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Leo Barraclough International Features Editor K5 Intl. has come on board for worldwide sales of the feature film “Ravens,” starring Tadanobu Asano, Emmy nominated for “Shōgun,” and Kumi Takuichi. The film is directed by Mark Gill, known for Morrissey portrait “England Is Mine” (2017), and short film “The Voorman Problem” (2011), which was Oscar and BAFTA nominated.

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Demi Lovato reveals she is currently working on new music

Demi Lovato has revealed that she is currently in the studio and working on the creation of her new music.Speaking to The Hollywood Reporter for a new feature, Lovato – who now uses she/her pronouns again along with they/them pronouns – opened up about what is next for them and shared that they are in the studio “making music and I am writing a ton and recording and having fun with that.”The ‘Heart Attack’ singer’s last full-length release was 2023’s ‘Holy Fvck’. In a three-star review of the album, NME shared: “If ‘Holy Fvck’ is a funeral for Lovato’s pop music, it also marks a new beginning, with an artist reborn.

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manchestereveningnews.co.uk

03.09.2024 / 15:16

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Historic venue given green light for nights of raunchy adult entertainment

A historical hall in Bolton has been given the green light for nights of adult entertainment.

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‘SNL’ Weekend Update Anchors Colin Jost, Michael Che to Host Peacock’s First-Ever Live Comedy Special

Michael Schneider Variety Editor at Large Peacock is getting into the live comedy business and tapping “Saturday Night Live” stars Colin Jost and Michael Che to host the event. “Colin Jost & Michael Che Present: New York After Dark,” the streamer’s first-ever live special, will air on Thursday, Sept. 12 at 9 p.m.

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‘Why War’ Review: Amos Gitai’s Rumination on Conflict Lacks Specificity

Siddhant Adlakha “Why War” is both the title of Amos Gitai‘s latest and a question that has long been on the director’s mind — one he has tried to answer with works like “A Letter to a Friend in Gaza” and “West of the Jordan River.” However, this seemingly direct confrontation of the query takes a roundabout path, resulting in a movie about helplessness, frustration and intellectual debate in the face of military conflict. It is based, in part, on written correspondences between Albert Einstein and Sigmund Freud, and takes an experimental, meta-fictional form, though its images can’t help but feel trepidatious, if not entirely without purpose.

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George Clooney, Daniel Craig, Fernando Alonso … the Stars Align to Celebrate the Unveiling of Aston Martin’s Vanquish in Venice: ‘It’s a Masterpiece’

Marta Balaga Lido must have felt very empty on Monday, as some of the biggest stars in the world flocked to the historic Venetian Arsenale for a glittery unveiling of Aston Martin’s Vanquish. “Wolfs” star George Clooney with wife Amal, “Queer” star Daniel Craig, “Horizon 2” director and star Kevin Costner, Benedict Cumberbatch, Michael Douglas and Joel Edgerton all arrived for an intimate, impossibly glamorous gathering. Acclaimed costume designer Sandy Powell and model and actor Poppy Delevingne were also spotted, as well as Dominic Cooper.

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03.09.2024 / 11:02

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Andrew Tate inspired James McAvoy's 'toxic masculinity' role in Speak No Evil

James McAvoy has drawn parallels between his character in the forthcoming film Speak No Evil and Andrew Tate. The 45-year-old actor portrays the ominous Paddy in the English-language adaptation of the 2022 Danish psychological horror film.

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manchestereveningnews.co.uk

03.09.2024 / 10:16

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Alejandro Garnacho hits out in now-deleted post after Manchester United loss

Alejandro Garnacho has hit back at a social media troll who mocked his performance in Manchester United's 3-0 defeat to Liverpool.

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Surveillance Culture Examined in Venice Contender ‘Stranger Eyes’: ‘We Are Starting to Live Our Lives as Images for Others’

Naman Ramachandran Singaporean director Yeo Siew Hua turns the lens on modern surveillance culture in his latest feature, ”Stranger Eyes,” which is vying for the Golden Lion at this year’s Venice Film Festival. The film, which follows a couple grappling with their baby’s disappearance and the discovery of invasive surveillance footage, probes the psychological toll of constant observation in an increasingly interconnected world.

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'RuPaul's Drag Race' - 20+ Contestants Have Come Out As Trans Since Competing On Reality Show

Quite a few stars from RuPaul’s Drag Race have opened up about their identity since being on the show.

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Telluride Oscar Contenders Wrap Up: ‘Conclave’ Soars, ‘Nickel Boys’ Divides, ‘A Real Pain’ Charms and More

Clayton Davis Senior Awards Editor The 51st edition of the Telluride Film Festival concluded on Labor Day, with three standout films generating significant Oscar buzz: Sean Baker’s Palme d’Or winner “Anora,” Jacques Audiard’s Spanish-language musical “Emilia Pérez,” and Jason Reitman’s dark comedy “Saturday Night.” Distributed by Sony Pictures, “Saturday Night” marks Reitman’s return to both directing and screenwriting, collaborating with co-writer Gil Kenan. While the film takes a high-tension look at the 90 minutes leading up to the first episode of the iconic sketch show “Saturday Night Live,” it has received mixed reactions from critics. However, history has shown that critical reception does not always align with Oscar success, as evidenced by past Best Picture winners like “Green Book” (2018) and “CODA” (2021).

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Revisiting Madonna, Britney Spears & Christina Aguilera's Iconic VMAs Performance: 3 Other Stars Considered & the 1 Requested Edit Revealed

Madonna, Britney Spears and Christina Aguilera‘s performance at the 2003 MTV VMAs went down in history as one of the most iconic performances to grace the stage at the awards show.

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How Ian Holm’s Return in ‘Alien: Romulus’ Brings SAG-AFTRA’s Digital Replicas Work Into Focus

Carolyn Giardina The late Ian Holm — who played the role of android Ash, an antagonist in 1979’s “Alien” — has generated plenty of attention with his return in Disney and 20th Century’s “Alien: Romulus,” which over the weekend extended its box office tally to $91 million domestically and $283.5 million worldwide. Holm’s appearance in the latest “Alien” installment underscores the role of the SAG-AFTRA collective bargaining agreement, which requires that the performer’s estate grant consent before a digital replica is created.

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‘Chestnut vs. Kobayashi: Unfinished Beef’: Netflix’s Hot Dog-Eating Contest Special Was an Only-in-America Spectacle

Daniel D'Addario Chief TV Critic Netflix’s “Unfinished Beef,” a live competitive-eating special follows in the plodding footsteps set forth by the annual Nathan’s Hot Dog Eating Contest, the July 4 spectacular on Coney Island. But what it recalled even more vividly were the human-interest freakouts Fox aired around the turn of the century, like “Man vs.

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Fame Academy star Gary Phelan dies, aged 42

BBC show Fame Academy, has died aged 42.The Newcastle musician rose to fame on the second series of the talent show in the year that saw Alex Park crowed winner.According to tributes paid to Phelan on social media, the musician died last month in Dubai. His cause of death has not yet been confirmed; a JustGiving page has been set up to help return his body to the UK.On that, a post read: “For all of us that knew Gary Phelan, his passing away has come as a total shock, created enormous sadness for his family, friends and past work colleagues leaving a massive hole in all of our lives.

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Pedro Almodóvar and New Muses Julianne Moore and Tilda Swinton Land Unbelievable 17-Minute Venice Standing Ovation for ‘The Room Next Door’

Julianne Moore and Tilda Swinton stunned Venice Film Festival on Monday night with the premiere of Pedro Almodóvar‘s “The Room Next Door,” which received a 17-minute standing ovation, the longest of the 2024 edition so far. After the film ended, the Spanish auteur kissed both Swinton and Moore and then lifted up their arms like champion boxers. He then descended the stairs with his new muses, prolonging the ovation by shaking hands with fans in the theater.

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manchestereveningnews.co.uk

02.09.2024 / 17:55

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'One of the best in music': Crazy P's Danielle Moore recognised as 'veritable force' in tributes

22 years ago, electronic outfit Crazy P released their second album The Wicked is Music. Described by fans as one of the 'best funk albums of the 00's', the album became just as known for its seven-minute opening opus There's A Better Place, sampling Gene Wilder's Pure Imagination, as it was for outlining what would be a career trajectory for the band.

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Sean Baker’s ‘Anora’ Captivates Telluride and Generates Oscar Heat for Mikey Madison

Clayton Davis Senior Awards Editor People are falling in love with “Anora.” Sean Baker has made his mark on indie cinema with notable features such as “The Florida Project” and “Red Rocket.” His latest film, “Anora,” a reimagining of “Pretty Woman” that trades Richard Gere’s debonair corporate raider for Mark Eydelshteyn’s sex-crazed son of a Russian oligarch, is his most accessible project yet. And just as “Pretty Woman” launched Julia Roberts into the stratosphere, Mikey Madison‘s turn as a less glamorous sex worker has made her the year’s breakout performer.

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Angelina Jolie Understands The Luxurious Powers Of Greige

is, perhaps, the ultimate Hollywood actress. Dignified in speech with a Hellenic beauty and an underlying pathos that evokes Louise Brooks, Pauline Starke and .

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‘The Piano Lesson’ Enters Best Picture Race, As Danielle Deadwyler and Ray Fisher Deliver Standout Performances

Clayton Davis Senior Awards Editor “The Piano Lesson” seems to be hitting all the right Oscar notes. With Black excellence, impeccable filmmaking, and towering performances, Netflix’s “The Piano Lesson” hit the awards season scene this weekend at the Telluride Film Festival. Debut director Malcolm Washington and stars John David Washington and Danielle Deadwyler were on hand as the film premiered to strong reviews.

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‘The Room Next Door’ Review: Tilda Swinton Gives a Monumental Performance as a Woman Confronting Death in Pedro Almodóvar’s First English-Language Drama

Owen Gleiberman Chief Film Critic Characters die in movies every day. Whether you’re watching a violent thriller or a death-bed tearjerker like “Steel Magnolias” or some of the more macabre meditations of Ingmar Bergman, you might say that the movies, in some grand collective way, are nothing less than a rehearsal for death. Yet it’s still rare to encounter a big-screen drama that grabs death by the horns, that looks it in the eye, that asks us to confront its daunting reality on every level the way Pedro Almodóvar’s lyrical and moving “The Room Next Door” does.