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Brent Lang Executive Editor DECO Entertainment, founded by Lascelles Stephens and Deborah Cox, will join the co-producing team of the all-new revival of “The Wiz.” The production will launch a national tour on Sept. 23, 2023 in Baltimore before returning to Broadway for a limited engagement in the 2023 t0 2024 season.

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Ashley Brucks Picked to Run Screen Gems

Brent Lang Executive Editor Ashley Brucks has been tapped to lead Screen Gems, the Sony Pictures division behind the “Resident Evil” and “Insidious” franchises. A deal hasn’t been finalized and several other candidates were up for the post, but insiders say the job is Brucks’ and expect a formal announcement to come soon. She joins the company from Paramount, where she worked as head of development for Paramount Players, a production label focused on making comedies and genre fare.

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IFC Films Buys Psychological Thriller ‘Stopmotion’ Ahead of Fantastic Fest Debut (EXCLUSIVE)

Brent Lang Executive Editor IFC Films has acquired North American and select International rights to “Stopmotion,” a psychological horror film that will have its world premiere at Fantastic Fest this September. The indie distributor will release the movie in theaters in 2024, followed by a streaming debut on Shudder, AMC Networks’ streaming service for horror, thrillers and other films about the supernatural.

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New Works Provincetown Commissions Slate of Projects Including Musical of ‘Love Is Strange’ (EXCLUSIVE)

Brent Lang Executive Editor New Works Provincetown, a developmental theatre lab founded by producer Mark Cortale with Jonathan Murray and Harvey Reese to create and develop new theatrical works, has commissioned its next slate of projects, including new shows about F. Scott and Zelda Fitzgerald’s tumultuous marriage and an adaptation of Ira Sachs’ “Love Is Strange.” The shows are from creators like Mona Mansour, Hannah Corneau, Douglas Lyons, Craig Lucas, Daniel Messé, Nathan Tysen, Mindi Dickstein and Carmel Dean. Among the shows is “Beautiful Little Fool,” which is a new musical inspired by the Fitzgeralds’ relationship.

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Cord Jefferson’s ‘American Fiction’ Wins Toronto Film Festival Audience Award

Brent Lang Executive Editor “American Fiction,” Cord Jefferson’s satire of race and media, captured the Toronto International Film Festival’s people’s choice award, bolstering its Oscars chances. TIFF’s people’s choice award is considered to be among the best predictors of eventual awards success, though the 2023 festival hosted a weaker lineup than most years due to the writers and actors strikes that saw some prominent contenders skip a Canadian premiere. In the past, winners of the prize such as “Green Book,” “12 Years a Slave” and “Nomadland” went on to be named best picture at the Academy Awards.

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‘Back to the Future: The Musical’ Star Casey Likes Reveals Michael J. Fox’s Amazing Opening Night Advice

Brent Lang Executive Editor Casey Likes fully expected to be performing on Broadway this year, but the plan was for him to be riding shotgun with Stillwater instead of sitting behind the wheel of a DeLorean. He’d appeared as teen rock journalist William Miller in an acclaimed run of “Almost Famous: The Musical” at The Old Globe in San Diego and reprised the role when the show transferred in 2022 to Broadway. But New York critics were harsher, and “Almost Famous” struggled to draw crowds.

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Breaking Down TIFF’s Best Moments, From Lil Nas X’s Triumph to ‘American Fiction’ Oscar Buzz

Brent Lang Executive Editor It’s been a Toronto Film Festival like few others. The writers and actors strikes meant that many A-listers opted not to touch down in Canada this year, depriving the gathering of film lovers of the star-studded red carpets and Q&As that make Toronto so memorable. Even if this year’s festival was starved for glamour, it was still a good opportunity to get a clearer picture of the awards race — and to check the pulse of Hollywood at a tumultuous time for the industry.

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Rachel McAdams Making Broadway Debut in Amy Herzog’s ‘Mary Jane’

Brent Lang Executive Editor Rachel McAdams will star in the Broadway premiere of “Mary Jane,” a new play by Pulitzer Prize finalist Amy Herzog. Anne Kauffman, who recently oversaw an acclaimed revival of “The Sign in Sydney Brustein’s Window,” will direct.

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‘Pain Hustlers’ Director David Yates on Abandoning Harry Potter for Pill-Pushing Pharmaceutical Reps

Brent Lang Executive Editor With “Pain Hustlers,” David Yates was ready to exchange Hogwarts for strip-mall medical offices. It was time for the British director behind many of the Harry Potter films and the “Fantastic Beasts and Where to Find Them” series to leave magic behind for a grittier look at muggledom. “Having spent such a long time making films about wizards, I wanted to do a film in the real world and a social-issue driven, but one that wasn’t too earnest and serious,” Yates says a week before the Netflix release debuts at this year’s Toronto Film Festival.

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Box Office: ‘The Nun II’ Topples ‘Equalizer 3’ With Scary Good $32.6 Million

Brent Lang Executive Editor Denzel Washington is no match for this sister. “The Nun II” topped the box office charts, earning a scary good $32.6 million this weekend from 3,728 locations. That was more than enough to topple Sony’s “The Equalizer 3,” which features Washington as a mysterious avenging angel, from the first place perch it held last weekend.

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Patricia Arquette on the Actors Strike and Directing the Hunter S. Thompson-Inspired ‘Gonzo Girl’: ‘We Have to Fight For Our Art Form’

Brent Lang Executive Editor When Patricia Arquette decided to make her feature film directing debut with “Gonzo Girl,” she made a promise to her cast. “I told them that I would always edit everything for the acting — even if the camera work wasn’t the best in that take or some thing didn’t match from a continuity perspective,” she says a week before the movie’s big premiere at the Toronto Film Festival. “I don’t think someone has ever edited my performance directly for the acting, so I wanted to do this greedy, delicious thing for my ensemble.

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Toronto Film Festival Kicks Off With Fewer Stars, More Masks and Miyazaki’s ‘Last’ Film ‘The Boy and the Heron’

Brent Lang Executive Editor The Toronto International Film Festival kicked off its 48th edition with the North American premiere of “The Boy and the Heron,” the first feature from animation icon Hayao Miyazaki in a decade and the picture that is likely to serve as his cinematic swan song. The 82-year-old filmmaker isn’t doing any promotion for the film, so he wasn’t on hand at the Princess of Wales Theater on Thursday to look out at the adoring crowd of film lovers, who cheered every time his name or that of Studio Ghibli, his creative home, was invoked.

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Troubled Times at TIFF? How the Hollywood Strikes Could Impact the Toronto Film Festival

Brent Lang Executive Editor Before cameras ever start rolling on a RadicalMedia movie, staffers are already busy strategizing about where it should eventually premiere. The company, which boasts “The Fog of War” and “Summer of Soul” among its many credits, routinely consults an exhaustive chart that lays out the deadlines to submit a movie to major festivals like Cannes, Sundance and Toronto.

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David Slade, Director of ‘Black Mirror: Bandersnatch,’ Signs With 42 (EXCLUSIVE)

Brent Lang Executive Editor David Slade, the director of the Emmy and BAFTA-award winning “Black Mirror: Bandersnatch,” has signed with 42, the Los Angeles and London-based management and production company. The company will manage the filmmaker, who also joins 42’s commercials offering OB42 for representation in the U.K.

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Vornado Realty Trust, Hudson Pacific, Blackstone, New York City Economic Development Corporation Team on Pier 94 Studio Campus

Brent Lang Executive Editor Vornado Realty Trust has lined up partners in both the private and public sector for its plans to redevelop Pier 94 on Manhattan’s West Side as a film and TV studio. The company announced that Hudson Pacific Properties and Blackstone will back the project, as well as the City of New York, and New York City Economic Development Corporation. Vornado, which has struggled for years to demolish the old pier and to transform it into various different venues such as a giant trade show facility, contributed its long-term leasehold to the venture.

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Box Office Battle: ‘Barbie’ and ‘Gran Turismo’ Feud Over Who Won the Weekend

Brent Lang Executive Editor “Barbie” and “Gran Turismo” are both claiming victory at the box office in a showdown that has a lot to do with movie accounting and shifting definitions of the meaning of an opening weekend. Warner Bros., which backed “Barbie,” is claiming that the film won the weekend for the fifth time, earning $15.1 million over last Friday, Saturday and Sunday. However, Sony, which produced “Gran Turismo,” is claiming that its film topped box office charts with $17.4 million.

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Box Office: ‘Gran Turismo’ Narrowly Outraces ‘Barbie’ With Middling $17.3 Million

Brent Lang Executive Editor It’s a nail-biter at the box office. Sony’s “Gran Turismo” is projected to narrowly outrace the competition with $17.3 million at the box office. But “Barbie” is close behind with $17.1 million, so it’s possible that when the final tally is revealed, the summer blockbuster will have reclaimed its crown and “Gran Turismo” will have the settle for second place.

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Barbie Ferreira, John Leguizamo Starring in Tracie Laymon’s ‘Bob Trevino Likes It’ (EXCLUSIVE)

Brent Lang Executive Editor “Bob Trevino Likes It” has wrapped production in Louisville, Ky. and has unveiled its first official photo. Myriad Pictures has acquired worldwide sales rights and will launch sales out of Toronto in September.

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Rachel Allen Joins Bleecker Street as Senior Vice President of Publicity (EXCLUSIVE)

Brent Lang Executive Editor Rachel Allen has joined Bleecker Street as senior vice president of publicity. She begins her job at the indie studio this week after more than a decade in the public relations industry, including a five year stint at Cinetic Media, where she served as a director of publicity and led campaigns from festival launch to theatrical release and through awards season.

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Shia LaBeouf Making Stage Debut in David Mamet’s ‘Henry Johnson’

Brent Lang Executive Editor Shia LaBeouf will make his stage debut in the world premiere of “Henry Johnson,” a new play from David Mamet. The production will be mounted at the Electric Lodge venue in Venice, Calif. and will be directed by “The L Word: Generation Q” showrunner Marja-Lewis Ryan.

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How ‘Strays’ Used ‘Stand by Me,’ ‘A Dog’s Purpose’ and a D— Protector to Convince Universal to Make the R-Rated Comedy

Brent Lang Executive Editor Producer Erik Feig could have been describing “SuperBad” or “Good Boys” when he outlined his new movie to Universal, pitching them on backing his mid-budget film with a detailed slideshow that included everything from ideas for TikTok promotions to potential merchandising. “This is a raunchy, cinematic comedy with heart, about finding your people and your purpose,” a slideshow for the Picturestart founder’s new project, “Strays,” read.

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