Rob Zombie: Last News

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Sharon Osbourne is open to reviving Ozzfest as a touring festival

The Osbournes Podcast, Sharon – wife of former Black Sabbath frontman Ozzy Osbourne – was asked if Ozzfest, which last took place in 2018, could ever make a return.Ozzy brought up the topic of bringing the festival back, asking his wife: “Not just one [at] the fucking Forum, but a whole Ozzfest [tour]?” Sharon replied: “Yeah, sure. Of course.”Their daughter Kelly then commented that artist managers need to be “realistic” when it comes to booking fees.
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nypost.com
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How much are last-minute Sonic Temple tickets to see Foo Fighters & Tool?
Sonic Temple at Columbus, OH’s Historic Crew Stadium delivers just that.From Thursday, May 25 through Sunday, May 28, some of the biggest names in rock are dropping into the Columbus’ Crew’s former home.Just a few of the jaw-dropping acts on this year’s lineup include Foo Fighters, Tool, Avenged Sevenfold, Godsmack and Rob Zombie.They’ll be joined by legends like Deftones, Queens of the Stone Age, Puscifer, Chevelle and Sublime with Rome.Plus, KISS will take the stage before launching their epic farewell tour.Not a bad lineup.Most excitingly though, ticket prices are shockingly affordable for this four-day extravaganza.In fact, at the time of publication, the lowest price we found on single-day passes was $73 before fees on Vivid Seats.Four-day general admission asses start at $190 before fees.Want to rock until your face melts off at Sonic Temple this MDW?Here’s everything you need to know and more.All prices listed above are subject to fluctuation.A complete calendar including all single and multi-day passes for the Sonic Temple Music Festival can be found below.Vivid Seats is the New York Post’s official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase. (Note: The New York Post confirmed all above prices at the publication time.
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We found a hack for buying last-minute Welcome To Rockville tickets
Welcome To Rockville Festival is returning to the Daytona International Speedway for four huge day of “face melting music performed by 100 bands” according to the Festival’s Instagram.Just a few of the most exciting acts on Welcome To Rockville’s wide-ranging bill include head banging artists like Slipknot, Tool, Avenged Sevenfold, Pantera and Rob Zombie.They’ll be joined by Godsmack, Deftones, The Cult, Incubus and The Mars Volta.Heck, even Rock and Roll Hall of Famer Alice Cooper will be there.And that’s just us scratching the surface — the lineup made up of bands is truly bonkers.Want to be a part of the madness?Well, you’re in luck because last-minute tickets are still available.At the time of publication, we found four-day passes going for as low as $227 before fees on Vivid Seats.If you’d prefer to attend just one day, the lowest price we spotted online was $97 before fees for Friday.That being said, here’s a word to the wise: you can save big-time by snagging four-day passes. Were you to buy single-day passes for Thursday through Sunday, the price would be $460 before fees.Yes, that’s more than double (!) the $227 it would run you for four-day general admission passes.Still need to know more before committing to the last-minute fest?We’ve got all the crucial details for you below.All prices listed above are subject to fluctuation.Our team has compiled all the cheapest ticket prices for fans needing a closer look at all the best deals on single and multi-day passes.Here’s the essential info:(Note: The New York Post confirmed all above prices at the publication time.
variety.com
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Box Office: ‘Halloween Ends’ Earns $5.4 Million in Previews
Jordan Moreau “Halloween Ends” is just beginning — the final installment in the long-lived horror franchise picked up $5.4 million at the box office in Thursday night previews. The film should hack and slash its way to $50 million to $55 million in its opening weekend, according to projections, even with a same-day release on Peacock. Last year’s “Halloween Kills” opened to $49 million at the box office and had the same Peacock release strategy, so an even bigger launch would be bloody good for the Universal film. Jamie Lee Curtis’ PTSD-riddled survivor Laurie Strode faces off against psycho killer Michael Myers once again for the 13th entry in the franchise, and “Halloween Ends” promises to be the very last showdown between the two foes — at least, until another reboot comes knocking at the door. The “Halloween” timeline is as full of holes as one of Michael’s victims, but the latest movie caps off a trilogy of modern-day sequels that began with 2018’s “Halloween” and its 2021 sequel “Halloween Kills.” The three movies follow the events of John Carpenter’s original 1978 horror, which introduced audiences to Curtis in her film debut and the soon-to-be slasher icon Michael Myers. There have been a handful of other “Halloween” sequels and two rebooted films directed by Rob Zombie, but the new trilogy retcons those and catches up with Laurie and her family 40 years later.
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‘The Munsters’ Review: Rob Zombie’s Update of the ’60s Family-of-Ghouls Sitcom Is Just Tacky and Slapdash Enough to Be Likable
Owen Gleiberman Chief Film Critic In “The Munsters,” the director Rob Zombie makes a game attempt to pass off his amateurishness as attitude. It’s like watching a Tim Burton film with the cheekiness turned up to 11 and the film technique dialed down to 2. Yet “The Munsters,” the family-of-ghouls ’60s sitcom that Zombie is adapting, was such a ticky-tacky piece of gothic bat-house surrealism that the movie, broad and slovenly as it is, works more than it doesn’t. The film is a lot like its hero, Herman Munster: benignly dim-witted, Day-Glo in color, top-heavy with tomfoolery, lumbering in one direction and then the next, always cracking itself up in an innocently aggressive monster-mash way. “The Munsters” debuted in 1964, in the middle of the age of theater-of-the-absurd American sitcoms, yet the show, if anything, was less corny, less obvious, and lighter on its feet than this overstuffed update/reboot, with its Famous Monsters of Filmland cameos and contempo catch phrases. Instead of taking all his cues from the show, Zombie, who wrote the script (you can feel his joy in giving Herman the groan-worthy vaudeville one-liners he delivers as if they were gems), has dreamed up the Munsters’ origin story. (As if anyone was asking for that.) It’s all about how Lily (Sheri Moon Zombie), a maiden vampire with two-tone hair and an undead glow, living with her vampire dad The Count (Daniel Roebuck) in a Transylvania castle of psychedelic chintz, recovers from her life of bad dates with bad monsters — we see one with Orlock, the rat-man bloodsucker of “Nosferatu,” played by Richard Brake as the cuddliest of creeps.
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