Chris Mackay: Last News

Nicolas Cage playing Dracula would be enough of a draw for many film fans to invite horror-comedy Renfield into their homes.

Nobody should be fooled by the shy and retiring facade of Michael Nicholson – along with the sharp mind there also lurks a sense of humour.

At long last, Brendan Rodgers is being presented as Celtic's new manager.

Football fans back in the day had to make do with the morning papers and teletext for updates on signings and deals for new managers.

If you haven’t seen Chris McKay’s “Renfield,” you’re missing out. In our review of the film, we stated, “Thanks to Nicolas Cage, “Renfield” is the rare horror-comedy to find the balance between respect and playful irreverence.”  READ MORE: ‘Renfield’ Review: Nicolas Cage Does What He Does Best In New Vampire Comedy [Overlook Festival] Starring Cage as Dracula and Nicholas Hoult as Renfield, the film tells the story of the toxic and co-dependent relationship between Dracula and Renfield.

Universal Pictures has set the streaming premiere date for its Chris McKay-directed horror comedy Renfield, starring Nicholas Hoult and Nicolas Cage, announcing that the film will bow exclusively on Peacock on June 9th.

EXCLUSIVE: Adrian Martinez (Renfield) has booked a supporting role opposite Rami Malek in Amateur, the new thriller that James Hawes (Slow Horses) is directing for 20th Century Studios.

Nicolas Cage has recalled the first concert he ever attended to see The Who.In a newly aired segment from the April 13 episode of The Late Show with Stephen Colbert, Nicolas Cage partook in the “Colbert Questionert” and was asked about the first concert he ever attended.Cage revealed that his first concert was seeing The Who perform at the Fillmore Stadium in San Fransisco, before going on to explain how “blown away” he was by the performance. “Roger [Daltrey] did this incredible thing where he was spinning the microphone with the cable and he just hit the cymbal.

Dracula, where he’s been memorably portrayed by greats like Alexander Granach (in 1922’s silent Nosferatu), Dwight Frye (as a wide-eyed madman in 1931’s Dracula), and Tom Waits (chewing the scenery, and bugs, in 1992’s Bram Stoker’s Dracula), Renfield is perpetually overshadowed by the blood-sucking count.Universal’s new Renfield (★★☆☆☆), a big-budget spinoff of the Dracula story, set in present-day New Orleans, promises to give the character his overdue shine. Unfortunately, the film is an overcooked clash of genre and tepid grasps at modernization, whose greatest asset is — you guessed it — Dracula himself, played by a glammed-up, fang-gnashing Nicolas Cage.

The Late Show to promote new vampire movie Renfield.Responding almost immediately, Cage said: “I’m gonna start with Pig — that’s my favourite movie I’ve ever made.”He went on: “I love Mandy, that Panos Cosmatos directed. I love Bringing Out the Dead, that Martin Scorsese directed.

Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Sometimes, you find startling accuracy in the most unlikely places. Codependency and toxic relationships have long been fodder for film and television, but lately there’s been a batch of quality entertainment that does an excellent job of depicting the reality of an unhealthy relationship — and the struggle to break free from one. Surprisingly, it’s comedic entertainment that seems to be doing it best as of late. Take the first season of the Apple TV+ comedy “Shrinking,” which depicts a therapist (Jason Segel) trying to help a client (Heidi Gardner) break up with her verbally and emotionally abusive husband. It’s a character arc that rings only too true, expertly captured by “Saturday Night Live” breakout Gardner. Over on HBO Max, the animated series “Harley Quinn” has spent three seasons showing how its titular character starts a new life out from under the shadow of the ultimate toxic boyfriend, the Joker. While it’s a fantastical story that uses heroes and villains with superpowers, the metaphor is apt — Harley Quinn has no identity outside of her famous paramour and has to rebuild her life, and self-worth, on her own.

Five wide releases hit theaters this weekend, but Illumination and Universal’s Super Mario Bros. Movie will reign supreme with a second weekend, -60% of $58M. Already the plumbers have plunged a running stateside total through nine days of $260M, with $300M+ this weekend in sight.

Jazz Tangcay Artisans Editor When director Chris McKay was making “Renfield” he turned to production designer Alec Hammond (“Donnie Darko”) to help deliver a fresh and updated take on the Dracula story, by taking “a big monster movie, rooting it in the classic movies, but subverting any expectations.” The film starring Nicolas Cage as Dracula and Nicholas Hoult as his faithful sidekick Renfield, begins in 1931, in black-and-white. It was important, Hammond says, to set up Cage’s world in the historic context of harkening back to classic Dracula movies before jumping to the present day. The Charity Hospital in New Orleans, which had been abandoned since Hurricane Katrina, was the perfect location for Hammond to set Dracula and Renfield’s modern-day lair.

Stuck in a movie theater seat watching “Renfield” plod along, the answer is a resounding meh.As the Count from “Sesame Street” would say, “‘Renfield’ gets TWO stars! Ah, ah, ah.”Cage — whose career has become so goofy he recently played a parody version of himself who gets kidnapped by a Spanish drug lord — is as funny and self-aware as the evil old vampire. Crazy, it would seem, has become Cage’s new normal. But don’t come looking for a wacky sendup of the story in the vein of Mel Brooks’ “Young Frankenstein.” It’s actually not even as hilarious as that director’s much-worse 1995 movie “Dracula: Dead and Loving It,” and outside of a few basic details the film has little to do with Bram Stoker’s book.“Renfield,” directed by Chris McKay, has more in common with the (far better) “Zombieland” series, with high-body-count action sequences, quick-cut comedy and an unlikely, socially awkward hero. That would be Robert Montague Renfield (Nicholas Hoult), Count Dracula’s beleaguered “familiar,” who has been gifted an unnaturally long life in exchange for bringing the vamp fresh victims.

Few characters manage the passage of time quite like Dracula. From the character’s iconic beginnings as a Universal Studios monster to more recent attempts to craft a shared universe, Dracula adaptations often offer the clearest reflection of both the film industry and broader societal trends.

Rebecca Rubin Film and Media Reporter Expect “The Super Mario Bros. Movie” to capture the high score at the box office… again. Despite the release of two new movies — Universal’s wacky Dracula horror-comedy “Renfield” and Sony’s R-rated demonic thriller “The Pope’s Exorcist” — Universal and Illumination’s animated adaptation of the popular Nintendo video game looks to loom large in its second weekend of release. After its towering $146 million debut, “Mario” is estimated to bring in $58 million to $66 million, a 55-60% decline from its opening. The PG blockbuster, which cost $100 million and brought back the all-important demographic of family audiences, has generated $204.6 million in North America and $375 million globally since opening last Wednesday. It’s already the fourth-highest grossing animated movie in pandemic times, following “Minions: The Rise of Gru” ($939 million), “Puss in Boots: The Last Wish” ($480 million) and “Sing 2” ($408 million).

There have been so many variations and film versions of Bram Stoker’s classic Dracula, from 1926’s Nosferatu to Tod Browning’s 1931 Dracula to Francis Coppola’s well-regarded take with Gary Oldman to even comedic satires like Love at First Bite with George Hamilton taking on the role. Now in Universal’s latest effort to rescue its horror classics and make them new again, we have the perfectly cast Nicolas Cage as the Prince of Darkness. Even he has done an offshoot before, in 1988’s Vampire’s Kiss. However this time around the film is not centered on Dracula himself, but rather his beleaguered servant, henchman, whatever you choose to call him, Renfield, and it is another Nicholas, as in Hoult, who has the title role this time in Renfield. Cage’s part, though meaty, is actually supporting as the emphasis turns to the long-suffering assistant who was tasked with bringing his boss’ prey directly to him, consuming bugs of all sorts in order to get superhuman powers to conquer them, and basically taking the fall for anything this narcissistic vampire does not find to his liking.

Chris McKay returns to theaters for the first time since 2017’s “The LEGO Batman Movie” with “Renfield” on April 14. And even though McKay directed “The Tomorrow War” in between, most movie fans still associate the director with his 2017 animated jaunt that features Will Arnett as the Caped Crusader.

Variety Thursday.“Nic wanted to emote and annunciate properly, so it was important the veneers were thin,” he said, explaining that the technology allowed him to make quick adjustments to the sharp dentures when needed.In order to put the 3-D printing to good use, Tinsley had to scan Cage’s teeth and then digitally sculpt them so they could fit in his mouth perfectly.The “National Treasure” actor also spent over three hours daily in the hair and makeup chair.“It was a full head of prosthetics, dentures, full body, torso, arms, hands and nails,” Tinsley noted. “Those take time.”Cage also stayed in character for the whole time they were shooting the flick, even when the camera wasn’t on him.

Want to know how the iconic Dracula teeth were made?

Jazz Tangcay Artisans Editor For Chris McKay’s “Renfield,” Nicolas Cage spent up to three hours each day transforming into the role of iconic vampire Dracula. But the biggest hurdle was developing Dracula’s razor-sharp teeth, makeup artist Christien Tinsely tells Variety. With the teeth design, it was important to consider how Dracula’s teeth would extract from the gums. Tinsley says McKay also wanted all of Dracula’s teeth to be sharp — not just the canines. Tinsley, whose credits include “The Passion of the Christ” and “Emancipation,” says he wanted to be able to make swift adjustments once Cage was on set, meaning he wouldn’t have much time to prep dentures and teeth casting using traditional denture methods. The eventual solution was to use 3D printing.