How Ken Loach’s Sixteen Films Is Charting a New Course Without Its Iconic ‘I, Daniel Blake’ Director
variety.comAlex Ritman If there was one puzzle from the 2023 Venice Film Festival, it concerned Caleb Landry Jones and the actor’s curious decision to conduct all his press arrangements for the Luc Besson thriller “Dogman” with a Scottish accent.
As was later revealed, the Australian had taken a quick break from shooting U.K. drama “Harvest” on location in Scotland and was staying in character for the duration of his brief Italian detour.
Alongside honing Landry Jones’ vocal abilities, “Harvest,” being directed by Athina Rachel Tsangari (the Greek director’s first English-language film) and based on the book by Jim Crace, also marks the beginning of a new chapter for one of the U.K.’s best-known indie production companies.
Sixteen Films, co-founded by Ken Loach and producer Rebecca O’Brien in 2002, has been behind every film by the beloved and iconoclastic director over the last two decades, including “The Wind That Shakes the Barley,” “Looking for Eric,” “I, Daniel Blake” and last year’s “The Old Oak,” amassing awards and accolades — including a record-equaling two Palme d’Ors — along the way.
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