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29.09.2024 / 13:35

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Box Office: ‘Megalopolis’ Crumbles With $4 Million, ‘The Wild Robot’ Lands at No. 1 With $35 Million

Rebecca Rubin Senior Film and Media Reporter Universal and DreamWorks Animation’s “The Wild Robot” landed in first place on box office charts, taking flight on the higher end of expectations with $35 million from 3,962 venues. Meanwhile, Francis Ford Coppola‘s sci-fi epic “Megalopolis” collapsed in its box office debut, collecting an anemic $4 million from 7,854 North American theaters. Ticket sales for “Megalopolis” were less than initial projections of $5 million to $7 million, which would have been financially disastrous for the $120 million-budgeted film.

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‘Beetlejuice Beetlejuice’ Scares Up $110 Million in Second-Biggest September Debut in History

Rebecca Rubin Senior Film and Media Reporter Did someone say Beetlejuice’s name three times? Either way, the mischievous demon triumphantly returned to unleash his mayhem at the box office. “Beetlejuice Beetlejuice,” the sequel to Tim Burton’s 1988 horror comedy about a pesky poltergeist, scored a huge $110 million from 4,575 theaters in its opening weekend. Those ticket sales rank as the second-biggest September debut of all time, ahead of 2019’s “It: Chapter 2” ($91 million debut) and behind only 2017’s “It” ($123 million debut).

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Box Office: ‘It Ends With Us’ Scores $50 Million Opening Weekend, ‘Borderlands’ Flops With $8.8 Million

Rebecca Rubin Senior Film and Media Reporter Colleen Hoover’s literary sensation “It Ends With Us” is now a box office smash. A film adaptation of her 2016 novel, starring Blake Lively and Justin Baldoni (who also directed), has collected a stellar $50 million from 3,611 venues in its opening weekend. It’s a huge win for the Sony Pictures movie, which cost $25 million to produce.

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‘Twisters’ Rocks Box Office With Powerful $80.5 Million Opening Weekend

Rebecca Rubin Senior Film and Media Reporter “Twisters” is taking the box office by storm. The movie, a standalone sequel to the 1996 disaster epic “Twister,” has collected a massive $80.5 million from 4,151 North American theaters in its debut. Heading into the weekend, the follow-up film was projected to generate $50 million to $55 million.

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Box Office: ‘Garfield’ Beats ‘Furiosa’ in Another Bummer Weekend

Rebecca Rubin Senior Film and Media Reporter “The Garfield Movie” clawed its way to first place, overtaking last weekend’s champion “Furiosa: A Mad Max Saga” at the domestic box office. This weekend (unlike last) wasn’t a nail-biter as “Garfield” effortlessly pulled ahead with $14 million from 4,108 theaters in its second weekend of release while “Furiosa” trailed in third place with $10.7 million from 3,864 venues in its sophomore outing. Now, Sony’s “The Garfield Movie” has grossed $51.5 million in North America and $152 million globally to date.

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After ‘Furiosa’ Misfires, When Will Summer Movie Season Rebound?

Rebecca Rubin Senior Film and Media Reporter This weekend, the box office looked more like a Wasteland than the fruitful Green Place of Many Mothers. “Furiosa: A Mad Max Saga” underperformed in its box office debut with $25.6 million between Friday and Sunday and an estimated $31 million through Memorial Day on Monday.

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Box Office: ‘Kingdom of the Planet of the Apes’ Climbs to No. 1 With $56 Million Debut

Rebecca Rubin Senior Film and Media Reporter Primates ruled over the North American box office as “Kingdom of the Planet of the Apes” collected $56.5 million in its first weekend of release. Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition.

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Box Office: ‘The Fall Guy’ Kicks Off Summer Movie Season With Disappointing $28 Million Debut

Rebecca Rubin Senior Film and Media Reporter “The Fall Guy,” an action-comedy starring Ryan Gosling and Emily Blunt, kicked off the summer movie season without much sizzle. The film, backed by Universal and directed by David Leitch, fell just short of expectations with $28.5 million from 4,002 North American venues in its debut. Heading into the weekend, “The Fall Guy” was projected to earn at least $30 million to $40 million.

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Box Office: ‘Kung Fu Panda 4’ Triumphs Again as Mark Wahlberg’s ‘Arthur the King’ Limps to $7.5 Million Debut

Rebecca Rubin Film and Media Reporter Universal and DreamWorks Animation’s “Kung Fu Panda 4” remained victorious at the domestic box office, collecting a solid $30 million in its second weekend of release. After 10 days on the big screen, the animated family film has grossed $107.7 million in North America and $176.5 million globally. Those ticket sales easily surpassed the debut of Mark Wahlberg’s canine drama “Arthur the King,” which opened in third place.

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Box Office: ‘Kung Fu Panda 4’ Powers to $58 Million Debut, ‘Dune 2’ Surpasses $150 Million

Rebecca Rubin Film and Media Reporter “Kung Fu Panda 4” topped the domestic box office, earning a solid $58.3 million from 4,035 theaters in its opening weekend. It marks the biggest debut of the franchise since the original, 2008’s “Kung Fu Panda” ($60 million), overtaking the start of the two prior entries, 2016’s “Kung Fu Panda 3” ($41 million) and 2011’s “Kung Fu Panda 2” ($47.6 million), not adjusted for inflation. Internationally, the fourth film in the martial arts-inspired animated comedy collected $22 million from 41 markets for a global tally of $80 million.

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‘Dune 2’ Jolts Box Office With Mighty $81.5 Million Debut

Rebecca Rubin Film and Media Reporter “Dune: Part Two” is riding those massive sandworms all the way to the top of box office charts. Director Denis Villeneuve‘s big-budget sequel has collected $81.5 million in its domestic debut and delivered a mighty, necessary jolt for struggling movie theaters. It’s the biggest opening weekend of the year and the largest since last October’s Taylor Swift concert film “The Eras Tour” ($93 million).

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What the ‘Bob Marley’ Movie’s Triumph Over ‘Madame Web’ Signals About a Shifting Box Office

Rebecca Rubin Film and Media Reporter Not too long ago, it would have been considered a box office suicide mission to pit any new release against a superhero movie. But this weekend’s showdown of Sony’s comic book adaptation “Madame Web” versus Paramount’s musical biopic “Bob Marley: One Love” demonstrates that’s no longer the case — superhero tentpoles no longer hold all the power. “One Love,” a PG-13 drama that’s aimed at older female audiences, towered over the newest Marvel (adjacent) flick, earning $51 million over the extended holiday weekend.

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With Box Office Hits Like ‘Barbie’ and ‘Oppenheimer,’ Will Oscar Ratings Get a Boost?

Barbie” and Christopher Nolan’s “Oppenheimer” ignited the summer box office, the blockbusters with twin release dates are bringing populist energy to the Oscars. Yet the one-two punch of “Barbie” ($1.445 billion globally) and “Oppenheimer” ($957 million), along with a valiant assist from Martin Scorsese’s crime epic “Killers of the Flower Moon” ($156 million), can’t compete with the box office power of last year’s contenders. Led by “Avatar: The Way of Water” ($2.3 billion) and “Top Gun: Maverick” ($1.5 billion), the 10 films up for best picture in 2023 were collectively the highest grossing in more than a decade, racking up $4.4 billion worldwide.

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