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Shane Black, Jim Herzfeld and More Top Writers Fight AI With Gauntlet Script Analysis Team (EXCLUSIVE)

Tatiana Siegel As Hollywood agencies and production companies increasingly turn to artificial intelligence to evaluate screenplays, a group of writers and creatives have come together to design a so-called barrier against the incursion. Shane Black (“Iron Man 3”), Jim Herzfeld (“Meet the Parents”) and Akela Cooper (“M3GAN”) are among two dozen industryites who collaborated on the development of a new tech platform, dubbed the Gauntlet, in an effort to keep humans assessing screenplays at the gate-keeper stage rather than AI.
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Steven Soderbergh on His New Miniseries ‘Full Circle,’ Not Sweating A.I. and Why Cellphones Are the ‘Worst Thing That’s Ever Happened to Movies’
Brent Lang Executive Editor Steven Soderbergh starts things off with an apology. His assistant is on vacation, and he was certain that our interview was scheduled to start a full 15 minutes after it was supposed to commence. That resulted in a mad scramble of calls text messages to track down the filmmaker. “I was just sitting here staring off into space,” he says. It must have been a rare moment of calm for the always-on-the-move director, who a has averaged at least one movie or series a year since reemerging from a short-lived retirement in 2017. And he’s back again this summer with “Full Circle,” a six-part miniseries that premieres at the Tribeca Festival before launching on Max on July 13. It’s a morally complex story about a botched kidnapping that causes several characters’ lives to intersect in surprising ways. It’s also a fascinating portrait of modern-day New York City, one that showcases a privileged Manhattan family (Claire Danes and Timothy Olyphant play the guardians of a business that revolves around Dennis Quaid’s celebrity chef), as well as a pair of Guyanese kidnappers who are deployed by CCH Pounder’s shadowy business woman to exact revenge. “Full Circle” is the kind of knotty thriller that Soderbergh, a master of the genre, does such a great job of setting and then unwinding. To say more would be to spoil its pleasures.
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