Bob Dylan: Last News

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Watch Dead & Company kick off epic visual feast residency at Las Vegas Sphere

Dead & Company opened their residency at Las Vegas’ Sphere last night with an epic visual feast that drew on 60 years of history.The band – who are made up of Grateful Dead‘s Bob Weir and Mickey Hart alongside John Mayer, Oteil Burbridge, Jeff Chimenti and Jay Lane – announced the run of shows at the venue in February, teasing it with a video of Grateful Dead’s ‘Steal Your Face’ logo being projected onto the outer sphere of the cutting-edge new arena.The opening night of the run took place yesterday (May 16), with three shows a week now scheduled up until the residency ends on July 13.In a set that ran through 19 tracks and over three hours, the band made use of the state-of-the-art technology in the venue to project familiar imagery and characters from the Grateful Dead’s history onto the giant LED screens, including the skull and roses and the dancing bears.In front of the 240-foot screens, the band rounded out the show with an extended jam of the Dead’s ‘Hell in a Bucket’, followed by covers of Bob Dylan’s ‘Knockin’ on Heaven’s Door’ and ‘Not Fade Away’, made famous by The Rolling Stones.Check out fan-captured footage of the show’s spectacular visuals below:‘Feel Like a Stranger’‘Mississippi Half-Step Uptown Toodeloo’‘Jack Straw’ ‘Bird Song’‘Me and My Uncle’‘Brown-Eyed Women’ ‘Cold Rain and Snow’‘Uncle John’s Band’‘Help On the Way’‘Slipknot!’‘Franklin’s Tower’‘He’s Gone’‘Drums’ ‘Space’‘Standing On the Moon’‘St. Stephen’‘Hell In a Bucket’‘Knockin’ On Heaven’s Door’‘Not Fade Away’Kreutzman has said of the shows: “Historically, it was always a psychedelic circus when the Grateful Dead pulled into Las Vegas.
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Watch Dead & Company kick off epic visual feast residency at Las Vegas Sphere
Dead & Company opened their residency at Las Vegas’ Sphere last night with an epic visual feast that drew on 60 years of history.The band – who are made up of Grateful Dead‘s Bob Weir and Mickey Hart alongside John Mayer, Oteil Burbridge, Jeff Chimenti and Jay Lane – announced the run of shows at the venue in February, teasing it with a video of Grateful Dead’s ‘Steal Your Face’ logo being projected onto the outer sphere of the cutting-edge new arena.The opening night of the run took place yesterday (May 16), with three shows a week now scheduled up until the residency ends on July 13.In a set that ran through 19 tracks and over three hours, the band made use of the state-of-the-art technology in the venue to project familiar imagery and characters from the Grateful Dead’s history onto the giant LED screens, including the skull and roses and the dancing bears.In front of the 240-foot screens, the band rounded out the show with an extended jam of the Dead’s ‘Hell in a Bucket’, followed by covers of Bob Dylan’s ‘Knockin’ on Heaven’s Door’ and ‘Not Fade Away’, made famous by The Rolling Stones.Check out fan-captured footage of the show’s spectacular visuals below:‘Feel Like a Stranger’‘Mississippi Half-Step Uptown Toodeloo’‘Jack Straw’ ‘Bird Song’‘Me and My Uncle’‘Brown-Eyed Women’ ‘Cold Rain and Snow’‘Uncle John’s Band’‘Help On the Way’‘Slipknot!’‘Franklin’s Tower’‘He’s Gone’‘Drums’ ‘Space’‘Standing On the Moon’‘St. Stephen’‘Hell In a Bucket’‘Knockin’ On Heaven’s Door’‘Not Fade Away’Kreutzman has said of the shows: “Historically, it was always a psychedelic circus when the Grateful Dead pulled into Las Vegas.
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Nick Cave on making peace with the artists that have “disappointed” him
Nick Cave has recalled making peace with the artists that have “disappointed” him, explaining that he is willing to look beyond their personal decisions if the art they make is “authentic”.The Bad Seeds frontman discussed the topic in a new update on his blog, The Red Hand Files, after a fan got in touch with him to question him about his “religious turn” and asked if he ever feels like he is “letting down [his] queer and female fans”.Responding, Cave went on to share his own experience of being disappointed by artists he once admired and explained how he was able to look beyond their personal choices and enjoy their artwork for what it is.“When I think of the artists that I truly admire, those that I have stuck with over the years, at some point in their lengthy careers they have all disappointed me,” he began.“Bob Dylan, Neil Young, Nina Simone, Kanye, Van Morrison, Morrissey, Brian Eno, Leonard Cohen, Patti Smith – these are artists that, for me, form a kind of confederacy of excellence, but at one time or another they have each alienated, confounded or displeased me. They have often not travelled in the direction I would have hoped or wished for, instead following their own confounding paths (damn them!) to their own truths.“In the course of this I have sometimes been discomforted by things they have done, disagreed with things they have said, or not liked a particular record they have made.
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