Chris Willman Senior Music Writer and Chief Music Critic If we had the ability to assess who is the most beloved figure in music — not in overall numbers, but sheer adoration, per capita and per peer — it likely wouldn’t be Taylor or Beyoncé but Mavis Staples, who has been taking us there since the late ’60s. There being the smile that crosses anyone’s face when fortunate enough to be in the same room, or even in just giving a passing thought to that voice, that presence, and all the different ways in which Staples embodies righteousness.
