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Manori Ravindran International Editor Imprison Iranian filmmaker Jafar Panahi’s “No Bears” has sold into North America, with Sideshow and Janus Films acquiring U.S. rights, and Films We Like buying the movie for Canada. “No Bears,” which premiered earlier this month at the Venice Film Festival, portrays two parallel love stories. “In both, the lovers are troubled by hidden, inevitable obstacles, the force of superstition and the mechanics of power,” reads an official synopsis. The film is written, produced, and directed by Panahi, and stars Panahi, Naser Hashemi, Vahid Mobaseri, Bakhtiar Panjei, Mina Kavani, Narjes Dalaram and Reza Heydari.

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A TV spot which is billed as the ‘Big game spot’ alluding that it will play during those all important ad breaks during the Super Bowl,...Check out this new trailer for Brief History of a Family, a success on the festival trail including Sundance and Berlin....Ben Affleck is set to direct and star in new film Animals over at Netflix. Gillian Anderson is also set for...A trailer has arrived for upcoming digital release Between Borders which is getting a U.S.

Danny Dyer Gillian Anderson Juliette Binoche Peter Sarsgaard David Cronenberg François Ozon Janus Films Cannes Films Britain Berlin county Dyer Netflix film stars president Digital Bill Features

In an official press release, Juliette Binoche has been named as the president of the jury at the 78th Cannes Film Festival this coming May. Her...Check out this first look image of Danny Dyer in the upcoming Three Quick Breaths which will be distributed by Vertigo...The U.S.

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David Cronenberg’s ‘The Shrouds’ Gets Release Date From Sideshow/Janus Films

EXCLUSIVE: Sideshow and Janus Films will release The Shrouds, written and directed by David Cronenberg (The Fly, Crash, Eastern Promises) and starring Vincent Cassel, Diane Kruger, Academy Award nominee Guy Pearce and Sandrine Holt on Friday, April 18 in New York and Los Angeles.

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Indian Oscar Hopeful and Cannes Grand Prix Winner ‘All We Imagine as Light’ Sets U.S. Fall Release Date (EXCLUSIVE)

Clayton Davis Senior Awards Editor Janus Films and Sideshow have set the U.S. release date for “All We Imagine as Light,” the critically acclaimed Indian drama that won the Grand Prix at the Cannes Film Festival, for Nov. 15 in New York and Los Angeles, with a nationwide expansion to follow.

Mira Nair Janus Films Cannes Films International New York Los Angeles India Japan Poland city Mumbai county Davis county Clayton film stars awards Nov Oscar Features

Latvia Submits Annecy Audience Award Winner ‘Flow’ For International Feature Oscar Race

Gints Zilbalodis’ Flow, the animated film that had its world premiere at the Cannes Film Festival and went on to win four trophies at the Annecy animation festival, has been selected to represent Latvia in the 2025 Oscars International Feature Film race.

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Shudder/IFC Films Ink Distribution Deal with Severin Films, Fantastic Latido Award Goes to Witchcraft Drama ‘Ancestral’ (EXCLUSIVE)

Anna Marie de la Fuente Fantastic Pavilion, the genre business hub launched at the Cannes Film Festival in 2023, announced a slew of deals closed at the venue this year, with L..A-based Severin Films, a boutique Blu-ray and DVD label, inking a pact to release eleven Special Edition physical discs of the most popular Originals and licensed features from horror subscription streamer Shudder and IFC Films. Initial titles include Joko Anwar’s “Satan’s Slaves”; Brandon Cronenberg’s “Antiviral”; Can Evrenol’s “Baskin”; Franck Khalfoun’s 2012 remake of “Maniac”; Douglas Buck’s 2006 remake of “Sisters” and André Øvredal’s “The Autopsy of Jane Doe.” The deal was brokered by Severin Film’s co-founder-CEO David Gregory, Shudder’s Vice President of Programming Sam Zimmerman, and AMC Networks Director of Content Sales Lucas Verga.

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Sideshow and Janus Films Acquire North American Rights to ‘Flow’

Jack Dunn Sideshow and Janus Films have acquired North American rights for Gints Zilbalodis’ animated adventure film “Flow,” which premiered in Un Certain Regard at the 2024 Cannes Film Festival. “We were so excited to see what Gints Zilbalodis would do after his surprising debut feature ‘Away’ in which he did almost all of the work single-handedly,” said Sideshow and Janus Films in a joint statement.

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Sideshow & Janus Films Take North America For Cannes & Annecy Animation ‘Flow’; Charades Handling Sales

Sideshow and Janus Films have acquired the North American rights for Gints Zilbalodis’s animated feature Flow, following an enthusiastic standing ovation at its world premiere in the Cannes Film Festival’s Un Certain Regard on Wednesday.

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‘Only on Earth,’ ‘Aliyá, Yeridá’ Win Top Cannes Docs-in-Progress Industry Awards

Lise Pedersen Danish-Spanish co-production “Only On Earth,” by award-winning Danish filmmaker Robin Petré (“Pulse,” “From the Wild Sea”), has picked up the top IEFTA Docs-in-Progress Award at Cannes Docs, the Cannes Film Market sidebar dedicated to documentary film. The film forms part of the Five Nordics Showcase, one of eight showcases presenting a total of 34 docs-in-progress this year. The others include Chile, Scotland, Palestine Circle Women Accelerator, Docs By The Sea, the East Doc Platform, and newcomer Switzerland.

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Hamas Attack Aftermath Film ‘Of Dogs and Men’ From Dani Rosenberg, AR Content Boarded by RAI Cinema International Distribution (EXCLUSIVE)

Christopher Vourlias RAI Cinema International Distribution (RCID) has taken international sales rights for “Of Dogs and Men,” an upcoming drama directed by Dani Rosenberg (“The Death of Cinema and My Father Too,” “The Vanishing Soldier”) and produced by AR Content. RCID is introducing the film to buyers at the Cannes Film Festival‘s market, where Variety has been given exclusive access to a first-look image. Written by Rosenberg, Ori Avinoam and Itai Tamir (“To Take a Wife,” “Love Life”), “Of Dogs and Men” is produced by two-time Academy Award nominee Alexander Rodnyansky (“Loveless,” “Leviathan,” “Beanpole”) of AR Content and Itai Tamir (“Under a Blue Sun”) of Laila Films.

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Criterion and Janus Films Sell to Indian Paintbrush Founder Steven Rales

Katcy Stephan Indian Paintbrush founder Steven Rales has purchased Criterion and Janus Films. The mission and leadership of the companies will not change following the private transaction.

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Sideshow, Janus Films Buy Payal Kapadia’s Cannes Competition Entry ‘All We Imagine as Light’ for North America (EXCLUSIVE)

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

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Films Boutique Sells Mohammad Rasoulof’s ‘The Seed of the Sacred Fig’ to Multiple Territories (EXCLUSIVE)

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

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France’s Les Films du Losange Acquires Raymond Depardon’s Banner Palmeraie et Desert (EXCLUSIVE)

Elsa Keslassy International Correspondent France’s Les Films du Losange, the iconic distribution company owned by producer Charles Gillibert (“Annette”), has acquired Palmeraie et Desert,” the production company founded by celebrated filmmaker Raymond Depardon. Les Films du Losange, which was bought by Gillibert from longtime manager Margaret Menegoz in 2021, has been dedicated to preserving and promoting cinematic heritage since its inception.

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Sideshow & Janus Films Take North American Rights To Catherine Breillat’s Cannes Title ‘Last Summer’

Sideshow and Janus Films have acquired all North American rights for Catherine Breillat’s drama Last Summer (L’été dernier) following its well-received premiere in competition in the final days of the Cannes Film Festival (May 16-27).

Jerzy Skolimowski Pascal Bonitzer Saïd Ben-Saïd Lea Drucker Janus Films Cannes Films Catherine Breillat USA Denmark film stars consequences google EOS Banner Enterprise

Animated Movie ‘Pirate Mo and the Legend of the Red Ruby’ Sells to Numerous Distributors (EXCLUSIVE)

Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).

Leo Barraclough International Cannes Films Spain Austria Germany Portugal Greece Poland Turkey Hungary Bulgaria Romania county Rosebud film career

France’s Haut Les Mains Boards ‘A Useful Ghost,’ From Thailand’s 185 Films

Patrick Frater Asia Bureau Chief French independent producer Haut Les Mains has come on board “A Useful Ghost,” a film project that is both topical and supernatural. The deal was announced on the margins of the Cannes Film Festival and its accompanying rights market. “A Useful Ghost” follows March and Nat, a happily married couple, and their seven-year-old son Dot. Nat dies of respiratory disease caused by air pollution. A saddened March is worried that the same fate will befall his son, who gradually develops similar symptoms. Nat then returns as a ghost haunting the house vacuum cleaner to try and suck up the dust hurting her son. She also longs to be accepted as part of society and intends to prove that by getting rid of the less useful ghosts.

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Cannes Film Market’s Inaugural Investors Circle Unveils Selected Projects (EXCLUSIVE)

Elsa Keslassy International Correspondent While the lineup of Cannes Film Market’s newly launched initiative Cannes Investors Circle has remained under wraps, Variety has learned about four of the nine projects which were pitched during the invitation-only event. The initiative was created by the film market’s new executive director Guillaume Esmiol to connect VIP private investors with select filmmakers and producers boasting a stellar track records. Curated by experts such as Medici’s Tamara Tatishvili, Arte Cinema’s Rémi Burah and financier Serge Hayat, the nine projects are budgeted between €2 million and €12 million. Among these are “Dracula. The Second Coming” directed by Radu Jude, the Romanian helmer of Berlinale prizewinning “Bad Luck Banging or Loony Porn,” directed by Ada Solomon at microFILM; “Rivo Alto,” directed by Clément Cogitore (“The Wakhan Front”) and produced by Jean-Christophe Reymond at Kazak Productions (“Titane”); “The Girl” directed by Marina Ziolkowski (“But You Look So Good”) and produced by Philippe Gompel (“Cherry”) at Manny Films, and “The Birthday Party” directed by Miguel Angel Jimenez (“Chaika”) and produced by Giorgos Karnavas (“Triangle of Sadness”) at Heretic.

Rikke Ennis Radu Jude Elsa Keslassy International Mike Goodridge Emilie Georges Liesl Copland Ada Solomon Cannes Films Guillaume Esmiol Romania city Paradise film record art track experts CEO Solomonic

Cannes Competition Director of ‘Four Daughters,’ Kaouther Ben Hania, Sets Next Film ‘Mimesis’ With Party Films Sales (EXCLUSIVE)

Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.

Elsa Keslassy International Kaouther Ben-Hania Cannes Films France Syria city Brussels Tunisia city Tunisia film stars actor Love man Party Oscar Competition

Nicolas Cage, Bill Skarsgård Playing Father and Son Arms Dealers in ‘Lord of War’ Sequel for Andrew Niccol, Vendôme Group

Brent Lang Executive Editor Nicolas Cage will return to the shadowy world of illegal weapons sales, but this time, it’s become a family affair. The Oscar-winning star will reunite with writer and director Andrew Niccol on “Lords Of War,” the sequel to their 2005 crime thriller, “Lord Of War.” Cage will reprise his role as morally compromised arms dealer Yuri Orlov with “It’s” Bill Skarsgård co-starring as his son, who is a chip off the old block. Vendôme Group is backing the project, which is set to begin principal photography in the fall of 2023. FilmNation Entertainmentwill represent the international sales rights and introduce the film at the Cannes Film Festival, while CAA Media Finance will handle the domestic rights. Philippe Rousselet and Fabrice Gianfermi who produced the original are producing under their Vendôme Pictures banner, alongside Cage under his company, Saturn Films. Skarsgård is executive producing.

Bill Skarsgard Nicolas Cage Philippe Rousselet Fabrice Gianfermi Brent Lang Of War Andrew Niccol Saturn Films Cannes Films film stars awards photography BLOCK Banner

‘EO’ Filmmaker Jerzy Skolimowski On Lessons Learned From Robert Bresson – Contenders International

Polish maestro Jerzy Skolimowski calls EO, winner of the Cannes Film Festival Jury Prize and just this week the Best Foreign Film award from the New York Film Critics Circle, “practically a road movie” whose POVs from the titular donkey “were the most effective element of the whole filming and editing.”

Jerzy Skolimowski Janus Films Cannes Films Robert Bresson New York Poland film audience EOS

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