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Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.

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Hamptons Film Festival Caps 30th Edition By Giving Top Narrative Prize To A24’s ‘Close’;

A24’s Close, which won the Grand Prix in Cannes, has picked up another accolade, capturing the jury prize for top narrative film at the Hamptons International Film Festival.

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Deadline Studio At London Film Festival: ‘The Good Nurse’, ‘Holy Spider’ And ‘All Quiet On The Western Front’ Teams; Daniel Pemberton; Gurinder Chadha; More

On Saturday during the BFI London Film Festival, Deadline hosted an industry party at The Twenty Two.

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Top Flemish Talent Head To Film & TV Showcase CONNEXT; Johan Grimonprez, Koen Mortier, Fien Troch To Present Upcoming Features

Flanders Image, the promotional arm of the VAF film fund of Belgium’s Flemish-speaking community, has unveiled the 80 projects selected for its annual CONNEXT showcase, running as a hybrid event from October 10-24.

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Belgium Submits Cannes Grand Prix Winner ‘Close’ To International Oscar Race

Belgium has selected Lukas Dhont’s Cannes-winning title Close as its official submission to the International Oscar race this year.

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New York LGBTQ+ Film Festival Lineup: HBO’s Dustin Lance Black Docu ‘Mama’s Boy’ Set For Opening Night

NewFest said Thursday that HBO’s upcoming Mama’s Boy, the documentary about the life of Oscar-winning Milk screenwriter Dustin Lance Black, will be the opening-night film for the New York LGBTQ+ Film Festival. The fest, which also announced its full lineup, kicks off its 34th edition October 13.

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Canada’s Sphere Films Signs Multi-Picture Deal With A24; Titles Include Toronto Title ‘Aftersun’

Canadian distributor Sphere Film has signed a multi-picture deal with A24 under which it will handle the release of nine of its titles in Canada.

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A24 Strikes Multi-Picture Deal With Canada’s Sphere Films (EXCLUSIVE)

Manori Ravindran International Editor Canada’s Sphere Films has signed a multi-picture deal with A24 that will cover nine of the U.S. studio’s films in the Canadian market. Under the deal, Sphere Films will theatrically release pics including Charlotte Wells’ Cannes breakout “Aftersun,” which is currently screening as part of TIFF, and Ari Aster’s “Disappointment Blvd.” starring Joaquin Phoenix. The latter is believed to be A24’s biggest production to date. The A24 deal comes off the back of Sphere Films’ acquisition of MK2 Mile End in April. Charles Tremblay, former boss of MK2 Mile End and now the president of Sphere Films, said: “We felt that by joining a larger media company like Sphere that would help our chances of being a larger distributor than on our own.”

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How ‘Close,’ ‘Holy Spider’ and ‘Sr.’ Highlight the Need for More International and Documentaries in Best Picture

Clayton Davis Any best picture lineup of any industry organization that does not include A24’s “Close,” Utopia’s “Holy Spider” and the doc “Sr.,” which is still seeking a distributor, shall be declared null and void…at least in my mind. In Telluride, all three films played like gangbusters. “Holy Spider,” which premiered at Cannes and won best actress for Zar Amir Ebrahimi, is looking likely to be Denmark’s submission for international feature (although it’s in Persian, it has Danish producers). Based on the true story of Saeed Hanaei (played by Mehdi Bajestani), a serial killer who targeted sex workers and killed 16 women from 2000 to 2001 in Mashhad, Iran, the film tells a fictional account of a female journalist (Ebrahimi) who investigates the case.

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Telluride Lineup Includes World Premieres of ‘Women Talking’ and ‘Empire of Light’ With Tributes to Cate Blanchett and Sarah Polley

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.

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‘The Emigrants’ Awarded at Haugesund, with ‘The Love Pill’ Named Best Project

Marta Balaga Erik Poppe’s historical drama “The Emigrants” scored the top Andreas Award at the 50th Norwegian International Film Festival Haugesund. Produced by Fredrik Wikström Nicastro, it is distributed by SF Studios. Poppe is also known for “Utøya: July 22” and “The King’s Choice.” Based on Vilhelm Moberg’s series of novels about Swedes who decided to leave their country and search for a better future, it “tackles deep questions about cultural and religious identity,” argued the jurors. “Even though the events in this story are long behind us, the film reminds us of our own present,” they added.

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Lukas Dhont’s ‘Close’ Wins Best Film Prize at Sydney Festival

Katherine Tulich Lukas Dhont’s “Close,” which won the Grand Prix in Cannes last month, picked up the Sydney Film Prize, the top prize at the Sydney Film Festival, on Sunday evening.Accepting the award via video message Dhont said: “It’s a film that comes from our hearts, that we worked on for a lot of years with many people.”The international jury consisted of Australian actor David Wenham, Australian director Jennifer Peedom, writer-director-producer Mostofa Sarwar Farooki (Bangladesh), Berlin Golden Bear winner Semih Kaplanoglu (Turkey), and the executive director of the Kawakita Memorial Film Institute in Tokyo, Yuka Sakano (Japan). Twelve titles in the official competition included Carla Simon’s “Alcarras”, Hlynur Palmason’s “Godland”, Colm Bairead’s “The Quiet Girl” and Del Kathryn Barton’s “Blaze.” The winner is awarded AUD$60,000 ($41,600).

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‘Joyland’ Review: Unexpected Trans-Cis Romance Blossoms in a Luminous Pakistani Crowdpleaser

Guy Lodge Film CriticDiscouraged identities and taboo desires emerge tentatively into the open in “Joyland,” but unlike in a many a coming-out drama, there’s no identified villain or oppressor — just an uncertain world in its own state of societal and generational transition. Pakistani writer-director Saim Sadiq’s confident, expressive debut feature is conscientiously fair to everyone in its Lahore-set domestic melodrama of secrets, lies and unforeseen self-discovery, but never feels like it’s hedging its bets or shying away from harder truths.

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Cannes Film Festival Winners Announced – Live

Refresh for latest…: The 75th Cannes Film Festival draws to a close tonight as the main awards, including the Palme d’Or, are soon to be handed out in the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

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How Lukas Dhont Found ‘Close’ After His Cannes Winning ‘Girl’

After taking home the Un Certain Regard Fipresci prize in 2018 for the trans-female ballet dancer feature Girl, filmmaker Lukas Dhont returned to home to find himself staring at the blank page for his next project.

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‘Close’ Review: This Belgian Buddy Story Seems So Beautifully Understated, Until Suddenly It Isn’t

Peter Debruge Chief Film CriticSPOILER ALERT: The penultimate paragraph of this review contains spoilers.Few of us are fortunate enough to have a friendship as intimate and effortless as the one shared by 13-year-old Belgian boys Leo (Eden Dambrine) and Remi (Gustav De Waele) in “Close.” That connection, and the responsibility that comes with it, is at the heart of Lukas Dhont’s sophomore feature, so subtle and sensitive in the first half, so devastatingly false from its tragic twist on. This beautifully evocative film, which hails from an openly queer director, offers as pure a portrait of innocent, innocuous same-sex affection as we’ve ever encountered on film.

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Cannes Review: Lukas Dhont’s ‘Close’

Belgium’s Lukas Dhont takes a deserved step up to the Cannes Film Festival competition with Close, only his second film — a minimalist melodrama that shows a definite growth in visual style but may be confronting to some with its deliberately unhurried, Eric Rohmer-esque aesthetic. The international success of Dhont’s well-intentioned debut Girl, about a young trans-female ballet dancer, was somewhat blunted in the U.S., where G.L.A.A.D. amplified complaints of misrepresentation on behalf of the trans lobby. Close is a much safer proposition, but may yet sail into choppy waters with its themes of youth suicide.

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A24 Takes Domestic On Lukas Dhont’s ‘Close’

A24 has picked up North American rights to Lukas Dhont’s Close.

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MUBI Buys Lukas Dhont’s ‘Close’ for Select Markets Ahead of Cannes World Premiere

Manori Ravindran International EditorGlobal streamer and distributor MUBI has struck again, this time snapping up select markets for Lukas Dhont’s keenly anticipated “Close.”MUBI has acquired the U.K., Ireland, Latin America, Turkey and India.The film stars Lea Drucker, Émilie Dequenne, Kevin Janssens and newcomers Eden Dambrine and Gustav De Waele. “Close” will receive its world premiere on Thursday at the festival, where it’s playing in competition.The film will be released theatrically followed by an exclusive MUBI streaming release.“Girl,” Dhont’s debut feature film, won the Camera d’Or at Cannes in 2018.

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Lukas Dhont’s Cannes Competition Drama ‘Close’ Sells To Mubi For UK/Ire, LatAm, Turkey & India

EXCLUSIVE: Mubi has acquired Lukas Dhont’s Cannes Competion entry Close for the UK, Ireland, Latin America, Turkey and India.

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Lukas Dhont Talks Boyhood Drama ‘Close’ in Cannes Competition

Gregg Goldstein Belgian director Lukas Dhont is in rare company. His 2018 Un Certain Regard debut, “Girl,” won the Caméra d’Or and three more Cannes prizes, besting the number of first-time feature wins from the likes of Steven Soderbergh and Steve McQueen. And while his rise has come with some controversy, he earned a place in competition with the May 26 Lumière gala premiere of his sophomore effort, “Close.” The story of two 13-year-old boys whose powerful friendship ends when their relationship comes under scrutiny “started from a very personal place,” says the out director, who penned the script with “Girl” co-writer Angelo Tijssens.

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