Michael Myers: Last News

+12

Julian Jacobs to Lead UTA’s New York Office

Brian Steinberg Senior TV Editor Julian Jacobs, a longtime UTA executive who has helped the firm expand into entertainment marketing, has been named to lead the agency’s New York office, effective in March. Jacobs expects to build on momentum fostered under Allan Haldeman, a partner and co-head of TV Lit, who has led New York operations since September of 2022.
variety.com

All news where Michael Myers is mentioned

variety.com
91%
585
Box Office: ‘Halloween Ends’ Earns $5.4 Million in Previews
Jordan Moreau “Halloween Ends” is just beginning — the final installment in the long-lived horror franchise picked up $5.4 million at the box office in Thursday night previews. The film should hack and slash its way to $50 million to $55 million in its opening weekend, according to projections, even with a same-day release on Peacock. Last year’s “Halloween Kills” opened to $49 million at the box office and had the same Peacock release strategy, so an even bigger launch would be bloody good for the Universal film. Jamie Lee Curtis’ PTSD-riddled survivor Laurie Strode faces off against psycho killer Michael Myers once again for the 13th entry in the franchise, and “Halloween Ends” promises to be the very last showdown between the two foes — at least, until another reboot comes knocking at the door. The “Halloween” timeline is as full of holes as one of Michael’s victims, but the latest movie caps off a trilogy of modern-day sequels that began with 2018’s “Halloween” and its 2021 sequel “Halloween Kills.” The three movies follow the events of John Carpenter’s original 1978 horror, which introduced audiences to Curtis in her film debut and the soon-to-be slasher icon Michael Myers. There have been a handful of other “Halloween” sequels and two rebooted films directed by Rob Zombie, but the new trilogy retcons those and catches up with Laurie and her family 40 years later.
dailystar.co.uk
59%
453
True story behind Halloween franchise revealed - mental institution and easter eggs
Halloween is one of the most iconic horror films in television history, with classic villain Michael Myers regularly causing havoc wherever he goes.Hollywood director John Carpenter has been credited to jump-started the slasher craze which blossomed throughout the ‘80s and ‘90s giving us such films as The Exorcist, The Shining and The Conjuring.And it appears as though he’s not done with terrifying viewers just yet, as fans excitedly prepare for the final instalment of the cult-favourite horror movie franchise Halloween Ends which is set to drop in theatres up and down the country later this week.READ MORE:Best Halloween movies to watch on Netflix to get you in the spooky moodAhead of the launch of the bone-chilling finale with Jaime Lee Curtis reprising her role as Laurie Strode, Daily Star has taken a look inside the inspiration behind 1978 slasher movie Halloween.When the idea of the legendary horror movie was still being developed, the director toyed with the idea of titling the film, The Babysitter Murders.The 74-year-old film maker agreed at the time that the story should follow a specific plot which led his team of writers to set the film on Halloween night.It is understood he co-wrote the script with his colleague Debra Hill – with the screenplay rumoured to have only taken ten days to complete.Many tiny details in the movie – such as the setting in a suburban town Haddonfield, Illinois or the names of the central characters in the film – were based on Carpenter and Hill’s connections in real life.The character of the terrifying murderer Michael Myers was also based on an existing person who Carpenter met while studying in college.While attending western Kentucky University as a budding young director, Carpenter
variety.com
76%
262
‘Halloween Ends’ Review: Michael Myers Gets a Disciple, and Jamie Lee Curtis Mopes, as the Series Ends…But Not Really (Rinse, Slash, Repeat)
Owen Gleiberman Chief Film Critic The “Halloween” series, which comes to an end this weekend (and if you believe that, I have a set of very rusty kitchen knives I’d like to sell you), has always been the least pretentious of horror franchises. A towering killer in a rubber mask pops out of the shadows to slash one victim after the next. Horror doesn’t get much more basic than that. But, of course, the “Halloween” series has always had a pretentious side too — the side that began with Donald Pleasance droning on about eee-vil, and the side that has extended, over the latest trilogy, to the top-heavy handwringing of Laurie Strode’s self-actualized guilt and despair. As for Michael Myers, who started out as a small-town killer, he has been turned, more and more explicitly, into A Force Larger Than Himself. And in “Halloween Ends,” that trend now culminates in a movie where Michael, in a certain way, is barely in the movie; he’s the film’s totem, its mascot, its looming emblem of evil. “Halloween Ends” doesn’t finish off the franchise by being the most scary or fun entry in the series. (It should have been both, but it’s neither.) Instead, it’s the most joylessly metaphorical and convoluted entry.
DMCA