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Elsa Keslassy International Correspondent Pierre-Antoine Capton, the co-founder and CEO of Mediawan, was named Knight of the Legion of Honor by French President Emmanuel Macron during a ceremony held at the Elysée Palace in Paris. Capton was honored alongside other French figures who have made outstanding contributions to the country’s cultural landscape, including the filmmaker Costa Gavras, actor and novelist Marlène Jobert, contemporary artist Jean-Michel Othoniel, historian Pierre Nora, choreographer Claude Bessy, journalist Jean-Claude Narcy and conductor Jean-Claude Casadesus.

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Viaplay Content Distribution Partners With Germany’s ARD on Adventure Series ‘Ronja the Robber’s Daughter,’ Among Other Titles (EXCLUSIVE)

Elsa Keslassy International Correspondent Viaplay Content Distribution has partnered up with German broadcaster ARD Degeto to co-produce “Ronja the Robber’s Daughter,” an epic adventure series. ARD Degeto will join the series’ existing co-production partners, Filmlance International, Film i Väst and Ahil Films.

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Cineflix Rights Closes Deals on ‘Last King of The Cross,’ ‘Reginald the Vampire,’ ‘Sugar’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Cineflix Rights has closed multiple international deals across its slate, including returning seasons of “Last King of The Cross” and “Reginald the Vampire,” as well as the movie “Sugar.” “Last King of The Cross” charts the rise of John Ibrahim from poverty-stricken immigrant to the most infamous nightclub mogul in Sydney’s Kings Cross. Season 2 of the show, which has been acquired by Sky (U.K.), Warner Bros.

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Jessica Chastain to Preside Over Marrakech Film Festival

Elsa Keslassy International Correspondent Jessica Chastain is set to preside over the jury of the Marrakech Film Festival which will take place Nov. 24-Dec. 2.

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‘Dead Still,’ ‘Mental’ Writers Pen Paris-Set Cold War-Era Spy Thriller ‘The Continental Method’ Boarded by Red Arrow Studios Intl. (EXCLUSIVE)

Elsa Keslassy International Correspondent Ireland’s Deadpan Pictures (“Northern Lights”) and France’s Thalie Images (“Killer Coaster”) are teaming up on “The Continental Method,” an ambitious spy comedy thriller set against the backdrop of the Paris riots of May 1968. The European half-hour series is inspired by the true story of Conor O’Flaherty, a fresh-faced Irish salesman who became an unlikely spy in Paris. The twelve-part show is penned by John Morton (“Dead Still”) and Victor Lockwood (“Mental”) who are leading a writing team.

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Warner Bros. Discovery Unveils New International Leadership Following Exodus of Executives

Elsa Keslassy International Correspondent Amid a widespread executive exodus, Warner Bros. Discovery’s international boss Gerhard Zeiler sent out a memo to the staff today laying out the company’s new global leadership structure. Following France boss Pierre Branco’s exit earlier this week, WBD has tapped Clément Schwebig to oversee France, Benelux, Afrique, Allemagne, Autriche and Suisse.

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Golden Globes Announces 300-Member Voting Body For 2023 Awards

The Golden Globes have announced the full list of voters for the 81st Golden Globe Awards, which will take place Jan. 7. It totals 300 journalists. The breakdown, per the organization, is: 47% female, and 60% racially and ethnically diverse, with 26.3% Latinx, 13.3% Asian, 11% Black, and 9% Middle Eastern..

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Paris Restricts Film, TV Shoots to Host Olympic Games; Action and Period Movies to Be Barred in Some Areas

Elsa Keslassy International Correspondent The National Film Board and the City of Paris have set strict guidelines for film and TV shoots before, during and after the Olympic and Paralympic Games, which will unfold July 26 to Sept. 8. While the sporting celebration will span roughly six weeks, the restrictions impacting filming will stretch over nearly a year, starting this winter until Oct.

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France’s Oscars Committee Reveals International Feature Shortlist, Including Justine Triet’s ‘Anatomy of a Fall’

Elsa Keslassy International Correspondent “Anatomy of a Fall,” Justine Triet’s Palme d’Or winning film, is one of the five movies shortlisted by France’s Oscars committee to represent the country in the international feature film race. The movie, which was acquired by Neon at Cannes, was pre-selected alongside “The Taste of Things” (previously titled “The Pot-au-Feu,” a culinary romance starring Juliette Binoche which won best director at Cannes for French-Vietnamese filmmaker Trần Anh Hùng); “The Scent of Green Papaya”; Clement Cogitore’s “Goutte d’or”; Thomas Cailley’s supernatural coming-of-age drama “The Animal Kingdom”; and Denis Imbert’s “Sur les chemins noirs.” The year’s selection committee includes sales agents Sabine Chemaly and Tanja Meissner, producers Charles Gillibert and Patrick Wachsberger, directors Olivier Assayas and Mounia Meddour, and Oscar-winning composer Alexandre Desplat.

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Mipcom to Honor Arthur Essebag, TV Host and Founder of Satisfaction Group, With International Format Awards

Elsa Keslassy International Correspondent Mipcom, the Cannes-set international TV showcase, will pay tribute to Arthur Essebag, the well-known French TV host and founder of Satisfaction Group. Essebag will receive the international format awards at a gala ceremony on Oct. 15.

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Shane Atkinson’s Dark Comedy ‘LaRoy’ Wins Top Awards at Deauville Festival

Elsa Keslassy International Correspondent Shane Atkinson’s “LaRoy,” a crime thriller laced with dark comedy, swept three major prizes at the 49th edition of the Deauville American Film Festival. The movie, which marks Atkinson’s feature debut and showcases Coen brothers influences, won the Grand Prize, the Audience Award and the Critics Award. It stars John Magaro as Ray, who decides to kill himself after discovering his wife has been cheating on him.

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Variety Promotes Elsa Keslassy to Executive Editor of International

William Earl Variety has promoted Elsa Keslassy to Executive Editor of International, according to an announcement from Variety‘s co-editors-in-chief Ramin Setoodeh and Cynthia Littleton. In her new role, Keslassy will lead the magazine’s global team of award-winning correspondents, while helping guide its reporting at the leading international film and television festivals and markets.

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Global Box Office to Grow by 27% During First Quarter of 2023, UNIC Reports

Elsa Keslassy International Correspondent The global box office jumped by 27% in the first quarter of 2023, according to a new report by the International Union of Cinemas released during the CineEurope exhibition conference in Barcelona. UNIC, which covers 43,000 screens across 39 territories, is predicting a 23-percent growth at the global B.O. over the course of 2023. Europe, the Middle East and Africa (EMEA) saw the largest spike in B.O., with a 32-percent year-on increase during the first quarter of the year. Several European and international titles managed to break box office records between 2022 and the first half of 2023; for instance, James Cameron’s “Avatar: The Way of Water” became the highest grossing film of all time in the EMEA region with almost $800 million at the B.O., while Ruben Östlund’s Palme d’Or-winning “Triangle of Sadness” grossed over $25 million from 40 international markets.

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Annecy Competition Film ‘The Inseparables’ Lures International Distributors For Octopolis, nWave (EXCLUSIVE)

Elsa Keslassy International Correspondent “The Inseparables,” Jérémie Degruson’s ambitious animated feature competing this week at Annecy festival, has been sold to a raft of territories by Octopolis and nWave. Based on an original idea by Joel Cohen and Alec Sokolow, the Oscar-nominated writers of “Toy Story,” “The Inseparables” follows the misadventures of Don, a runaway puppet with a boundless imagination and, DJ Doggy Dog, an abandoned stuffed animal toy in need of a friend. Don and DJ Doggy Dog cross paths in Central Park and pair up against all odds for an epic adventure of friendship in New York City. The film was penned by Bob Barlen and Cal Brunker. Budgeted at $25 million, “The Inseparables” was produced by nWave Studios in Belgium, Octopolis in France and A Contracorriente Films in Spain.

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Viaplay Appoints New CEO Jorgen Madsen Lindemann After Anders Jensen Exit

Elsa Keslassy International Correspondent Anders Jensen, the CEO of leading Nordic streaming service, has stepped down from his position and is being replaced by Jorgen Madsen Lindemann with immediate effect. Madsen Lindemann is the former CEO of MTG, which is the previous parent company of Viaplay Group and also listed on Nasdaq Stockholm. Jensen’s exit comes as the company announced the downgrade of its short-term outlook for 2023 and has withdrawn its long term operational and financial guidance. During his tenure, Jensen spearheaded the streamer’s global roll-out, including in the U.S., and ramped up the output of scripted and unscripted originals.

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‘The Pot au Feu’ Director Tran Anh Hung on his Cannes Competition Entry, a Slow-Cooking Romance With Juliette Binoche, Benoit Magimel

Elsa Keslassy International Correspondent “The Pot Au Feu” from French-Vietnamese director Trần Anh Hùng may be one of the most radical films competing for a Palme d’Or at this year’s Cannes. The sensorial movie, set in late-19th century France, opens with a mouthwatering cooking sequence that runs nearly 40 minutes and portrays a slow-cooking romance with a minimalist plot. Yet, Hùng, best known for his Cannes’ Golden Camera-winning “The Scent of Green Papaya” and Venice Golden Lion-winning “Cyclo,” tells Variety he’s always been confident “The Pot Au Feu” would strike a chord beyond the foodie niche, and it has. The movie earned some of the competition’s strongest reviews on the heels of its world premiere and a U.S. deal is currently being negotiated by Gaumont. Variety‘s Guy Lodge praised the film for holding its audience “entirely on the pleasures of beauty, vicarious indulgence and, eventually, the human care inherent in haute cuisine.”

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Elle Fanning, Christopher Abbott to Star in Sarah Elizabeth Mintz’s ‘The Maid of Orleans,’ Produced by Jessica Chastain; Memento International Boards Sales (EXCLUSIVE)

Elsa Keslassy International Correspondent Elle Fanning (“The Great”), Christopher Abbott (“Poor Things”) and Nadia Tereszkiewicz (“The Crime is Mine”) are set to headline “The Maid of Orleans,” Sarah Elizabeth Mintz’s daring follow up to “Good Girl Jane.” Loosely inspired by Mintz’s real-life experiences, “The Maid of Orleans” will explore sexual power dynamics on and off set. Jessica Chastain’s Freckle Films (“The Eyes of Tammy Faye,” “George and Tammy”) is set to produce alongside Fanning’s Lewellen Pictures (“The Great,” “The Girl from Plainville”). Memento International will introduce the hot project to buyers at the Cannes Film Market. Filming is scheduled to begin early 2024 in France.

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Queer Romance Drama ‘Solo’ by Canadian Director Sophie Dupuis Boarded by SND (EXCLUSIVE)

Elsa Keslassy International Correspondent “Solo,” a stylish queer romance drama directed by Canadian helmer Sophie Dupuis (“Underground,” “Family First”) has been boarded by SND, the film arm of France’s second biggest commercial network M6. “Solo” is headlined by two up-and-coming talent, Theodore Pellerin (“Killer Game,” “Kaiser Karl”) and Felix Maritaud (“BPM (Beats per Minute)”). SND will launch sales on the project at Cannes Film Market. The edgy film follows Simon, a rising star of Montreal drag queen scene who is simultaneously facing the disappointment of two impossible loves — one of a passionate but destructive crush with Oliver, and the other of a cold and distant relationship with his mother Claire, who has returned home after a 15-year absence.

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U.K.’s Channel 4, Australia’s SBS Buy Keshet International’s True Crime Documentary Series ‘My Name is Reeva’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Keshet International has scored a pair of high profile deals on its true crime documentary series, “My Name is Reeva: I Was Murdered by Oscar Pistorius.” Directed by Warren Batchelor (“204: Getting Away With Murder”), the three-part docu series tells the intimate story of Reeva Steenkamp who was allegedly murdered by her then-boyfriend Oscar Pistorius on Valentine’s Day in 2013. “My Name is Reeva” has been sold by Keshet International to Channel 4 in the U.K. and SBS in Australia. Channel 4 has licensed the linear and SVOD rights for its streaming service All 4, while SBS has picked up broadcast and streaming rights and will premiere it on April 17. Discussions are ongoing with other potential broadcast partners. 

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Mariëtte Rissenbeek to Step Down After 2024 Berlinale Edition

Elsa Keslassy International Correspondent Mariëtte Rissenbeek, who heads over the Berlin International Film Festival along with Carlo Chatrian, has decided to step down after next year’s edition. Rissenbeek’s contract expires in March 2024, and she has opted to not renew it, according to the German culture ministry, which is the main financier of the festival. German Culture Minister Claudia Roth said she regretted Rissenbeek’s decision, but praised her for prompting a “generational change” within the leadership of the cultural institution. Rissenbeek, an industry veteran who previously worked as managing director of promotion agency German Films, has reached retirement age in Germany (at 67). The executive will step down after the 74th edition of the festival which she’s due to prepare with Chatrian.

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French Film Industry Sees Increase in International Co-Productions, Spike in Investment From Streamers

Elsa Keslassy International Correspondent France engaged in a record 144 international co-productions in 2022, while the number of majority French movies produced dropped by 10% to 208 titles, according to a study unveiled by the National Film Board (CNC). For the first time since 2003, half of the movies produced in France were international co-productions (with 33 countries) last year, compared with 42.1 % in 2021 and 39.6 % between 2017 and 2019. Investment in films dropped by 12.8% to €1.18 billion ($1.30 billion) compared with 2021, while foreign investment broke a 10-year record. In France, TV channels as well as streamers (since the start of 2022) are required to invest a percentage of annual revenue on French and European productions. As such, they invested a total of €280.78 million in 159 films in 2022, a 8.3 % drop compared with the average invested between 2017 and 2019.

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