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Elsa Keslassy International Correspondent French actor Juliette Binoche will succeed Greta Gerwig as jury president of the Cannes Film Festival at the upcoming 78th edition. It will mark a second time in Cannes history that the jury will headed by a woman for two consecutive years.

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Virginie Efira, Mathieu Amalric, Vincent Lacoste & Luana Bajrami Join Jodie Foster in Rebecca Zlotowski’s Murder Mystery ‘Vie Privée’ As Plotline Revealed

EXCLUSIVE: Daniel Auteuil, Virginie Efira, Mathieu Amalric, Vincent Lacoste and Luana Bajrami have been unveiled as supporting cast members in Rebecca Zlotowski’s murder mystery movie Vie Privée starring Jodie Foster.

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‘Why War’ Review: Amos Gitai’s Rumination on Conflict Lacks Specificity

Siddhant Adlakha “Why War” is both the title of Amos Gitai‘s latest and a question that has long been on the director’s mind — one he has tried to answer with works like “A Letter to a Friend in Gaza” and “West of the Jordan River.” However, this seemingly direct confrontation of the query takes a roundabout path, resulting in a movie about helplessness, frustration and intellectual debate in the face of military conflict. It is based, in part, on written correspondences between Albert Einstein and Sigmund Freud, and takes an experimental, meta-fictional form, though its images can’t help but feel trepidatious, if not entirely without purpose.

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Israeli Director Amos Gitai Dismisses Calls for Venice Title ‘Why War’ to Be Boycotted

Alex Ritman Israeli director Amos Gitai has pushed back against efforts for his Venice-bowing film “Why War” to be boycotted from the festival. Premiering out of the competition over the weekend, the film takes its cue from correspondence in the early 1930s between Albert Einstein and Sigmund Freud as they attempted to answer questions relating to the human race’s bellicose nature and how to avoid war.

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Amos Gitai Dismisses Boycott Calls For Venice Film ‘Why War’; Says Both Hamas and Israel’s Far-Right Government Need To Go: “This Cannot Go On”

Israeli director Amos Gitai has batted back calls for a boycott of his Venice work Why War and said both sides of the Israel–Palestine conflict need to clean out their current leaderships for peace to prevail.

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Amos Gitai’s ‘Why War,’ Starring Irene Jacob and Mathieu Amalric, Debuts First Clip Ahead of Venice Premiere (EXCLUSIVE)

Leo Barraclough International Features Editor Variety has been given access to the first clip from “Why War,” written and directed by Israeli filmmaker Amos Gitai. The film, starring Irène Jacob, Mathieu Amalric, Micha Lescot and Jérôme Kircher, has its world premiere on Aug. 31 at the Venice Film Festival in an out of competition berth.

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Israeli Director Amos Gitai to Ask ‘Why War?’ in Next Project (EXCLUSIVE)

John Bleasdale Guest Contributor Talking to Variety at the Taormina Film Festival, celebrated Israeli director Amos Gitai spoke about his next feature film following his Berlinale entry “Shikun,” which has the title “Why War?” Gitai explained: “Why people make war is the subject of my next film. It’s the dialogue between Einstein and Freud in 1931. Albert Einstein was asked by the League of Nations to choose one intellectual to put one question to.

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Iciar Bollain’s Movistar Plus+ Original ‘I’m Nevenka’ Secures First Pre-Sales as Premium Feature Wraps Production (EXCLUSIVE)

Movistar Plus+ original film and the awaited next feature from Spain’s Iciar Bollaín (“Take My Eyes,” “Maixabel”), has closed its earliest pre-sales, struck by Film Factory Entertainment, including a bellwether deal in France. The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.

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‘Shikun’ Review: Amos Gitai Channels Ionesco’s ‘Rhinoceros’ in His Scattered Critique of Israel

Siddhant Adlakha A loose adaptation of absurdist playwright Eugène Ionesco’s “Rhinoceros,” director Amos Gitai’s “Shikun” unfolds in a multi-use housing project, where it follows the stream-of-consciousness travails of a diverse cross-section of characters in Be’er-Sheva, Israel. Bound by the French-language narration of Irène Jacob — a one-woman Greek chorus and de-facto liaison between sides of the fourth wall — the film embodies the struggle to reconcile learned anger with calls for peace, and it takes several steps to the left of the distant, “kumbaya” observationalism of some of Gitai’s previous work (like “Tramway in Jerusalem”).

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Kristen Stewart’s ‘Love Lies Bleeding,’ ‘Supersex’ Netflix Series Added to Berlin Film Festival Special Lineup

Ellise Shafer “Love Lies Bleeding” starring Kristen Stewart and Netflix’s “Supersex” series have been added to Berlin Film Festival‘s Special lineup. A romantic thriller centered on a bodybuilder and gym manager, “Love Lies Bleeding” is directed by “Saint Maud” helmer Rose Glass and will have its world premiere at Sundance this month.

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Wang Bing’s Cannes-Bound ‘Man in Black’ Picked up by Asian Shadows (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Rights to ‘Man in Black,” one of two documentary films by China’s Wang Bing to appear in Official Selection at Cannes this year, have been picked up by specialty sales agency Asian Shadows. The 60-minute film, which will debut as a special screening, is a portrait of 86-year-old Wang Xilin, one of China’s most important modern classical composers and is now lives in exile in Germany. It was made in close collaboration with French cinematographer Caroline Champetier, whose credits include Leos Carax’s “Holy Motors,” Amos Gitai’s “Promised Land” and Andre Techine’s “Alice and Martin.” During the 1960s, when China’s Cultural Revolution forced intellectuals into the fields and stripped the middle classes of their wealth, Wang Xilin was the was the target of severe persecution, including beatings, imprisonment and torture. The film examines the body and soul of a man scarred by a life of suffering, who is yet still capable of deep and sincere compassion.

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Ari Folman, Oren Moverman, Amos Gitai & Hagai Levi Among 250 Israeli Filmmakers To Slam New Shomron Film Fund For “Whitewashing Occupation”

More than 250 of Israel’s top filmmakers have signed an open letter, saying they will not seek funding from, nor cooperate with the recently–established Shomron (Samaria/West Bank) Film Fund, following the fund’s inaugural film festival in the occupied West Bank.

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Cohen Media Group Makes A Splash With The Acquisition Of International Sales Stalwart HanWay Films

EXCLUSIVE: In an eye-catching independent deal, Charles S. Cohen’s Cohen Media Group, owner of Landmark Theatres and UK cinema group Curzon, has added to his arthouse fleet with the acquisition of blue-chip international sales company HanWay Films, co-owned by stalwart Brit producer Jeremy Thomas and his partner Peter Watson.

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