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08.01.2025 / 12:37

Jane Campion Praises Italian Director Maura Delpero’s ‘Vermiglio’ in Open Letter as Oscar Voting Kicks Off: The Film ‘Put a Spell Over Me’ (EXCLUSIVE)

Nick Vivarelli International Correspondent With Oscar voting starting today, double Oscar-winner Jane Campion is championing young Italian director Maura Delpero’s “Vermiglio,” Italy’s contender in the international film category. The intimate period drama, set at the end of World War II in an Alpine village where the arrival of a soldier causes disruption in the dynamics between three sisters, has made Delpero a new international indie darling after “Vermiglio” won the Venice Film Festival’s Silver Lion in September. Delpero’s sophomore film later segued from Venice to Toronto and a slew of other fests around the world.

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Maura Delpero’s Venice Silver Lion Winner ‘Vermiglio’ Is Italy’s Oscar Candidate

Nick Vivarelli International Correspondent Maura Delpero’s intimate epic “Vermiglio,” which recently won the Venice Film Festival’s Silver Lion Grand Jury Prize, has been designated as Italy’s candidate for the best international feature film category of the 2025 Academy Awards. The drama, which is set at the end of World War II in an Alpine village where the arrival of a soldier causes disruption in the dynamics between three sisters, had its North American premiere after Venice in the special presentations section at Toronto.

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Ghosts of German Past From Leni Riefenstahl to the Munich Olympics Unspool at Venice Festival

Nick Holdsworth [head] Andres Veiel’s documentary “Riefenstahl,” which challenges the carefully crafted public persona of one of Germany’s most controversial directors, is one of 17 German films playing in the various sections of the Venice Film Festival. A deep dive into Leni Riefenstahl’s previously inaccessible archive, the 160-minute film lifts the lid on secrets the director of the 1935 Nuremberg propaganda film “Triumph of the Will” struggled more than half her life to keep hidden.

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Venice Winner Péter Kerekes Returns to Lido With Astrology-Themed ‘Wishing on a Star,’ Debuts First Clip: ‘Everyone’s Looking for Love’ (EXCLUSIVE)

Marta Balaga Instead of “Wishing on a Star,” Slovak filmmaker Péter Kerekes makes his dreams come true, returning to Lido – and Venice Film Festival’s Horizons section – with his latest film. In 2021, Kerekes picked up the Horizons award for best screenplay alongside Ivan Ostrochovský for “107 Mothers.” Now, he is back in Venice with “Wishing on a Star,” but he didn’t immediately jump at the chance to follow Luciana de Leoni D’Asparedo, a Neapolitan astrologer who asks her clients to take life-changing trips on their birthdays in order to be “reborn.” “It felt like an absurd story,” jokes Kerekes. “My Austrian producer Ralph Wieser kept asking me to work with Erica Barbiani on a film about astrology.

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Franz Rogowski Starrer ‘Lubo’ Lands U.S. Sale For True Colours (EXCLUSIVE)

Nick Vivarelli International Correspondent U.S. specialty distributor Shadow Distribution has taken North American rights to Italian director Giorgio Diritti’s ethnic cleansing drama “Lubo,” toplining Franz Rogowski, from Italy’s True Colours.

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Sideshow And Janus Films Acquire US Rights To Venice Competition Title ‘The Beast’ Starring Léa Seydoux

Sideshow and Janus Films have acquired all US rights for The Beast (LA BÊTE), the latest feature from French filmmaker Bertrand Bonello (Saint Laurent) starring Léa Seydoux.

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France’s ARP Selection Buys Sofia Coppola’s Venice Prizewinning ‘Priscilla,’ Deauville Festival’s Big Winner ‘LaRoy’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Paris-based leading distribution company ARP Selection has bought a pair of U.S. indie gems from the fall festival circuit, Shane Atkinson’s feature debut “LaRoy” and Sofia Coppola’s “Priscilla.” “LaRoy,” a neo-noir Western comedy with Coen brothers influences, just won three major prizes at the Deauville Film Festival, including the Grand Prize, Audience Award and Critics Prize; while “Priscilla” world premiered at the Venice Film Festival and won best actress for Cailee Spaeny.

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Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Secures North American Distribution With Sideshow & Janus Films

Sideshow and Janus Films have acquired all North American rights to Academy Award-winning Japanese director Ryusuke Hamaguchi’s Evil Does Not Exist ahead of its world premiere in Competition at the Venice Film Festival next month.

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‘The New Boy’: First Look At Cate Blanchett In Cannes Religious Drama From Warwick Thornton

Here’s your first look at Cate Blanchett in The New Boy, the latest film from Australian filmmaker Warwick Thornton.

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Kino Lorber, Zeitgeist Films Acquire ‘Midnight Cowboy’ Making-Of Documentary ‘Desperate Souls, Dark City’

EXCLUSIVE: Kino Lorber and Zeitgeist Films have picked up North American rights to Desperate Souls, Dark City and the Legend of Midnight Cowboy — a new documentary on the making of the iconic John Schlesinger film, from acclaimed documentarian Nancy Buirski (The Loving Story).

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France’s Dublin Films Boards Juan Sebastian Mesa’s ‘Lovers Go Home!’ as ‘Rebellion’ Scores Sales (EXCLUSIVE)

Anna Marie de la Fuente In a clear vote of confidence for Colombian director Juan Sebastián Mesa, Bordeaux-based Dublin Films has boarded his third film “Lovers Go Home!” The company also co-produced Mesa’s lauded sophomore pic, “The Rust.” “Lovers Go Home!” centers on a Colombian single mom who leads a double life as a webcammer. One day she meets a U.S. veteran online who becomes obsessed with her. He flies to Colombia to meet her in person. Their meeting makes them reflect on who they truly are. In development, the project participated in this year’s Europe-Latin America Co-Production Forum, one of San Sebastian Film Festival’s key industry events, which ran over Sept. 19-21.

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Imprisoned Iranian Director Jafar Panahi’s ‘No Bears’ Acquired for U.S. by Sideshow, Janus Films

Manori Ravindran International Editor Imprison Iranian filmmaker Jafar Panahi’s “No Bears” has sold into North America, with Sideshow and Janus Films acquiring U.S. rights, and Films We Like buying the movie for Canada. “No Bears,” which premiered earlier this month at the Venice Film Festival, portrays two parallel love stories. “In both, the lovers are troubled by hidden, inevitable obstacles, the force of superstition and the mechanics of power,” reads an official synopsis. The film is written, produced, and directed by Panahi, and stars Panahi, Naser Hashemi, Vahid Mobaseri, Bakhtiar Panjei, Mina Kavani, Narjes Dalaram and Reza Heydari.

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After Rousing Venice Reception for Lav Diaz’s ‘When the Waves Are Gone’ Philippines’ Epicmedia Unveils Global Slate (EXCLUSIVE)

Naman Ramachandran Fresh off a standing ovation for auteur Lav Diaz’s “When the Waves Are Gone” at the Venice Film Festival, the Philippines’ Epicmedia Productions has revealed a global co-production slate. Next up is Swiss co-production “Electric Child” by Simon Jacquemet (“The Innocent”), which was presented at the Venice Production Bridge last year. The story revolves around a couple whose child develops an unusual illness. While the mother and baby drift into their own world, the computer-science professor father develops a pact with an A.I. character on a virtual island to save his child. The project, which is starting production imminently, is supported by the Film Location Incentive Fund of the Film Development Council of the Philippines, Swiss Federal Office of Culture, Zurich Film Foundation, Filmstiftung NRW and TV channels SRF and ARTE.

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