Miep Gies: Last News

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‘We Were the Lucky Ones’ Is a Gutting and Thoughtful Depiction of a Jewish Family in the Holocaust: TV Review

Aramide Tinubu There has been no shortage of television series centering the horrors of the Holocaust. Last year alone, Netflix’s “Transatlantic” depicted a group of resistors living in Marseille, and National Geographic’s “A Small Light” offered a retelling of Anne Frank’s experience through the eyes of Miep Gies, the woman who aided the Franks during their years in hiding. Though both of these series and those like them are important, Hulu‘s “We Were the Lucky Ones,” an adaptation of Georgia Hunter’s best-selling novel based on a true story, showcases something different.
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Ariel Marx and Este Haim on How the Music of ‘A Small Light’ Brought Fresh Shadings to Heroic Holocaust Drama
Chris Willman Senior Music Writer and Chief Music Critic Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension. Este Haim took on the EMP job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,” she produced episode-ending covers of songs from the first half of the 20th century, performed by Angel Olsen, Moses Sumney, Kamasi Washington, Sharon Van Etten with Michael Imperioli, Remi Wolf, Weyes Blood, duet partners Orville Peck and King Princess, and her sister Danielle.
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Nat Geo’s ‘A Small Light’ Is a Profound Take on a Well-Known Story: TV Review
Aramide Tinubu The story of Anne Frank, the Jewish teenager who hid in a cramped attic with her family during the Nazi occupation in Amsterdam, is widely known, and amid the atrocities of the Holocaust, Anne’s diary presents a story of resilience and unrealized dreams. Nat Geo’s new limited series “A Small Light” isn’t Anne’s story, though the precocious teen’s legacy is embedded throughout. The brainchild of former “Grey’s Anatomy” showrunners Tony Phelan and Joan Rater, the series is a tale of resistance, activism and humanity. The narrative centers on one tenacious young woman, Miep Gies, Otto Frank’s secretary, who risked everything to save the Frank family, and countless others. Beautifully shot by Phelan, Susanna Fogel and Leslie Hope, with a slight sepia tone to ground the audience in the time period, the series opens on July 6, 1942, when the Frank family goes into hiding. Miep (Bel Powley) is tasked with getting Otto’s (Liev Schreiber) eldest daughter Margot (Ashley Brooke) through a Nazi checkpoint and into the secret annex above the office building where Miep and Otto work. Quick thinking and determined, Miep ushers the teen to safety via bicycle past the gun-toting and cruel German soldiers. It’s the first of many risks she takes to combat the racist, authoritarian regime.
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