Elsa Keslassy International: Last News

Elsa Keslassy International Correspondent The birth of the hip and naughty Irish-language rap group Kneecap will be portrayed in a raucous anti-establishment comedy penned and directed by Rich Peppiatt (“One Rogue Reporter”). The film, which wrapped shooting this month, features the eponymous trio (Mo Chara, Móglaí Bap and DJ Próvaí) who play heightened versions of their own lives against the backdrop of post-Troubles Belfast. The politically engaged band has gained critical acclaim for their artful blend of Irish and English rap about the gritty reality of growing up in Northern Ireland. French sales and co-production house Charades has boarded “Kneecap” and will be representing the film in international sales, while Curzon and Wildcard will handle the distribution in the U.K. and Ireland.

Elsa Keslassy International Correspondent Paris-based company Indie Sales has acquired Teddy Lussi-Modeste’s topical third feature, “The Good Teacher,” co-written by “Happening” filmmaker Audrey Diwan. François Civil, the French star of “The Three Musketeers” and “The Wolf’s Call,” stars as a young teacher wrongfully accused of sexual misconduct by a teenage girl from his class. As he faces mounting pressures from the girl’s older brother and her classmates, the situation spirals out of control: Allegations spread, the entire school is thrown into turmoil, and the teacher has to fight to clear his name. “The Good Teacher” marks the second collaboration between Indie Sales and Lussi-Modeste following “The Price of Success” which screened at Toronto and San Sebastián New Directors’ competition. “The Price of Success was picked up by Netflix for a multi-territory deal including the US.

Elsa Keslassy International Correspondent Adèle Haenel, the French star of Cannes prize-winning film “Portrait of a Lady on Fire,” vanished from the film world in the aftermath of the 2020 Cesar Awards ceremony. That year, Roman Polanski won best director and Haenel, who was on the ground for her nomination with “Portrait of a Lady on Fire,” walked out of the ceremony in a burst of anger upon hearing Polanski’s name, shouting “Bravo pedophilia!” Several months prior, Haenel had accused French director Christophe Ruggia of having sexually harassed her for years starting when she was just 12 years old, prompting the birth of France’s #MeToo movement. Since then, Haenel exited the movie biz to dedicate herself to political activism, as well as theater and dance with the artist Gisèle Vienne. She recently appeared on French TV to support the strike and protest against the country’s unpopular pension reform.

Elsa Keslassy International Correspondent Netflix is set to give its hit reality series “Love Is Blind” a German-language adaptation. The format makeover, currently in production, will bring together singletons in Germany, Austria and Swiss who have signed up for a less conventional approach to modern dating. Netflix is rolling off the success of “Too Hot To Handle: Germany.” As part of the format, 30 singles begin this 10-episode show by talking to potential partners without being distracted by the other person’s appearance. They then propose to their chosen partner and only then see their fiancé for the first time. Back in the real world, couples will try to complement their emotional bond with a physical one as they plan their wedding day together.

Elsa Keslassy International Correspondent Anonymous Content has come on board California surf-themed animated feature adapted from illustrator AJ Dungo’s celebrated graphic memoir, “In Waves.” Produced by Paris-based Silex Films, “In Waves” marks the feature debut of Phuong Mai Nguyen (“Brazen”), and is being penned by Fanny Burdino and Samuel Doux, whose screenwriting credits include “After Love” and “The Origin of Evil.” The feature is produced by Priscilla Bertin and Judith Nora, co-Founders of Silex Films, alongside Charades and Nick Shumaker, Garrett Kemble, and David Levine who will executive produce on behalf of Anonymous Content.

Elsa Keslassy International Correspondent Netflix has set Xavier Gens’ (“Gangs of London”) untitled Paris-set genre movie starring Bérénice Bejo (“The Artist“) and Nassim Lyes (“Overdose”) as its next French film original. Set in the Summer of 2024, the film unfolds in Paris which is hosting the World Triathlon Championships on the Seine for the first time. Sophia, a brilliant scientist, learns from Mika, a young environmental activist, that a large shark is swimming deep in the river. To avoid a bloodbath at the heart of the city, they have no choice but to join forces with Adil, the Seine river police commander. Bejo and Lyes star in the film opposite Léa Léviant. The film is produced by Let Me Be and is slated for a launch on Netflix in 2024.

Elsa Keslassy International Correspondent AC Independent and The Veterans have teamed up on the film adaptation of William Sleator’s cult 1974 science fiction novel “House of Stairs.” The elevated genre movie will star Jacob Tremblay (“Room,” “Good Boys”) and will be directed by Wi Ding Ho, whose 2018 movie “Cities of Last Things” won a prize at Toronto in the competitive Platform section. “House of Stairs”‘s film adaptation is penned by Matthew McInerney-Lacombe (“ICBM”).  Set in a dystopian America in the near future, the high-concept film follows five 16-year-old orphans who wake up to find themselves in a strange building with no walls, no ceiling, and no floor: nothing but endless flights of stairs leading in every direction, seemingly infinite. To find an exit, the five teenagers must learn to deal with the others’ disparate personalities, the lack of privacy and comfort, their clear helplessness, and a machine that only feeds them under increasingly ominous situations.

Elsa Keslassy International Correspondent Pulsar Content has acquired “Niki,” a film about the famous French-American artist Niki de Saint-Phalle, for international sales. The Paris-based banner will introduce the period project to buyers at the Cannes market with exclusive first stills. “Niki” marks the feature debut of popular French actor Céline Sallette and stars Charlotte Le Bon (“The Walk” “Saint-Laurent”) as de Saint-Phalle. Le Bon recently made her feature debut with “Falcon Lake” — which bowed at Cannes last year — and previously starred in Robert Zemeckis’s “The Walk,” as well as Terry George’s “The Promise” and Jalil Lespert’s “Saint-Laurent.” Le Bon stars in “Niki” opposite Damien Bonnard (“Les Misérables“).

Elsa Keslassy International Correspondent Frédéric Corvez’s Paris-based Urban Sales has boarded “Pictures of Ghosts”, the latest film of renowned Brazilian director Kleber Mendonça Filho (“Aquarius”, “Bacurau”). The movie, which marks Mendonça Filho’s fifth feature film, will world premiere at Cannes in the Special Screenings section. “Pictures of Ghosts” will mark the director’s third film to bow at Cannes, following two competition entries, “Bacurau” (co-directed by Juliano Dornelles) which won the Jury Prize n 2019, and “Aquarius” in 2016. “Pictures of Ghosts” combines archive documentary, mystery, film clips and personal memories. The film is produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by Silvia Cruz and Felipe Lopes’ Vitrine Filmes.

Elsa Keslassy International Correspondent Films Boutique, the Berlin-based company behind “Pacifiction” and “The Burdened,” has come on board three international movies slated for the Cannes Film Festival. These include a pair of films set for Cannes’ Un Certain Regard, “Terrestrial Verses” and “The Buriti Flower,” as well as “Tiger Stripes” which will bow at Critics’ Week. “Terrestrial Verses,” directed by Alireza Khatami and Ali Asgari, is the sole Iranian film premiering in the Official Selection. The movie marks the first collaboration between these two critically acclaimed directors. Khatami previously wrote and directed “Oblivion Verses” which won best screenplay and the Fipresci prizes at Venice in 2017. Asgari, meanwhile, previously directed “Until Tomorrow” which premiered at Berlin last year, and presented two shorts at Cannes, “More Than Two Hours” in 2013 et “Il Silenzio” in 2016.

Elsa Keslassy International Correspondent Catherine Corsini, the French director of “Le Retour,” which was added to the competition lineup for the 76th edition of Cannes on Monday, has addressed the reports in French media of alleged inappropriate incidents during production of the film. Corsini’s competition slot was on hold for nearly 10 days after Cannes’s administration board heard that a scene of a sexual nature involving the 15-year old female protagonist of the film was added to the script and allegedly filmed without the consent of the Commission des Enfants du Spectacle, a government-backed organization. French reports also said Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors.

Elsa Keslassy International Correspondent Blue Fox Entertainment has acquired U.S. rights to Cédric Klapisch’s (“The Spanish Apartment”) hit dance film “Rise” (“En corps”) from Studiocanal. One of 2022’s highest grossing French films, “Rise” sold nearly 1.3 million tickets in local theaters and was sold around the world. The movie tells the story of a young ballet dancer whose life is upended when she suffers a career-threatening injury and catches her  boyfriend cheating on her. As she begins her physical and emotional rehabilitation, she finds solace in friends, a new love, and a new contemporary dance troupe. Marion Barbeau, a dancer-turned-actor, delivers a breakthrough performance in the lead role, and stars opposite French stars, including François Civil (“Three Musketeers”), Pio Marmaï (“How I Became a Super Hero”), Denis Podalydès (“Anaïs in Love”), as well as Hofesh Shechter (“Send Me an Angel”).

Elsa Keslassy International Correspondent Jean-Stéphane Sauvaire’s “Black Flies” starring Sean Penn, and Catherine Corsini’s “Le retour” have been added to the competition lineup of the upcoming 76th Cannes Film Festival. As many as 13 movies have been peppered across several sections, including the competition, special screening, Un Certain Regard and out of competition. Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka” starring Viggo Mortensen and José María Yazpik, will bow at Cannes Premiere, a non-competitive section launched in 2021. Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.” Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”

Elsa Keslassy International Correspondent Vivendi, the parent company of French pay TV banner Canal+ Group,has sees revenues rise by 3.3% to €2.29 billion ($2.52 billion) during the first quarter of 2023. Vivendi attributes the growth to all its subsidiaries, in particular Studiocanal, the film and TV production and distribution company of Canal+, whose revenues went up by 13.6% compared with the first quarter of 2022 driven by the success of several films, including the comedy “Alibi.com 2” and “John Wick 4.” Among the several high profile deals signed by the company during the first quarter, Canal+ inked an agreement with French telco Orange to acquire all shares of its pay TV package OCS, as well as Orange Studio, the film and series co-production subsidiary.

Elsa Keslassy International Correspondent SF Studios, the leading Scandinavian banner behind “Snabba Cash” and “A Man Called Otto,” has boarded “Kingmaker,” the sequel of the 2004 Danish hit movie “Kongekabale.” The political thriller is an adaptation of Niels Krause-Kjær’s second novel “Mørkeland” about the adventures of an investigative journalist, Ulrik Torp. The initial movie was a local blockbuster, selling over 550,000 tickets in Danish theaters. The film, directed by Mikkel Serup, brings back Anders W. Berthelsen in the lead role as Ulrik Torp, starring alongside Danish star Nicolas Bro (“Riders of Justice”) and Charlotte Munck (“Open Spaces”) also returning in their roles. Penned by Marie Østerbye, “Kingmaker” is produced by Sara Namer and Morten Kjems Hytten Juhl at Meta Film, and executive produced by Meta Film’s Louise Foldager. SF Studios distributes the film in the Nordics, while REinvent handles international sales.

Elsa Keslassy International Correspondent Leo Maidenberg’s Paris-based company Place du Marché Productions is developing a slate of French and international films and TV series with acclaimed talents, including Daphna Levin, the creator of the Israeli series “Euphoria,” as well as Sarah Kaminsky (“Raid Dingue”) and Leïla Sy (“Banlieusards”). Maidenberg, who launched Place du Marché in 2018 after a career in diplomacy and made his producing debut with Caroline Fourest’s politically charged action film “Sisters in Arms,” has teamed with Kim Younes at Elvie Productions on a pair of high concept Israeli series. The first title produced by the two banners is “The Truth,” a police thriller series co-written and directed by Levin, whose credits also include the original Israeli series “In Therapy.” Set in Tel Aviv, “The Truth” opens on the day of the final verdict for the most controversial murder case in Israel, 10 years after the incident which took place in a high school gym. That same day, a new murder happens in identical circumstances. Juvenile inspector Rachel Zohar, a student at the high school at the time of the first murder, must revisit her trauma to solve the case. Aurit Zamir (“Babysitter”) co-wrote the series with Levin.

Elsa Keslassy International Correspondent Netflix has set the launch date for Part 3 of “Lupin,” its popular heist series starring Omar Sy, for Oct. 3. Louis Leterrier, who’s just been tapped to helm the next installment in the “Fast and Furious” franchise, is back in the director’s chair for the third part of “Lupin,” which will come more than two years after Part 2. As previously reported, the new season of “Lupin” started filming in the French capital in November 2021, so the launch comes a good deal of time after Part 2 debuted in June 2021. Sy is reprising his role as Assane Diop, a character inspired by the world-famous gentleman thief and master of disguise, Arsène Lupin. The cast will also bring back Ludivine Sagnier and Clotilde Hesme, among others.

Elsa Keslassy International Correspondent Quentin Tarantino has been named honorary guest at the upcoming edition of Directors’ Fortnight, the selection running alongside the Cannes Film Festival. The tribute will take place on May 25, on the closing of Directors Fortnight. “As an exceptional and generous cinephile, Tarantino is at home at the Fortnight. He will be our guest this year to present a secret screening and discuss his counter-history of cinema,” said Directors’ Fortnight in a statement. Tarantino was recently in Paris to promote his first non-fiction book, “Cinema Speculation,” which tells his coming-of-age as a director through a look at iconic American films from the 1970s era.

Elsa Keslassy International Correspondent A flamboyant man who was once a sales clerk, singer, actor, sports impresario, business mogul and government minister, Bernard Tapie led a rollercoaster life wilder than most fictional characters depicted in pop culture, even those created by Martin Scorsese. No wonder that it took a decade for Tristan Seguela and Olivier Demangel to create and pen “Tapie,” a Netflix original series charting the swaggering man’s epic rise, from his blue-collar origins to his glorious days as a wealthy businessman and president of one of France’s biggest soccer clubs, Olympique de Marseille. The limited series tells intimate parts of his life, including his relationship with loved ones and business partners, as well as some of his setbacks and legal problems. Tapie died in 2021.

Elsa Keslassy International Correspondent In a bid to showcase the utility of NFT’s in cinema, the team behind Mounia Meddour’s (“Papicha”) Rome-premiering film “Houria” is launching a limited impact NFT collection. Meddour’s follow up to her Cesar-winning feature debut “Papicha,” “Houria” is still playing in theaters in France and was recently boarded by “CODA” Star Troy Kotsur who is now executive producer on the movie. Kotsur made history last year as the first Deaf man to take home an acting award at the Oscars.  The initiative, which is being engineered by the film’s producers Ink Connection and High Sea, as well as the banners MADworld and Lumiere, will allow for the creation of a series of NFT’s focusing on “Houria”‘s central themes — sign language and dance. Powered by blockchain technology, a portion of the NFT proceeds will be donated to the Paris-based non-profit org Femmes Sourdes Citoyennes et Solidaires (United Deaf Women Citizens).  

Elsa Keslassy International Correspondent French director Catherine Corsini was meant to be the seventh female director in competition at the 72nd edition of Cannes with her film “Le Retour” (The Return). But her competition slot is on hold for now after news broke about several alleged inappropriate incidents during filming. The night before the press conference on April 13, Cannes chief Thierry Fremaux confirmed to the director that she would have a competition slot, but shortly before the start of the announcement, the festival’s administration board decided to hold off on including the title as part of the lineup. The delay came after the board discovered that Corsini was allegedly being accused of harassment by crew members, while other members of the crew had been allegedly been accused of inappropriate acts against two female actors, according to French reports. Fremaux told Variety the “administration board wished to gather more information about the situation around the film before taking a decision on whether to include the film in its Official Selection.”