‘Cobweb’ Trailer: Lizzy Kaplan & Antony Starr Are Sinister Parents In Upcoming Horror Film

Zack Sharf Digital News Director Christopher Nolan has a warning for anyone purchasing “Oppenheimer” tickets: The film might emotionally destroy you. Speaking to Wired magazine in a new interview, Nolan said that some early “Oppenheimer” viewers have had a visceral reaction to the film, which follows theoretical physicist J. Robert Oppenheimer (Cillian Murphy) as he creates the atomic bomb to end World War II. “Some people leave the movie absolutely devastated,” Nolan said about early screenings. “They can’t speak. I mean, there’s an element of fear that’s there in the history and there in the underpinnings. But the love of the characters, the love of the relationships, is as strong as I’ve ever done.”

“Like it or not,” declared Christopher Nolan at CinemaCon in April, “J. Robert Oppenheimer is the most important person who ever lived. He made the world we live in, for better or for worse.”

Universal trotted out a dog, some “possessed” girls and a Wicked light show, during its CineEurope presentation here in Barcelona, while also celebrating the studio’s force in the animated space and touting next month’s Oppenheimer from Christopher Nolan. All this followed a reel of filmmakers heralding the cinema experience which it had previously shown at CinemaCon in April.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Once upon a time in New York City, the three shopping havens for those in the know were referred to, in the words of Blair Waldorf, “the three B’s”: Bendel’s, Barneys and Bloomingdale’s. Bendel’s shuttered after 123 years in 2018. Next came the Hollywood-adored Barney’s, who closed its doors in 2020. Now, the last old-school, luxury retailer standing is Bloomingdale’s — and one more bold-faced “B” to revel in its glory: Barbie. In honor of Greta Gerwig’s “Barbie,” which releases July 21, Bloomingdale’s decided to go all out in celebrating Mattel’s iconic plastic doll, who we can only assume would be a loyal Bloomies customer if she ever manages to escape Barbie World. On June 20, the retailer announced a series of Barbie-themed exclusive products, collaborations and pop-up shops ahead of the film’s anticipated release on July 21.

Zack Sharf Digital News Director Christopher Nolan got honest about artificial intelligence in a new interview with Wired magazine. The Oscar-nominated filmmaker says the writing has been on the wall about AI dangers for quite some time, but now the media is more focused on the technology because it poses a threat to their jobs. “The growth of AI in terms of weapons systems and the problems that it is going to create have been very apparent for a lot of years,” Nolan said. “Few journalists bothered to write about it. Now that there’s a chatbot that can write an article for a local newspaper, suddenly it’s a crisis.” Nolan said the main issue with AI is “a very simple one” and relates to the technology being used by companies to “evade responsibility for their actions.”

The Boys fans are “missing the point entirely” if they support Homelander.The New Zealand actor – who plays patriotic yet sadistic superhero Homelander in the comic book series by Garth Ennis and Darick Robertson – said that he’s surprised the character still has fans in viewers.“There’s a very strange thing that’s happened with the character, though he is clearly not a good guy,” the actor recently told The LA Times.“A lot of people have glommed onto him. There’s a weird element out there that actually kind of idolise him.

McKinley Franklin editor Historian Kai Bird, co-author of the 2005 book that inspired Christopher Nolan’s “Oppenheimer,” has shared his thoughts about the upcoming film, revealing that he has high hopes for how it can resonate with the public during a conversation with David Nirenberg at Leon Levy Center for Biography in New York. “I am, at the moment, stunned and emotionally recovering from having seen it,” Bird said. “I think it is going to be a stunning artistic achievement, and I have hopes it will actually stimulate a national, even global conversation about the issues that Oppenheimer was desperate to speak out about — about how to live in the atomic age, how to live with the bomb and about McCarthyism — what it means to be a patriot, and what is the role for a scientist in a society drenched with technology and science, to speak out about public issues.”

Rebecca Rubin Film and Media Reporter “The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of the box office lightweights. This weekend’s two new releases were once expected to ignite the summer box office but instead entirely missed the mark, as “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both of those films fell short of already-low expectations. And worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs. In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made.” Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent his mother’s murder and inadvertently cracks open the DC multiverse. (Cameos abound!) But its tepid “B” CinemaScore from opening weekend crowds suggests that the moviegoing masses didn’t entirely agree with the lavish praise bestowed on the film by the people who made it. Without positive audience scores or strong word-of-mouth, “The Flash” will struggle to rebound in the coming weeks, especially as summer season heats up with the release of “Indiana Jones and the Dial of Destiny” on June 30, “Mission: Impossible 7” on July 12 and Christopher Nolan’s “Oppenheimer” on July 21.

Rebecca Rubin Film and Media Reporter There’s been a battle brewing between two of Hollywood’s blockbuster talents. In one corner, Tom Cruise is gearing to take a victory lap from the behemoth success of “Top Gun: Maverick” with a sequel to his other big action franchise, “Mission: Impossible – Dead Reckoning Part One.” It’s expected to be one of the biggest movies of the summer when it opens on July 12. In the other corner, Christopher Nolan, one of the few directors so famous that his name alone can draw crowds, is readying to release his highly anticipated “Oppenheimer.” The big-budget drama about the creation of the atomic bomb launches just a week later on July 21.

EXCLUSIVE: Filmmaker Tyler Taormina (Ham on Rye) has wrapped production in Long Island on Christmas Eve In Miller’s Point, a Christmas comedy to star Michael Cera (Life & Beth), Elsie Fisher (Barry), Maria Dizzia (The Good Nurse), Francesca Scorsese (We Are Who We Are), Ben Shenkman (Billions), Gregg Turkington (Ant-Man and the Wasp: Quantumania), Sawyer Spielberg (Masters of the Air) and newcomer Matilda Fleming.

There’s not a day goes by where the upcoming Barbie movie is not mentioned at least once. Starring Margot Robbie as the iconic fashion doll and Ryan Gosling as Ken, the highly anticipated feature film has also been directed by none other than Greta Gerwig. In the lead up to the big release - which by the way, drops on the 21st July in case you didn’t already know - all of the actors have been extremely busy galvanting around the globe doing press.

BreAnna Bell Kingsley Ben-Adir is just as excited as the fans to see Greta Gerwig’s “Barbie” finally hit the big screen. As he caught up with Variety at Marvel’s “Secret Invasion” premiere in Hollywood on Tuesday night, Ben-Adir recalled seeing Ryan Gosling and the rest of the Ken dolls for the first time in full costume. “We all looked like absolute losers in a funny way,” he shared, adding, “It was hilarious.” He went on to say that joining the film was a no-brainer after reading Gerwig and Noah Baumbach’s script. “From the first page, I was like, ‘Wow, this is really, really funny!'” Ben-Adir said. “I just heard such great things about Ryan and Margot. Then me and Greta went out for some whiskey. We spoke for two or three hours. There was a really strong sense from early on like she was trying to do something a little bit different.

The Directors Guild of America has released a new video of associate directors and stage managers touting their support of the guild’s tentative agreement for new film and TV contract. The pact, which covers directors and members of their teams, is being put to the members for ratification.  

Barbie” is one of the most awaited films of the year. In order to promote the film and ensure that it reaches the widest possible audience, Ryan Gosling and Margot Robbie will be making stops by some of the biggest cities in the world, including Mexico. Karol G releases ‘Watiti’ part of the ‘Barbie’ movie soundtrackAmerica Ferrera wore ‘grandma’ pjs to ‘sexy’ Barbie sleepoverKarol G explains her decision to contribute to the ‘Barbie’ soundtrackA post shared by Warner Bros.

It’s summer movie season and there’s a big box office battle brewing in July.

If you were ever questioning just how powerful Christopher Nolan is in Hollywood, look no further than the situation that developed between the filmmaker and Warner Bros. during the pandemic.

Addie Morfoot Contributor At Tuesday’s New York’s premiere of Wes Anderson’s “Asteroid City,” the star-studded cast had plenty to say about Hollywood’s writers strike. Scarlett Johansson, Adrien Brody, Bryan Cranston and Rupert Friend revealed how they really feel about the face off between the Writers Guild of America and the Alliance of Motion Pictures and Television Producers while walking the beige carpet at Lincoln Center’s Alice Tully Hall. “Whatever happens moving forward will forever change how revenue is determined,” Johansson told Variety. “It’s a thing that has needed to happen for a long time, that we’ve been talking about for a long time, and it’s finally reached this breaking point. It’s important for all of us creatives to unite and support this massive shift so we can get over to the other side, which we will.”

The Directors Guild’s tentative agreement for a new film and TV contract “is the biggest we’ve ever negotiated” and “is almost double what we got last time,” former DGA President Paris Barclay says in a new video posted on the guild’s website featuring members touting the deal.

Elliot Page is looking back on their time on the set of “Inception”.

Matt Donnelly Senior Film Writer From “Avengers” sequels to “Transformers” flicks, so many summer blockbuster end with cities on fire and the fate of the world hanging in the balance. Those moments are usually conjured up by CGI. But major studios looking to promote the hell out of their July or August releases may be in a bind that even Superman can’t fly past. A looming actors strike may wreak havoc on the marketing campaigns for several major film releases — including Christopher Nolan’s “Oppenheimer,” Greta Gerwig’s “Barbie” and the franchise relaunch “Teenage Mutant Ninja Turtles: Mutant Mayhem” — leaving studios shifting their plans to get ahead of the June 30 deadline for a new SAG-AFRTRA contract.

John Whittingdale Guest Contributor John Whittingdale, U.K. Minister of State at the Department for Culture, Media and Sport, has unveiled his vision for the sector on the back of the British government’s ambitious plans to grow the creative industries by £50 billion ($63 billion). So far this year, films made in Britain have taken audiences from the depths of the ocean (Disney’s “The Little Mermaid”) and into different dimensions (Marvel’s “Ant-Man and the Wasp: Quantumania”). U.K. visual effects pioneers continue to bring creatures and worlds beyond our wildest imaginations to life on big screens across the globe. And there is more to come from U.K. studios before 2023 is out, including anticipated titles such as Greta Gerwig’s “Barbie,” “The Flash” and the next instalment of “Mission: Impossible.”