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What could well be Ken Loach’s final film has as much fire and fury as his debut Poor Cow did in 1967, if we discount his pioneering TV work in the run-up. The visual style hasn’t changed a great deal in the years since, but that’s because the British movie veteran, soon to turn 87, isn’t much fussed about surfaces, it’s the inner lives of his characters that he wants to capture. In that respect, The Old Oak would make a fitting swansong, capping the recent North-East trilogy with a vital film that is clearly the work of the team behind previous Cannes Competition hits I, Daniel Blake and Sorry We Missed You.

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Ken Loach gives support to Jonathan Glazer following Oscars speech about Israel Palestine conflict

Jonathan Glazer’s Oscar acceptance speech.While accepting the award for Best International Film for The Zone Of Interest, Glazer refuted his “Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people”.While many have shown their support for Glazer’s speech, he has received criticism from The Holocaust Survivors’ Foundation USA.In addition, many Jewish members of the creative industry have signed an open letter claiming he was “fuel[ling] a growing anti-Jewish hatred around the world”.Speaking with Variety, Loach said that he had “great respect” for the director, calling him “very brave”. He said: “And I’m sure he understood the possible consequences, which makes him braver still, so I’ve got great respect for him and his work.”He also spoke about the Jewish community, saying that Glazer received: “Lots of support from many, many Jewish people who said it breaks the stereotype that all Jewish people support what Israel is doing, because clearly that’s not the case … [The speech] was hugely valuable in that it shows that diversity.

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Iciar Bollain’s Movistar Plus+ Original ‘I’m Nevenka’ Secures First Pre-Sales as Premium Feature Wraps Production (EXCLUSIVE)

Movistar Plus+ original film and the awaited next feature from Spain’s Iciar Bollaín (“Take My Eyes,” “Maixabel”), has closed its earliest pre-sales, struck by Film Factory Entertainment, including a bellwether deal in France. The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.

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How Ken Loach’s Sixteen Films Is Charting a New Course Without Its Iconic ‘I, Daniel Blake’ Director

Alex Ritman If there was one puzzle from the 2023 Venice Film Festival, it concerned Caleb Landry Jones and the actor’s curious decision to conduct all his press arrangements for the Luc Besson thriller “Dogman” with a Scottish accent. As was later revealed, the Australian had taken a quick break from shooting U.K.

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BAFTAs 2024 Nominations Released - See the Full List of Nominees

Nominations for the 2024 BAFTAs have been revealed!

Emma Stone Greta Gerwig Paul Laverty Rebecca Obrien Martin Scorsese Margot Robbie Emerald Fennell David Tennant Christopher Nolan James Wilson Ridley Scott Ken Loach David Heyman Tony Macnamara Flower Moon Simon Farnaby Paul King Jonathan Glazer Charles Roven Sarah Harvey Mark Johnson Andrew Haigh Emily Leo Ed Guiney Dan Friedkin Bradley Thomas Damian Jones Andrew Lowe Pete Czernin Graham Broadbent Ewa Puszczyńska Mark Huffam David Scarpa Alexandra Derbyshire Lily Gladstone Ivana Mackinnon Marie Ange Luciani Kevin J.Walsh Nathan Bryon Yvonne Isimeme Ibazebo David Thion Britain London film song actress actor awards man Cooper

Valladolid: ‘The Permanent Picture,’ ‘The Old Oak’ Win Big as the Spanish Festival’s Reboot Wins Applause

Ken Loach’s “The Old Oak” – won big Saturday night at Spain’s Valladolid Festival, walking off with its main competition Golden Spike and the Spanish event’s best actor (Dave Turner) and Audience Award plaudits respectively. The prize ceremony also saw Charlotte Rampling, star of closing film “Juniper” from Matthew J.

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Muhammad Ali Documentary ‘Cassius X’ Sets U.K. Release, Unveils Trailer (EXCLUSIVE)

Naman Ramachandran Speciality distributor Cosmic Cat has set U.K. release dates for documentary “Cassius X: Becoming Ali.” The film follows the early years of Cassius Clay, from a bright-eyed rookie boxer from Louisville, Kentucky, to world heavyweight champion and from working class intellectual to one of America’s most influential civil rights campaigners. The film reveals how the teachings of Elijah Muhammad, reinforced by a friendship with revolutionary preacher, Malcolm X, set Clay on the journey to become Cassius X, before his induction to the Nation of Islam and ascension to the name of Muhammad Ali.

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Ken Loach’s Cannes Competition Drama ‘The Old Oak’ Gets U.S. Deal

EXCLUSIVE: Zeitgeist Films and Kino Lorber have acquired all U.S. rights to Ken Loach’s Cannes Competition entry The Old Oak, which has been mooted to be the veteran filmmaker’s last movie.

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Left-Wing Director Ken Loach, Writer Paul Laverty on the Poisonous Seed-Bed for Far Right Politics in Britain’s Rust-Belt Communities

Leo Barraclough International Features Editor In “The Old Oak,” which played in Competition in Cannes, Ken Loach portrays a village in the North-East of England where the indigenous white community comes into conflict with Syrian refugees – a conflict fuelled by the despair, deprivation and decline of the rust-belt region. Such conditions can be a seed-bed for far right groups, the director tells Variety. Such issues have not been explored sufficiently in film and television, Loach says, and he draws a parallel with the portrayal of the rise of Nazism in Germany in the mass media. “We have endless programs about the Second World War, about the horrors of Nazism and fascism, about the racism, about the Holocaust. Quite properly, we have endless programs about that, but what they refuse to point out is that that arose from alienation, anger, feeling cheated, and finding scapegoats. And that’s how we ended up with Hitler, and that’s the ground in which the far right flourishes. One of the points of the film is to say: This is the cause of fascism. This is where it comes from. This is its seed-bed, and it comes as an inevitable consequence of our economic system. Because if the neoliberal agenda was an essential development for capitalism, to use the old-fashioned word, then that’s where fascism comes from. Implicit in that is that the far right will rise because that’s how people will be heading. And they know that and yet the mass media, the press, just turn their backs on that. They’ll tell us all about the horrors of Hitler. Sure. But they won’t tell us how he came to power. And that’s the huge lesson. And we see it in essence now all the time.”

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Ken Loach at Cannes: 'don't know' if 'The Old Oak' will be last film

By Hanna RantalaCANNES (Reuters) - Ken Loach said on Friday he does not know if "The Old Oak," the 86-year-old British director's attempt to win the Cannes Film Festival's top prize for a third time, would be his last. "Oh, I don't know, I live day by day," said Loach, who turns 87 in June. "If you read the obituary columns and you're not in them, it's a good day.

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The Partnership: Ken Loach And Paul Laverty On ‘The Old Oak’, Their Return To The North East Of England & The Chance To Make History By Winning A Third Palme D’Or

Only nine directors have ever won the Palme d’Or twice. Francis Ford Coppola did it in the ’70s with The Conversation and Apocalypse Now. Ruben Östlund joined the club last year after following The Square with Triangle of Sadness. But this year, there is a very real possibility that, at 86, Ken Loach may go above and beyond that by winning a third Palme for his new film, The Old Oak. Loach first won in 2006 with the historical Irish drama The Wind That Shakes the Barley, then doubled up in 2016 with I, Daniel Blake, a caustic study of Britain’s healthcare crisis. After that came Sorry, We Missed You, a no-less withering look at the punitive gig economy. Like the latter two films, The Old Oak is set in the North East of England and completes an unofficial trilogy, this time with a slightly more optimistic bent. Like all of Loach’s output since 1996, it was written by Paul Laverty, and the pair sat down with Damon Wise to discuss the film’s themes of humanity and social responsibility.

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Ken Loach’s ‘The Old Oak’ Begins Shooting In UK; Studiocanal, Sixteen Films And Why Not Productions Attached To Syrian Refugee Drama Set In North England

Cameras are rolling on Ken Loach’s latest film, The Old Oak.

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Studiocanal Links with Paul Laverty, Iciar Bollain as TV and Film Become a Two-Way Street (EXCLUSIVE)

Studiocanal is collaborating with Sixteen Films’ Rebecca O’Brien and Morena Film’s Juan Gordon to develop a series created by longtime Ken Loach scribe Paul Laverty and to be directed by Spain’s Iciar Bollaín.The drama series will be the first for both Laverty and Bollaín after writing and directing respectively 19 and nine feature films, including collaborations on Bollaín’s multi-prized “Yuli,” “The Olive Tree” and “Even the Rain,” movies that established her as one of Spain’s top film directors.Over the last few years, Cannes’ MipTV trade fair, once a strict TV silo, is now ever more MipFilm. Signs of an ever-building crossover between the two sectors look indeed to make up one of the hallmarks of this year’s event.

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Martin Compston celebrates 20 years of Sweet Sixteen - the film that changed his career forever

"Hope yer porridge isny too lumpy, Jean!" is a famous line from the Scots movie Sweet Sixteen that Martin Compston starred in 20 years ago.

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