge with Ringo [Starr’s] thunderous drum pattern, George [Harrison]’s tamboura drone, and a backwards guitar solo,” a press release explains of the recording, which you can hear below.In an interview before ‘Revolver’’s 1966 release, McCartney told NME: “We did it because I, for one, am sick of doing sounds that people can claim to have heard before.”First confirmed by Giles Martin – the son of the late Beatles producer George – last month, ‘Revolver’ is the latest Beatles album to be re-released as a remixed and expanded deluxe box set following ‘Sgt.

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