Julie Huntsinger: Last News

Addie Morfoot Contributor The Telluride Film Festival’s emphasis on documentary has not wavered in recent years. But the prominence of nonfiction fare at the 49th edition has arguably made this year’s Telluride the autumn Sundance, where some of the biggest buzz is for docs. The lineup, kept under wraps until the eve of the fest’s opening on Sept. 2, includes 16 docs from novice and veteran documentarians, including Steve James (“A Compassionate Spy”), Matthew Heineman (“Retrograde”), Chris Smith (“Sr.”) Ondi Timoner (“Last Flight Home”) and Ryan White (“Good Night Oppy”). (Additional “secret” screenings have yet to be announced.) The rising level of documentaries at the Colorado fest is largely due to the influence of Telluride executive director Julie Huntsinger.

Clayton Davis Senior Awards Editor For nearly 20 years, Zoe Saldaña has starred in some of the most financially successful films in history, including “Avatar” and “Avengers: Endgame.” You’d think an actress with such an impressive résumé would have scripts and prominent roles constantly coming her way. Yet, in Jacques Audiard’s “Emilia Pérez,” where Saldaña plays Rita Moro Castro, she sings and dances, and in one high-energy number, “El Mal,” she shows the ferocity that shows the depth of her talent. It was a moment that left me incredibly frustrated with Hollywood.

The Sudanese drama Goodbye Julia is continuing its impressive awards run, earning the Grand Jury Award for Best Narrative Feature over the weekend at the Sonoma International Film Festival in California.

Marc Malkin Senior Editor, Culture and Events Director Lukas Dhont is the new guest curator for Galerie, Indian Paintbrush’s digital film club. Dhont, whose 2022 coming-of-age film “Close” was nominated for best international feature, names 18 films that influenced him the most for Galerie members. Among the entries is the 1975 documentary “Grey Gardens.” “A teacher in film school showed us ‘Grey Gardens,’ he writes about the film, which tells the story of Jacqueline Kennedy Onassis’ eccentric and reclusive aunt, Edith “Big Edie” Ewing Bouvier Beale,” and cousin Edith “Little Edie” Bouvier Beale.

Editor’s note: Tom Luddy, co-founder of the Telluride Film Festival, died last week at age 79. Here, filmmaker Alan Elliott, who directed the Aretha Franklin documentary Amazing Grace, remembers his kind spirit and moral compass. He also pays tribute to one of Luddy’s signature projects: a collaboration with Agnès Varda on an influential 1968 film about the Black Panthers.

Julia MacCary editor Tom Luddy, who co-founded and served as artistic director for the Telluride Film Festival and produced films including “The Secret Garden” and “Barfly,” died Feb. 13 in Berkeley, Calif., after battling a long illness. He was 79. Luddy co-founded Telluride in 1974 along with Bill Pence, Stella Pence and James Card. Luddy served as co-director, then as artistic director and adviser through 2022. Beginning in a small opera house, the festival evolved into one of the largest and most respected globally over the past five decades. “The world has lost a rare ingredient that we’ll all be searching for, for some time,” said Telluride Film Festival executive director Julie Huntsinger in a statement. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a sphinx-like quality that took a little time to get around, for some. But once you knew him, you were welcomed into a kingdom of art, history, intelligence, humor, and joie de vivre that you knew you couldn’t be without. He made life richer. Magical. He called Telluride a labor of love for a very long time. We’re so much better off because of him and that labor. We at the Festival owe it to him to carry on his legacy; his commitment to and love for cinema, above all.”  

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.