Wim Wenders - celebsbar.com

a veteran Hollywood publicist, who championed independent films for decades and also dabbled in acting, has died. He was 79.Cottrell died on New Year’s Day at the Motion Picture & Television Country House and Hospital in Woodland Hills in Los Angeles, California.His sister Suzy Cottrell confirmed his death and posted a tribute to her late brother on Facebook.“My adorable, fun, critical, foodie, particular, brilliant, loving brother passed on to the next life early on New Year’s Day,” she wrote.

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Mickey Cottrell, Veteran Publicist and Champion of Independent Film, Dies at 79

Pat Saperstein Deputy Editor Mickey Cottrell, a veteran publicist for independent films known as a champion of filmmakers and actors, died Monday at the Motion Picture Hospital in Woodland Hills, his sister Suzy Cottrell confirmed. He was 79.

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The Best Documentaries of 2023

range of nonfiction film — the subjects, the styles, the voices — is extraordinary in its reach. Does that mean that we’re in a renaissance era? You might say that. But you could also say that when it comes to this form of filmmaking, the art of reality knows no season.

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Wim Wenders Shares How 3D Art Doc ‘Anselm’ Put His Personal Feelings About Post-War Germany Into Perspective

Peter Debruge Chief Film Critic Wim Wenders describes himself as “a man of habits,” which helps to explain the respect he shows the routine-driven lead character of his latest narrative feature, “Perfect Days.” The gentle drama, which takes place in Japan (it was selected as the country’s official Oscar submission this year), focuses on a Tokyo craftsman who spends his days cleaning the city’s public toilets. Routine is central to Wenders’ life as well, and it’s thanks to one of Wenders’ rituals that he found the subject for a second feature film he premiered at Cannes last May: “Anselm,” a 3D portrait of the controversial German artist Anselm Kiefer more than 30 years in the making. Wenders first met Kiefer back in 1991, as the unconventional sculptor was preparing his biggest exhibition to date at the National Gallery in Berlin.

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‘Anselm’ Director Wim Wenders Taps Into “Poetic, Immersive” Quality Of 3D For Documentary On Monumental German Artist

The Oscar-contending documentary Anselm marks an encounter between two of the world’s great artists – one renowned for cinema, the other for painting, installations, and sculpture.

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Matthijs Wouter Knol Talks Ambitions To Make European Film Awards Bigger Part Of Awards Season Conversation

Cinema professionals from across Europe are gathering in Berlin this weekend for the ceremony of the 36th European Film Awards on Saturday evening.

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Emma Stone Reanimated In ‘Poor Things’, Wim Wenders’ 3D Homage To Anselm Kiefer & ‘Waitress: The Musical’ – Specialty Preview

Yorgos Lanthimos’ Venice Golden Lion Winner Poor Things is here with Searchlight Pictures sewing up nine theaters in four major markets for leg one of the Emma Stone-starring surreal-period-comedy-horror.

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Cannes Head Thierry Fremaux to Deliver Masterclass at Ventana Sur

John Hopewell Chief International Correspondent Co-organized by the Cannes Film Festival and Market and Argentina’s INCAA film-TV agency, late November’s Ventana Sur market looks set to have at least one star: Cannes head Thierry Fremaux himself. Presenting the Cannes Film Week, a extraordinary showcase of 2023 winners led this year by Justine Triet’s Cannes Palme d’Or winner “Anatomy of a Fall” and bowing on Nov.

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‘Kokomo City’ Leads Nominations for Cinema Eye Documentary Honors

Pat Saperstein Deputy Editor The Cinema Eye Honors for achievement in nonfiction and documentary films and series has announced nominees for the 17th awards ceremony. “Kokomo City” from D. Smith led the nominees with six.

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Asia Pacific Screen Award Winners: ‘Perfect Day’ By Wim Wenders Wins Best Film, Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Takes Jury Prize

Japan has dominated this year’s Asia Pacific Screen Awards (APSA), with German filmmaker Wim Wenders’ latest Tokyo-set pic and Ryusuke Hamaguchi’s Drive My Car follow-up taking the top prizes.

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‘Perfect Days’ Wins Best Film at Asia Pacific Screen Awards as Japan, Korea, Kazakh Titles Dominate

Patrick Frater Asia Bureau Chief Two films from Japan, Wim Wenders’ “Perfect Days” and Hamaguchi Ryusuke’s “Evil Does Not Exist,” won the top prizes at the Asia Pacific Screen Awards on Friday. Multiple other honors went to films from Korea and Kazakhstan. The 16th edition of the APSA Awards was held on the Gold Coast, Queensland, Australia and recognized films from eight countries. “Perfect Days,” a gentle comedy drama about a toilet cleaner in Tokyo finding happiness in the everyday, premiered in Cannes and more recently was selected as Japan’s Oscar contender and as the opening title of the Tokyo International Film Festival.

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Nicolas Cage’s ‘Dream Scenario’ Heads to Germany Via DCM (EXCLUSIVE)

Ed Meza @edmezavar Berlin-based DCM Film Distribution has acquired Kristoffer Borgli’s surrealist comedy “Dream Scenario,” starring Nicolas Cage. In the A24 satire, which premiered in Toronto before opening this year’s Zurich Film Festival, Cage plays a college professor whose life is turned upside down when millions of strangers suddenly start seeing him in their dreams. “We love ‘Dream Scenario,’” says Carl Rickmers, DCM’s newly appointed director of film acquisitions and sales.

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Thierry Frémaux Talks Bringing Classic Cinema Back To Life At The Lumière Film Festival & Nobel Prize Inspiration For Its Honorary Lumière Prize

Thierry Frémaux is best known internationally as the long-time head of France’s Cannes Film Festival, which is organized out of its offices in Paris’s trendy Marais neighborhood.

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Tokyo Opening Night: Ryuichi Sakamoto Tribute, Wim Wenders & Zhang Yimou Lifetime Honor

Tokyo’s International Film Festival returned this evening for its first completely unrestricted, post-COVID-19 edition with a well-attended screening of Wim Wenders’ Perfect Days.

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Wim Wenders, Zhang Yimou Make Star Turns as Tokyo Film Festival Celebrates Reboot of International Relations

Wim Wenders introduced the cast and crew of “Perfect Days” at an outdoor stage, giving the opening ceremony of the 36th Tokyo International Film Festival a moment of European cool. Inside the Tokyo Takarazuka Theater, Wenders was brought on stage twice more. “I had a dream that with ‘Perfect Days,’ I’d make a film that would play at the Cannes Film Festival. I dreamed that it would win the best acting prize.

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Wim Wenders Recalls How 20th Century Fox Pushed To Change ‘Paris, Texas’ Ending – Lumière Film Festival Masterclass

Close to 40 years after Wim Wenders won the Cannes Palme d’Or for Paris, Texas, its enigmatic ending continues to spark debate in cinephile circles.

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Wim Wenders, Thierry Frémaux Signal Support For Actors Strike As It Hits 100 Days Mark: “The Universal Dimension Of This Strike Is Underestimated” – Lumière Film Festival

Wim Wenders and Thierry Frémaux signalled their support on Saturday for the Hollywood actors strike as the industrial action hits its 100th day.

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Wim Wenders Talks SAG-AFTRA Strike at Lyon’s Lumiere Festival, Says U.S. Studios’ Obsession With Sequels ‘Kills Imagination and the Idea of Cinema’

Elsa Keslassy International Correspondent While at the Lumiere Film Festival in Lyon, German film master Wim Wenders said he shares Martin Scorsese’s deep concern over Hollywood’s obsession with sequels, and worries about AI in line with U.S. actors who are still on strike.

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‘Perfect Days’ Director Wim Wenders On the Virus of Cinema and the European Dream: ‘It’s a Great Adventure to Get to See Someone Else’s Vision’

Lise Pedersen With typical modesty and humor, Wim Wenders opened his masterclass at the Lumière Film Festival in Lyon by answering the question: ‘Do you feel like a survivor in the history of cinema?’ with a ‘Yes, in a funny kind of way, I do sometimes feel like a dinosaur.” Expanding on his answer, the 78-year old director, who is being awarded the festival’s Lumière Award lifetime achievement prize later today, said he had been lucky enough to experience great changes in cinema throughout his lifetime and that he felt more like he had experienced rather than survived cinema –“vécu plutôt que survécu,” as he said in his fluent French. Looking back on his 1984 cult movie “Paris, Texas,” for which he won the Palme d’Or in Cannes, the German director explained it had been the culmination of one of his greatest lessons in life.

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Norway’s Oscar Entry ‘Songs of Earth’ Finds North American Distribution With Strand Releasing (EXCLUSIVE)

Elsa Keslassy International Correspondent Margreth Olin’s “Songs of Earth,” Norway’s Oscar entry for the international feature film race, has been bought by Strand Releasing for North American distribution. The documentary feature, which is executive produced by Wim Wenders and Liv Ullman, played at Toronto where it sold to key territories, and had its U.S.

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Daniel Brühl, Isabel Coixet & Susanne Bier To Be Honored At Evolution Mallorca As Spanish Festival Unveils 2023 Line-Up

The Evolution Mallorca International Film Festival, running from October 18 to 24 in the Spanish island’s capital of Palma, has unveiled its full line-up.

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Information About Wim Wenders

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