Belgium’s Lukas Dhont takes a deserved step up to the Cannes Film Festival competition with Close, only his second film — a minimalist melodrama that shows a definite growth in visual style but may be confronting to some with its deliberately unhurried, Eric Rohmer-esque aesthetic.
The international success of Dhont’s well-intentioned debut Girl, about a young trans-female ballet dancer, was somewhat blunted in the U.S., where G.L.A.A.D.
amplified complaints of misrepresentation on behalf of the trans lobby. Close is a much safer proposition, but may yet sail into choppy waters with its themes of youth suicide.Most certainly mined from personal experience, it stars newcomer Eden Dambrine as Léo, a 13-year-old boy who lives in a rustic idyll with his best friend Rémi (Gustav De Waele).
Léo’s family runs a flower farm, and flowers are a constant motif throughout, whether growing, blooming, being threshed, or picked and packaged up.
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