Did The 2023 Oscars Kickoff At Cannes?

Pink is just one of the latest celebrities to share her thoughts aboutthe U.S. Supreme Court’s ruling to overturn Roe Vs.

Kanye West mentioned Kim Kardashian - and his desire to be declared legally dead - as he appeared at the 2022 BET Awards Sunday at the Microsoft Theater in Los Angeles.The 45-year-old musical artist - who with Kenneth 'Babyface' Edmonds, 64, presented Sean 'Diddy' Combs, 52, with the Lifetime Achievement Award at the proceedings - touched on a number of topics in the appearance.West onstage donned a black mask with a hat and sunglasses, completely covering his face as he paid homage to Diddy. The latest:Kanye West, 45, mentioned Kim Kardashian - and his desire to be declared legally dead - as he appeared at the 2022 BET Awards Sunday at the Microsoft Theater in Los Angeles'I go to him for advice to this day,' West said.

Kendall Jenner, Hailey Bieber and Justine Skye were pictured while making their way out of Nobu in Malibu on Sunday evening.The media figures, aged 26, 25 and 26, all cut seriously stylish figures while departing the celebrity hotspot.The trio's outing comes just a few days after it was confirmed that the reality television personality had ended her relationship with Devin Booker. Party of three:Kendall Jenner, Hailey Bieber and Justine Skye were pictured while making their way out of Nobu in Malibu on Sunday eveningJenner wore a light gray crop top that showed off her toned tummy underneath a light blue button-up shirt.The social media powerhouse showcased her sculpted legs with a pair of light yellow shorts and she also rocked a pair of Adidas Samba sneakers.

Kenya Moore and Marlo Hampton had to be separated as they nearly got physical during a heated argument on Sunday's episode of The Real Housewives Of Atlanta.The 51-year-old former Miss USA and Marlo, 46, squared off at the end of a workout session during the season 14 episode titled 'Healthy Glows and Low Blows'.Kenya admitted that she told Kandi Burruss, 46, that Marlo was calling her a bad friend for failing to support Sheree Whitfield, 52, after her split from ex-convict Tyrone. Tense moment:Kenya Moore and Marlo Hampton had to be separated as they nearly got physical during a heated argument on Sunday's episode of The Real Housewives Of Atlanta'It made her realize all the things you haven't been to her,' Kenya told Marlo.'Can you teach me how to be a friend, Kenya?,' Marlo asked mockingly.

Heidi Klum and Tom Kaulitz are enjoying a day out!

Leo Barraclough International Features EditorThe trailer has debuted for “America,” a drama directed by Ofir Raul Graizer (“The Cakemaker”), which will world premiere at Karlovy Vary Intl. Film Festival in the Crystal Globe Competition. Beta Cinema is handling world sales.The film centers on Eli, an Israeli swimming coach living in the U.S.

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A Lanarkshire man who was cleared of murder has been jailed for attacking his partner.

Austin Butler is opening up about reaching out Leonardo DiCaprio.

Winner: Neon. The indie distributor has a special touch with Palme d’Or winners. Following 2019’s “Parasite” and 2021’s “Titane,” Neon landed North American rights to this year’s big Cannes champ: Ruben Östlund’s comedy “Triangle of Sadness,” which stars Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was a familiar winner striking gold again. For the second time in five years, director Ruben Östlund won the coveted Palme d’Or for his English-language debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square” and beat out eighteen other films to win this year’s top prize.

NEON earned bragging rights tonight with the third consecutive Palme d’Or Cannes winner in a row, that being Ruben Östlund’s satirical comedy Triangle of Sadness, which was a huge crowd pleaser during the fest.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was familair winner striking gold again. For his second time in five year, director Ruben Östlund won the coveted Palme d’Or for his English-laungage debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square,” and beat out eighteen other films to win this years top prize.

Refresh for latest…: The 75th Cannes Film Festival draws to a close tonight as the main awards, including the Palme d’Or, are soon to be handed out in the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

Afternoon Insiders, Max Goldbart here. Cannes is wrapping and we have the very latest from the Croisette, plus a hell of a lot more in this week’s deep dive. Read on.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

Leo Barraclough International Features EditorOn Saturday, film and TV funder Medienboard Berlin-Brandenburg celebrated the six films that it funded running in the official program of the Cannes Film Festival.These were Ruben Östlund’s “Triangle of Sadness,” in Competition, Ali Abbasi’s “Holy Spider,” in Competition, Emily Atef’s “More Than Ever,” in Un Certain Regard, Mia Hansen-Løve’s “Un beau matin,” in Directors’ Fortnight, Sergei Loznitsa’s “The Natural History of Destruction,” in Special Screening, and Mantas Kvedaravicius’ “Mariupolis 2,” in Special Screening.Commenting on the role Medienboard played in funding the films in Cannes, the organization’s chief Kirsten Niehuus said: “Medienboard Berlin-Brandenburg and other film funds play an important role in sustaining high quality cinema in Europe and in international co-productions around the world.” Speaking about the type of films Medienboard likes to fund, she said: “Not very original but true – we prefer films that bring something original to an audience. That goes for mainstream as well as young talent and arthouse.

Swedish director Ruben Östlund‘s already won one Palme d’Or at the Cannes Film Festival; in 2017 for “The Square.” And while he’s back in Cannes again this year with “Triangle Of Sadness” to try and win another, he already has his next film in mind, with Woody Harrelson set to star for him again. READ MORE: ‘Triangle Of Sadness’ Review: Ruben Östland’s Falters In This Broad Class Satire [Cannes] In an interview with Variety, Östlund gave details about the new project, including its title and premise.

Neon has acquired North American rights to Ruben Östlund’s buzzy satire, Triangle of Sadness, following its world premiere in competition at the Cannes Film Festival.

Timing can be cruel. Norwegian director Kristoffer Borgli’s second feature, Sick Of Myself, has the misfortune to arrive in the Cannes Film Festival’s Un Certain Regard section in the slipstream of Ruben Östlund’s divisive but funny competition title Triangle of Sadness; the latter being a broader, sillier but much more brutal dissection of class and culture. Sick Of Myself also has to compete with the unexpected longevity of fellow countryman Joachim Trier’s hit The Worst Person In The World, which last year went from the Cannes competition all the way to the Oscars.