Tim Fehlbaum: Last News

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Netflix, Constantin Film Seal Long-Term Partnership

John Hopewell Chief International Correspondent In a broad-based deal, Netflix and Germany’s Constantin Film, one of Europe’s biggest production-distribution companies behind the “Resident Evil” film franchise and TV series “Shadowhunters,” have struck an exclusive long-term partnership.  The powerful alliance sees Netflix acquiring pay distribution rights pay to Constantin Film’s theatrical productions in the German-speaking region. These include national and international original and co-produced films, as well as films acquired for cinema or straight-to-video (STV) release. German and international theatrical productions.  Titles will be made available to Netflix subscribers on an SVOD basis 10-12 months after their theatrical release. In return, Netflix will contribute significantly to the financing of these productions, Constantin Film announced this week. The new agreement grants Netflix licensed access to Constantin Film’s existing film and series catalog, it added. 
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Mariko Minoguchi, Mo Harawe, Mo Scarpelli Bring New Projects to Locarno’s Alliance 4 Development
Marta Balaga Alliance 4 Development, a co-development initiative for film projects from Austria, France, Germany, Italy and Switzerland hosted by Locarno Pro, has revealed 11 titles selected for its 7th edition.The majority of the projects will be directed by women, from Giorgia Wurth’s “Allegra” about a late-life sexual awakening to Malina Mackiewicz’s “Bottom of the Ocean Electric Fish” and Mariko Minoguchi’s upcoming “Element.” The latter will address some environmental fears as a team of scientists tries to ensure that Earth’s water supply won’t suddenly disappear.Minoguchi, who previously co-wrote the script to Tim Fehlbaum’s “The Colony,” is hoping to develop a German science fiction film that “doesn’t shy away from big emotions or images,” she stated, “that makes you think and reflect and, above all, is a moving and impressive cinematic experience.” Big emotions will also fuel Manon Coubia’s “Songs of the Fallen Mountains,” with old lovers reunited on a mythical mountain, and Stéphane Riethauser’s “Orpheus” about a relationship between a young dancer and his choreographer.“‘There is no love; there are only proofs of love.’ These words by Jean Cocteau will guide me to direct my first fiction feature,” he promised, calling it “a film beyond labels, barriers and genres. A film that reminds us that freedom to love is the most precious thing we have.
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