Rosetta Tharpe: Last News

Lizzo is speaking out about the criticism of her music that "disturbs" her the most. The 34-year-old singer and rapper told Vanity Fair that the claim that her music was created for White people was the "biggest criticism" that she had received, adding that it was a "critical conversation" with regard to Black artists.

Lizzo has been tapped to portray rock ‘n’ roll pioneer Sister Rosetta Tharpe in an upcoming biopic – find out more below.Deadline Hollywood has reported that Amazon MGM Studios is developing Rosetta, an upcoming biopic based on the life and career of the legendary Sister Rosetta Tharpe, a gospel musician who broke boundaries and paved the way for rock ‘n’ roll music.Rosetta has yet to receive a release date, and a director has not been announced to helm the film. However, it has been revealed by Deadline that among the biopic’s producers are actor Forest Whitaker and Lizzo herself.Per Deadline, Rosetta will “capture a pivotal period in Thrape’s life — one of groundbreaking innovation, defiant passion and secret love.

Matt Minton mminton@variety.com Lizzo will play trailblazing musician Sister Rosetta Tharpe in the upcoming biopic “Rosetta” from Amazon MGM Studios. From writers Natalie Chaidez (“The Flight Attendant”) and Kwynn Perry (“Tigerbelles”), “Rosetta” will tell Tharpe’s true story and how she became known as the godmother of Rock & Roll. Lizzo will also produce the film alongside Kevin Beisler and Significant Productions’ Nina Yang Bongiovi and Forest Whitaker.

Lizzo is taking on an iconic role.

EXCLUSIVE: Four-time Grammy award winner Lizzo will be taking up the guitar to play Sister Rosetta Tharpe, the gospel singer who was one of the first to appeal to rock n’ roll and R&B audiences, in Amazon MGM Studios‘ Rosetta.

Yola has dismissed her former producer and label boss Dan Auerbach of The Black Keys as “cookie-cutter bullshit”.The Bristol-born genre-bending singer released her first two albums, 2019’s ‘Walk Through Fire’ and 2021’s ‘Stand For Myself’, on Auerbach’s Easy Eye Sound label, but in a new interview, she has criticised her former collaborator’s artistic process.Speaking to Rolling Stone, she has said: “It’s cookie-cutter bullshit, is all it is. It’s what they did in the old days: people have no agency.

new album “Cowboy Carter” — and one of them is none other than music legend Stevie Wonder.After accepting the Innovator Award at the iHeartRadio Music Awards at the Dolby Theatre in Los Angeles Monday night, the “Texas Hold ‘Em” singer gushed over the 25-time Grammy winner who handed her the gong.“Now, Beyoncé is once again changing music and culture,” Wonder said of her latest record. “And when she’s not changing music, she’s changing the world, fighting the good fight.”As the mom of three accepted the award, she thanked the “I Wish” hitmaker for “making a way for all of us.”“And thank you for playing the harmonica on ‘Jolene,’” she added.“Tonight, you called me an innovator and for that, I’m very grateful,” the 32-time Grammy winner said.

Beyoncé made an appearance at the 2024 iHeartRadio Music Awards to accept the Innovator Award, which was presented to her by Stevie Wonder.

Beyoncé is a winner!

Beyoncé paid $100,000 (£78,000) to keep trains running for an extra hour at a recent gig, so fans could get home safe.At the Washington DC leg of the singer’s ‘Renaissance’ world tour last night (July 6), bad weather meant the gig was delayed and ran late.As a result, many fans risked being stranded with public transport stopping running for the night.The singer then forked out to keep services open for an extra hour so fans could make it home.As the show was ending, the city’s Metro service announced that its Silver Line would stay open for an extra hour, a service which was “funded by the Tour to cover the $100,000 cost to run more trains, keep all 98 stations open for customers to exit and other operational expenses”.They added: “The extended time means the #BeyHive can stay for the ‘Party’ and still get home on Metro.”Elsewhere on the ‘Renaissance’ tour, Beyoncé seemingly left Lizzo’s name off a performance of ‘Break My Soul’ during one of her performances in Foxborough, Massachusetts last week which saw many of her fans quick to speculate that this was related to the recent allegations raised against Lizzo that same day – which finds her accused of sexual harassment and a hostile work environment.Beyoncé then brought Lizzo’s name back to a live rendition of the song over the weekend. But during her show at the FedExField in Maryland on Saturday (August 5) fans were quick to share that Beyoncé did include Lizzo’s name again as she sang the lyrics: “Rosetta Tharpe, Santigold, (Vogue) Bessie Smith, Nina Simone (Vogue), Betty Davis, Solange Knowles.

Beyoncé brought Lizzo’s name back to a live rendition of ‘Break My Soul (The Queens Remix)’ over the weekend.It comes after the pop icon seemingly left Lizzo’s name off the track during one of her performances in Foxborough, Massachusetts last week which saw many of her fans quick to speculate that this was related to the recent allegations raised against Lizzo that same day – which finds her accused of sexual harassment and a hostile work environment.But during her show at the FedExField in Maryland on Saturday (August 5) fans were quick to share that Beyoncé did include Lizzo’s name again as she sang the lyrics: “Rosetta Tharpe, Santigold, (Vogue) Bessie Smith, Nina Simone (Vogue), Betty Davis, Solange Knowles. Badu, Lizzo, Kelly Rowl”.Lizzo is being sued by three of her former dancers, who recall her pressuring a co-worker to touch a naked performer in an Amsterdam club and subjecting dancers to “excruciating” auditions.

Beyoncé – has spoken out about the singer leaving out Lizzo’s name during a live rendition of ‘Break My Soul’, saying that the decision has nothing to do with recent allegations.Rumours about Beyoncé drawing reference to the recent controversy surrounding Lizzo arose earlier this week, when the ‘Single Ladies’ singer chose to omit the latter’s name from one of her performances.Performing at Foxborough, Massachusetts on Tuesday (August 1) as part of her hit ‘Renaissance’ tour, Beyoncé played ‘Break My Soul (The Queens Remix)’, which sees her begin to list off a number of iconic and boundary-breaking Black female artists.While the original lyric reads: “Rosetta Tharpe, Santigold, (Vogue) Bessie Smith, Nina Simone (Vogue), Betty Davis, Solange Knowles. Badu, Lizzo, Kelly Rowl”, fan-captured footage shows the singer skim over Lizzo’s name and instead repeat Erykah Badu’s name four times.Following the set, fans were quick to speculate that this was related to the recent allegations raised against Lizzo that same day – which see her accused of sexual harassment and a hostile work environment.The ‘About Damn Time’ singer is being sued by three of her former dancers, who recall her pressuring a co-worker to touch a naked performer in an Amsterdam club and subjecting dancers to “excruciating” auditions.

Beyonce appears to reacting to the accusations made against Lizzo.

Chris Willman Senior Music Writer and Chief Music Critic You can easily hear the impact of Tina Turner in the music of Yola, one of the greatest singers of our generation. But it goes far beyond any basic level of influence for this British-bred, now Nashville-based powerhouse. Before becoming a recording artist and Grammy nominee, back in her native U.K., she was a teacher and lecturer in vocal biomechanics who would instruct young singers in how to emulate Turner’s singular voice… or at least how to try. Yola spoke with Variety about Turner, who died May 24 at age 83. These are some of her thoughts, on everything from Tina’s pure technique to the unique challenges she faced as a Black stylist without parallels or filters to her place in genre-bridging musical history.

and women, ultimately marrying his bride Ernestine.Richard Wayne Penniman, who died in 2020, was many things, hence the revealing new documentary Little Richard: I Am Everything, directed and produced by Lisa Cortés (All In: The Fight for Democracy), who sought to capture the mercurial musician’s many contradictions and put into perspective his undeniable cultural impact.“I realized that in looking at Richard’s history, he’s like, I always say, a pendulum,” says Cortés. “He’s going back and forth. He’s out, he bursts on the scene.

A warren of characterful Victorian streets and alleyways was sacrificed for the building of Manchester's Arndale Centre.

Julia MacCary editor Courtney Love has taken aim at the Rock and Roll Hall of Fame, penning a scathing essay that calls out the dearth of women and Black artists showcased in the Cleveland-based organization. “If so few women are being inducted into the Rock Hall, then the nominating committee is broken,” Love wrote in an op-ed for the Guardian. “If so few Black artists, so few women of colour, are being inducted, then the voting process needs to be overhauled. Music is a lifeforce that is constantly evolving – and they can’t keep up. Shame on HBO for propping up this farce.” Love did not hold back when calling out the Rock and Roll Hall of Fame. “Barely 8% of its inductees are female. The canon-making doesn’t just reek of sexist gatekeeping, but also purposeful ignorance and hostility,” wrote Love, a musician, songwriter and actor who led the 1990s band Hole and was married to the late Nirvana frontman Kurt Cobain (who was posthumously inducted).

The Guardian.“If so few Black artists, so few women of color, are being inducted, then the voting process needs to be overhauled. Music is a lifeforce that is constantly evolving — and they can’t keep up.” The 58-year-old “Miss Narcissist” singer’s damning essay lists industry pioneers and visionaries like Sister Rosetta Tharpe, Chaka Khan, and Kate Bush as women who have been overlooked for years by the Rock Hall’s nominating board and voting body.

Lizzo is clapping back at the haters.

Lizzo regularly faces criticism targeting her body, sense of style and everything else under the sun, but the perception that disturbs her «the most» is that she makes music for a white audience. In a new cover story for, the «About Damn Time» singer addressed the oft-repeated judgment that her music is somehow geared toward white listeners, noting that it's «such a critical conversation when it comes to Black artists.»«When Black people see a lot of white people in the audience, they think, 'Well this isn't for me, this is for them.' The thing is, when a Black artist reaches a certain level of popularity, it's going to be a predominantly white crowd,» she explains. «I was so startled when I watched [YouTube clips of gospel great] Sister Rosetta Tharpe, who was an innovator of rock and roll.

Willow Smith has spoken out about claiming space in rock in a new interview, saying that all people should “be allowed freedom to express ourselves in all kinds of different ways”.The star, who will release her latest album ‘<COPINGMECHANISM>’ next month, shifted into the rock genre with her 2021 album ‘lately I feel EVERYTHING’.Smith has previously spoken out about the reaction to her wanting to make a rock record from music industry executives, citing her race as a Black woman as the reason behind their response.“When I wanted to do a rock album, there were a lot of executives that were like, ‘Hmm…’,” she told Glamour earlier this year. “If I had been white, it would’ve been completely fine; but because I’m Black it’s, ‘Well… maybe let’s just not’ – and making it harder than it needs to be.”Speaking to the Observer recently, the 21-year-old described her claiming space in rock as a politically-charged move that is “about stepping into places where marginalised communities haven’t been accepted and saying: I’m human, and I’m allowed here, too”.“All of us should be allowed freedom to express ourselves in all kinds of different ways, and one of those ways is rock music,” she said.