John Williams: Last News

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Ben Proudfoot Wins 2nd Oscar In Last Three Years; ‘The Last Repair Shop’ Co-Director Kris Bowers Namechecks John Williams, L.A. Public Schools

For the second time in the last three years, the Oscar for Best Documentary Short has been claimed by Ben Proudfoot. The Canadian-born filmmaker and his fellow director Kris Bowers won the Academy Award tonight for their film The Last Repair Shop, the story of craftspeople in Los Angeles who keep 80,000 musical instruments in working order for the city’s public school students. It’s the only big city school system that keeps kids in tune with free bassoons, trombones, sousaphones, cellos, piccolos and every other kind of instrument.
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‘Close Encounters Of The Third Kind’ In Concert At The Royal Albert Hall – European Premiere
Five tones. That’s all it took for John Williams to convey a sense of a wider form of communication that stretches from the Earth to the Cosmos. Close Encounters of the Third Kind is a film about (among many things) communication and the power of the universal language of music in particular. It is fitting, then, that the Royal Albert Hall would make room for Steven Spielberg’s 1977 Sci-Fi classic in its season of live orchestral performances this year. Not only is it a wonderful chance to revisit one of Spielberg’s finest, but it offers a means to greater appreciate just how emotionally complex William’s work is in this tale of making connection with beings not of this world. Seeing a film with a live orchestra is an experience that everyone should embark upon, be it your first time seeing the film for your 100th. It is a uniquely immersive experience, bringing you into the film in a way that no other screening format can quite muster. Music, and particularly the music of John Williams, is often used to heighten emotion and elevate scenes to their peak resonance, and the tangibility of seeing an orchestra play the score as the film progresses brings you even closer to those emotions in a truly profound fashion.The film and the score all build-up to one of the finest finales put to screen with the eventual meeting between our characters and the aliens who have been telegraphing their arrival. The moments of witty government conspiracy and deeply touching and devastating family drama give way to the meeting of human and alien, as the human race communicates to the huge, foreboding and colourful mothership through the medium of music. It is a sequence that never loses its grandeur on repeat viewing, a moment in which the
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