Federico Fellini: Last News

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‘Dune 2’ Casting Director Francine Maisler to Be Honored at Karlovy Vary Film Festival

Leo Barraclough International Features Editor The Karlovy Vary Film Festival and Variety have teamed up to honor Francine Maisler, one of the world’s most respected casting directors, whose recent credits include “Dune: Part Two,” “The Bikeriders,” “Challengers,” “Civil War” and “Joker: Folie à Deux.” Maisler has worked on more than 70 feature films and is a recipient of 15 Artios Awards from the Casting Society of America, including for “Marriage Story” in 2020 and “Don’t Look Up” in 2021. As well as working with director Denis Villeneuve on “Dune: Part Two,” “Dune,” “Arrival” and “Sicario,” her other films include Terrence Malick’s “Tree of Life” and “Knight of Cups,” and Alejandro González Iñárritu’s “The Revenant” and “Birdman.” In 2022, she won a Primetime Emmy Award for her work on HBO’s “Succession.” As part of its homage, Karlovy Vary will hold a special screening of one of the films which Maisler worked on.
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The Party Film Sales Picks Up World Rights for Bellucci-Ekberg Doc ‘The Girl in the Fountain’
Lise Pedersen Paris-based international sales company The Party Film Sales has nabbed the rights for Antongiulio Panizzi’s hybrid documentary “The Girl in the Fountain,” a double portrait of icons Anita Ekberg and Monica Bellucci, which opened at the Torino Film Festival last November.The story of an actress devoured by her own icon, the film alternates between archive footage of Ekberg and reenacted scenes by Bellucci, who retraces Ekberg’s weaknesses and choices, inviting the viewer to reflect on what it is like to be an icon, providing a fresh look at femininity, fame and media exposure.The famous scene in Federico Fellini’s “La Dolce Vita,” in which Marcello Mastroianni and Anita Ekberg take a midnight dip in the Trevi Fountain, hides a much more chaotic life – that of an actress consumed by her own iconic image, says Panizzi. Speaking to Variety ahead of the Torino premiere, Panizzi said that the iconic scene turned out to be a burden for the actress, who got to experience what Rita Hayworth meant when she said that “they go to bed with Gilda; they wake up with me.”It was the director’s wish to have Bellucci tell the Swedish icon’s story, as he believed she would be the perfect match.
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