Joseph Kosinski: Last News

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Kerry Condon on Channeling ‘Trainspotting’ for IRA Thriller ‘In the Land of Saints and Sinners’ and Upcoming ‘Star Wars: Skeleton Crew’: ‘It’s Really Adventurous’

Alex Ritman Having won a BAFTA (and landed an Oscar nomination) for her role as Colin Farrell’s kind-hearted but cynical — and distinctly less donkey-friendly — sister in Martin McDonagh’s darkly comic “The Banshees of Inisherin,” Kerry Condon is back in her native Ireland for her next film role. Set in the height of the Troubles in the mid-1970s, Robert Lorenz’s Irish Western “In the Land of Saints and Sinners,” which launches on Netflix Friday, sees the actress ditch all niceties to play a hard-nosed, mean-as-hell, extremely potty-mouthed and very violent IRA gang leader trying to lie low in rural Donegal following a deadly pub bombing.
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Tom Cruise ‘didn’t want to make another Top Gun’ – and Maverick director only had 30 minutes to convince him
supports HTML5 videoTop Gun: Maverick director Joseph Kosinski has revealed Tom Cruise really had to be convinced to get on board the sequel and was it the thought of G-force nausea that turned him off, or…Kosinski has teamed up with the actor for the anticipated sequel, 36 years after the 1986 original, but insisted Cruise ‘really didn’t want to make another Top Gun’, adding he had just 30 minutes to change his mind.Evidently, 30 minutes is all you need.Cruise reprised his role as pilot Captain Pete ‘Maverick’ Mitchell in Kosinski’s new action blockbuster, but in a new interview the director explained: ‘So I read the script, I had some ideas, and Jerry (Bruckheimer) liked those ideas. He said, “Youknow what, you gotta go pitch this to Tom directly”.’The director flew to Paris to meet Cruise on a movie set where he was shooting one of his Mission: Impossible films and was given a 30-minute window to convince the actor to return to Fightertown.He had a challenge on his hands because he found Tom wasn’t impressed at first.Kosinki added to Polygon: ‘We flew to Paris, where Tom was shooting Mission: Impossible, we got about a half hour of his time between setups.‘And I basically had 30 minutes to pitch this film, which I didn’t realise when we were flying over.
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