Neill Blomkamp affirms again with “Demonic,” his least entertaining feature film yet, that he is a true mad scientist with genre even if everything blows up in his face.
His convictions can be truly bizarre, like with something as small as Jodie Foster’s peculiar accent in “Elysium” or the entirety of “Chappie.” Whether one likes those movies or not, it’s unmistakable that Blomkamp believes in what he’s toying with and that such confidence defines his artistry when creating his mark in the crowded world of sci-fi.
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