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Emiliano De Pablos Spain’s The Mediapro Studio is teaming with writer-director Marcel Barrena (“Mediterraneo: The Law of the Sea,” “100 Meters”) and Spanish star Eduard Fernández on real-life inspired social film “The 47.” Scheduled to shoot in Catalan and Spanish June-July in Barcelona, “The 47” is based on the true story of Manolo Vital, a bus driver who, during the city’s expansion in the 1970s, help shape the Barcelona of today. Produced by Jaume Roures and executive produced by Laura Fernández Espeso, Javier Méndez and Eva Garrido, the film is one of the projects The Mediapro Studio Distribution is presenting for international sales at the current Cannes’ Marché du Film.

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Spain Amps Up Animation With ‘Mummies,’ ‘Arcane’

Emiliano De Pablos Spain’s animation services and VFX industry is booming as never before, positioning itself as a leading hub in the global landscape. With tax rebates firing up Spain’s audiovisual industry, the animation sector has produced 16 feature films, 72 seasons of TV series and 156 short films from 2020-2022, according to toon and VFX federation Diboos. The 2019 Sergio Pablos-directed Netflix feature “Klaus” snagged seven Annie awards, while Alberto Mielgo’s “The Windshield Wiper” won the 2022 Oscar for animated short film. Spanish animated features have also connected with international audiences: This year, Juan Jesús García Galocha’s “Mummies,” from 4Cats and Atresmedia Cine, grossed $52 million worldwide, handled by Warner Bros.

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Spain Tax Incentives Entice ‘House of the Dragon,’ ‘Vampire Academy’

Emiliano De Pablos Arguably, no other established Spanish film and TV industry has grown faster over the last decade than its service sector for international shoots. Some of the world’s most favorable tax incentives have helped propel business to historic heights. Kicking off in 2015, tax regs rose muscularly during mid-pandemic in 2020. But in December, the Spanish government took it up another notch, establishing tax advantages for international productions of up to €20 million ($22.2 million) per movie and $11.1 million for a TV series episode. That increase went into effect Jan. 1. With a special tax regime, the Canary Islands’ ceiling is $40.0 million for a film and a $20 mil- lion per series episode, some of the highest in Europe.

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Spain’s Mediacrest Brings Eco-Reality Format ‘The Village’ Onto the International Market (EXCLUSIVE)

Emiliano De Pablos Spain’s fast-growing production house Mediacrest Entertainment is launching high-concept eco-reality contest format “El pueblo” (“The Village”), which will have its international market premiere at this week’s MipTV trade fair. Designed as a primetime reality show, “El pueblo” has been structured as a social experiment, charting five families’ attempt to settle in an abandoned village, guided by the principles of sustainability and globally connected self-sufficiency. The families’ will create their own rules, events and traditions, will initiate agriculture and livestock initiatives and start trading with nearby towns, sand later with the world. The twist: Only one winning family finally gets to stay in the village.

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Nonfiction Series Fuel Local Boom in Spain

Emiliano De Pablos A post-lockdown trend, unscripted commissioning has shot up from 32% of global commissions in fourth quarter 2019 to match scripted with 52% in 2022 Q4, according to Ampere Analysis. The spike in Spain is even stronger: 2022 Q3 saw 166 unscripted titles announced, compared to 40 scripted, 1Q 2023 96 vs. 23. As elsewhere, with fiction production costs soaring, unscripted has found a bigger demand among Spanish streamers and broadcasters, looking for less budget-heavy fare. “Probably the pandemic oversized fiction. Now audiences are looking for a good time, opting for entertainment formats with less dense narratives,” argues Daniel Domenjó at Mediacrest, producer of TVE’s hit daily game show “El cazador” and new reality format “El pueblo.”

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Spain Sales Surge, as Companies Embrace Split Rights Deals, Unveil New Sales (EXCLUSIVE)

Emiliano De Pablos Spanish super-indie production-sales companies are stepping back in time with vigor, building on opportunities opened up by streamers’ growing market flexibility to retain IP and sell territory-by-territory. Prioritizing bottom lines over market share, global platforms are ever more splitting rights and investing less in single titles. As budgets reduce, projects’ producers are forced to court ever more partners. That often means partnering on productions. “We accustomed customers to enjoying high-quality series with large budgets. In the new context, it is increasingly difficult to continue in this vein if you don’t partner,” says Onza’s Carlos Garde.

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Walter Presents Inks RTVE Noir Thriller ‘Sequía’ VOD Rights for English-Languages Territories (EXCLUSIVE)

Emiliano De Pablos Spanish public broadcaster RTVE has struck a VOD deal with Walter Presents to bring noir thriller series “Sequía” (“The Drought”) to the U.S, U.S., Australia, New Zealand, Ireland and Canada. The suspense series is co-produced by Spanish and Portuguese public broadcasters RTVE and RTP, in collaboration with Atlantia Media and Coral Europa. “The Drought” is set in a small submerged village on the Spanish-Portuguese border that re-emerges from a huge dam built in the 1990s after a severe drought. Two skeletons are also unearthed, revealing evidence of a bloody crime.

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Agustina Chiarino’s New Outfit Bocacha Teams With Brazil’s Syndrome on Women Friendship Doc ‘To Say Goodbye’ (EXCLUSIVE)

Emiliano De Pablos Uruguay-based Agustina Chiarino, one of the drivers of the new Latin American cinema industry and at the forefront of pan-regional co-production, is kicking-off early projects at her recently launched production-distribution company Bocacha Films. Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011. After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.

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Standout New Spanish Tax Incentives Spark Immediate Reactions from Big International Producers

Emiliano De Pablos It’s been a short time since the Spanish government launched a new increase in its international film and TV productions incentives. This bold move has rapidly put Spain at the level of the most attractive international shoot locales. In 2020, in the middle of the pandemic, Spain already saw a muscular rise in tax breaks, but the really killer hike came last December, with new record tax advantages, which raised relief for international productions to up to €20 million ($21.2 million) per movie and – even more transcendent – $10.6 million for any single series episode. Early positive effects were confirmed March 15 at a presentation held at the Malaga Film Festival, as part of the fast expanding and ambitious Mafiz-Spanish Screenings industry zone.

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Pink Parrot Scores Standout Pre-Sales on Spanish Superhero Movie ‘4 Days Before Christmas’ (EXCLUSIVE)

Emiliano De Pablos Confirming the increasingly strong interest by international buyers in Spanish animated features, Pink Parrot Media has scored a bevy of key European pre-sales on upcoming Spanish family adventure toon film “4 Days Before Christmas,” led by deals with Splendid in Germany and Kaleidoscope in the U.K. Produced by Spain’s 3Doubles Producciones and Capitán Araña with Canada’s PVP Media, directed by Steve Majaury and Andrea Sebastián, “4 Days Before Christmas” was one of the five noteworthy animated works in progress presented at this week’s Malaga Film Festival–Spanish Screenings to the international industry. The film has also been acquired by Voxell por CIS territories, GPI (Baltics), FMA (Former Yugoslavia), Kinoswiat (Poland), Front Row (Middle East), Just Ent. (Benelux), Romania (SC Idea Films), Nos Lusomundo (Portugal) and Scandinavia (Angel Films).

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FilmSharks Snaps Up World Sales at Malaga to Inés París’ Period Thriller ‘The Forgotten Killings’ (EXCLUSIVE)

Emiliano De Pablos In an early market deal at this week’s Málaga Film Festival, Guido Rud’s sales house FilmSharks has nabbed worldwide sales rights to Spanish period thriller “Olvido” (“The Forgotten Killings”). Directed by Inés París (“A mi madre le gustan las mujeres,” “La noche que mi madre mató a mi padre”) and written by Fermín P. Pina, “The Forgotten Killings” is produced by José Luis Rancaño at Madrid-based La Dalia Films. Inés París’ “La noche que mi madre mató a mi padre,” also produced by Rancaño at La Dalia and starring Spain’s Belén Rueda and Argentina’s Diego Peretti, snagged the audience prize at the 2016 Málaga Film Festival.

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Malaga’s Zonazine Player ‘Killing Crabs’ Picked Up by Filmax (EXCLUSIVE)

Emiliano De Pablos Barcelona-based Filmax has acquired international sales rights to “Matar cangrejos” (”Killing Crabs”), Canarian filmmaker Omar Al Abdul Razzak’s feature fiction debut which world premieres in the Zonazine section of the Malaga Film Festival. Produced by Manuel Arango and Abdul Razzak at Tourmalet Films, in co-production with Netherlands’ Ijswater Films, ”Killing Crabs” is an autobiographical coming-of-age story set in Tenerife in the early 1990s. Rayco, an eight-year-old boy, and his 14-year-old sister Paula kill the time in any way they can, excitedly waiting for Michael Jackson’s visit to the island.

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Ana Ortiz’s White Leaf-Produced ‘Firefly Glades,’ a Málaga MAFF Player, Goes to Boston’s 34T (EXCLUSIVE)

Emiliano De Pablos Boston-based sales agent 34T has picked up international sales rights to Spanish writer-director Ana Ortiz’s feature debut, psychological thriller “El claro de las luciérnagas” (“Firefly Glades”). Produced by Sergy Moreno at Madrid’s White Leaf Producciones, the film is structured as a Spanish regional co-production, teaming with Magnética Cine’s María Barroso in Andalusia and Joaquín Calderón at Navarra-based Melitón Films. “Firefly Glades” figures among the 22 projects selected at Málaga’s 2023 Festival Fund & Co-Production Event (MAFF), which runs March 13-16 as part of Málaga Festival’s growing Mafiz industry area.

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Argentina’s Mil Monos Teams with Pablo Agüero, Nicolás Britos for Dystopian Thriller ‘Decibel’

Emiliano De Pablos Buenos Aires-based production outfit Mil Monos is teaming with writer-director Pablo Agüero (“Primera nieve,” “Akelarre”) and writer-creator Nicolás Britos (“Limbo,” “Pibas en orsai”) to develop dystopian coming-of-age thriller series project “Decibel.” Produced by Mil Monos’ Maximiliano Monzón, “Decibel” is currently at pilot script stage, and a shoot start is planned by January 2024, tentatively in Argentina. Written by Britos, the eight-episode, half-hour thriller follows five deaf teenagers born in a mountainous region. When The Hum, a sound that transforms every person who can hear it into a frenzied killer, is unleashed, their deafness makes them immune.

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Endemol Shine Israel, Munich’s Neuesuper Ink Hit Comedy Series ‘Nevsu’ German Redo for ZDF (EXCLUSIVE)

Emiliano De Pablos Banijay’s Endemol Shine Israel and Munich-based producer Neuesuper (“8 Days”) have inked German adaptation rights to Israeli hit comedy series “Nevsu,” to air on public broadcaster ZDF. Israel’s “Nevsu” won the International Emmy Award for best comedy series in 2018. Its German adaptation, “I Don’t Work Here,” sees three generations from two worlds come together to form one family. Revolving around Laura and Dawit, a young multi-racial couple, and their daughter, the pair are battling living with her parents and facing huge scrutiny from her mother-in-law.

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Spain’s Aquí y Allí Bets on Actor-Director Daniel Guzmán’s Drama Thriller ‘La Deuda’ (EXCLUSIVE)

Emiliano De Pablos Madrid-based Aquí y Allí Films, one of Spain’s most successful auteur movie production houses, is joining forces with popular Spanish actor turned writer-director Daniel Guzmán (“Nothing in Return,” “Canallas”) to produce drama thriller “La deuda.” Backed by Spain’s pay TV giant Movistar+ and public broadcaster RTVE, “La deuda” will be produced by Aquí y Allí’s Pedro Hernández and Guzmán at El Niño Producciones. The film is scheduled to roll in Madrid by the fall. Written by Guzmán, “La deuda” tells the story of Lucas, a 37-year-old man and the 86 year-old woman Antonia, who live together in a city too big to be alone. Lucas is looking for a job but the job seems not to be looking for him.

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Spain’s Mediacrest, Finland’s ReelMedia, YLE Co-Develop Climate Change Thriller Series ‘17kHz’ (EXCLUSIVE)

Emiliano De Pablos Spanish TV production house Mediacrest is joining forces with Helsinki-based outfit ReelMedia and Finnish public broadcaster YLE to develop climate change thriller series project “17kHz.” The co-production model resulting from the “17kHz” development deal will be one focus at the showcase “Spanish Fiction Contents: New Releases & Financial Opportunities,” which takes place Feb. 20 at Berlin’s European Film Market. Organized by ICEX Spain Trade & Investment, the meeting’s panelists will include Mediacrest‘s executives Gustavo Ferrada and Winnie Baert.

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Nostromo Pictures Partners with Beta Fiction Spain to Launch Marcel Barrena’s Doc ‘Hermano Caballo’ (EXCLUSIVE)

Emiliano De Pablos Top Spanish producer Nostromo Pictures, which is behind Netflix hit “Through My Window,” is partnering with Beta Fiction Spain to launch “Hermano Caballo,” a documentary by Marcel Barrera, director of “Mediterraneo: The Law of the Sea” and “100 Meters.” “Hermano Caballo” marks the first documentary produced by Nostromo Pictures and also the first handled by Beta Fiction Spain, the Spanish arm of Jan Mojto’s European studio Beta Film, which launched last year. The documentary focuses on reknowned Catalan wrangler Santi Serra, developer of a natural training technique based on creating bonds with horses and learning through play.

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Spain Revs Up Co-Production as Public Funding Builds

Emiliano De Pablos Spain has found a place on the global film industry’s radar as an attractive market for co-producing projects, boosted by its bigger-than-ever-public-sector funding. The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing. But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.

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Spain Becomes Big Shoot Haven, Ramping Up Standout Incentives

Emiliano De Pablos Spain has proved ever more successful in luring some of the biggest movies and series, and although 2020 saw a large rise in tax breaks, the big hike came in December. New record tax advantages raised relief for international productions to up to €20 million ($21.4 million) per movie and $10.7 million for any single series episode. In the Canary Islands — operating a special tax regime — the film tax break ceiling is now an extraordinary $38.6 million, one of the highest in Europe. Effective Jan. 1, deduction rates for foreign productions are set at 30% for the first $1.1 million of deductible expenses and 25% for the rest in the Peninsula, and 50%- 45% in the Canaries.

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Greece’s Stefi Productions Brings Real-Life Inspired Drama ‘Letters to Leonard’ to Series Mania (EXCLUSIVE)

Emiliano De Pablos Athens-based company Stefi Productions is developing mini-series project “Letters to Leonard,” a real life inspired drama that explores events in the personal relationship between legendary conductors Leonard Bernstein and Greece’s Dimitris Mitropoulos. Described as a story about friendship, love, betrayal and the passion for music, the series has been co-created by Pierros Andrakakos, whose credits take in directing Antenna Studios’ series “Save Me,” plus servng as an assistant director on Universal Pictures’ “Captain Corelli’s Mandolin” and Paramount Pictures’ “Lara Croft Tomb Raider: The Cradle of Life.” Also co-creator and the series’ producer, Giorgos Linardakis is known for his work as line producer on Greek TV series such as “Agapi Paranomi” and “Voices in Deep.”

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