Leo Barraclough International Features Editor In “The Old Oak,” which played in Competition in Cannes, Ken Loach portrays a village in the North-East of England where the indigenous white community comes into conflict with Syrian refugees – a conflict fuelled by the despair, deprivation and decline of the rust-belt region.
Such conditions can be a seed-bed for far right groups, the director tells Variety. Such issues have not been explored sufficiently in film and television, Loach says, and he draws a parallel with the portrayal of the rise of Nazism in Germany in the mass media. “We have endless programs about the Second World War, about the horrors of Nazism and fascism, about the racism, about the Holocaust.
Quite properly, we have endless programs about that, but what they refuse to point out is that that arose from alienation, anger, feeling cheated, and finding scapegoats.
And that’s how we ended up with Hitler, and that’s the ground in which the far right flourishes. One of the points of the film is to say: This is the cause of fascism.
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