Box Office: Nicolas Cage’s ‘Renfield,’ ‘Pope’s Exorcist’ No Match for ‘Super Mario Bros. Movie’

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” left its box office competitors in the dust, scoring a massive $87 million in its second weekend of release. Ticket sales declined just 41% from its debut, resulting in the best sophomore outings ever for an animated film. So far, the video game adaptation has grossed $347.8 million in North America and $678 million globally. “Mario” stayed strong even as several new movies entered the theatrical race, to varying results. In a surprise finish, Universal’s wacky horror-comedy “Renfield,” which sees Nicolas Cage as Count Dracula and Nicholas Hoult as his rebelling henchmen, landed in fourth place with a disappointing $7.7 million from 3,375 locations. The film arrived behind Sony’s R-rated demonic thriller “The Pope’s Exorcist,” which also fell slightly short of expectations with $9.1 million.

Dracula, where he’s been memorably portrayed by greats like Alexander Granach (in 1922’s silent Nosferatu), Dwight Frye (as a wide-eyed madman in 1931’s Dracula), and Tom Waits (chewing the scenery, and bugs, in 1992’s Bram Stoker’s Dracula), Renfield is perpetually overshadowed by the blood-sucking count.Universal’s new Renfield (★★☆☆☆), a big-budget spinoff of the Dracula story, set in present-day New Orleans, promises to give the character his overdue shine. Unfortunately, the film is an overcooked clash of genre and tepid grasps at modernization, whose greatest asset is — you guessed it — Dracula himself, played by a glammed-up, fang-gnashing Nicolas Cage.

The acting life isn’t always glamorous. Sometimes, you have to sacrifice for the part. Submitted for your approval is one Nicolas Cage, who has revealed a major regret captured on film while out promoting his current horror comedy, Renfield, which features Cage as Dracula and Nicholas Hoult as the title servant, R.M. Renfield.

J. Kim Murphy Mamma mia! “The Super Mario Bros. Movie” is staying on top at the domestic box office. The Universal release added a commanding $22.6 million on Friday from 4,371 theaters. After achieving the biggest opening weekend of the year, “Mario Bros.” actually added 28 more locations in its sophomore outing. The Universal, Illumination and Nintendo co-production is now projecting an $80 million gross for the three-day frame, which would mark an impressive 45% drop from its $146 million opening weekend. e. On Friday, “Super Mario Bros.” crossed the $500 million mark globally. The film is now the highest-grossing release of 2023 so far and the biggest video game adaptation in history.

The Late Show to promote new vampire movie Renfield.Responding almost immediately, Cage said: “I’m gonna start with Pig — that’s my favourite movie I’ve ever made.”He went on: “I love Mandy, that Panos Cosmatos directed. I love Bringing Out the Dead, that Martin Scorsese directed.

Clint Eastwood is getting back in the director’s chair.

Nicholas Hoult has been in a few films you might have heard of. He’s been a young version of X-Men’s blue mutant The Beast, and was in George Miller’s Mad Max: Fury Road.

Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Sometimes, you find startling accuracy in the most unlikely places. Codependency and toxic relationships have long been fodder for film and television, but lately there’s been a batch of quality entertainment that does an excellent job of depicting the reality of an unhealthy relationship — and the struggle to break free from one. Surprisingly, it’s comedic entertainment that seems to be doing it best as of late. Take the first season of the Apple TV+ comedy “Shrinking,” which depicts a therapist (Jason Segel) trying to help a client (Heidi Gardner) break up with her verbally and emotionally abusive husband. It’s a character arc that rings only too true, expertly captured by “Saturday Night Live” breakout Gardner. Over on HBO Max, the animated series “Harley Quinn” has spent three seasons showing how its titular character starts a new life out from under the shadow of the ultimate toxic boyfriend, the Joker. While it’s a fantastical story that uses heroes and villains with superpowers, the metaphor is apt — Harley Quinn has no identity outside of her famous paramour and has to rebuild her life, and self-worth, on her own.

Angelique Jackson Legendary actor and filmmaker Clint Eastwood is closing in on his next project, with plans to direct “Juror No. 2.” The legal drama is set up at Warner Bros., with Nicholas Hoult and Toni Collette circling the lead roles. Eastwood will direct and produce the project alongside Adam Goodman, Tim Moore and Jessica Meier. Jonathan Abrams penned the script. “Juror No. 2” will take place during a murder trial and follows a juror (Hoult), who realizes that he may have caused the victim’s death. He must decide whether to manipulate the jury to save himself, or reveal the truth and turn himself in. Collette would play the prosecutor. Warner Bros. is nearing a green light on the project, with a production start eyed for June, following Eastwood’s 93rd birthday on May 31.

Five wide releases hit theaters this weekend, but Illumination and Universal’s Super Mario Bros. Movie will reign supreme with a second weekend, -60% of $58M. Already the plumbers have plunged a running stateside total through nine days of $260M, with $300M+ this weekend in sight.

Jazz Tangcay Artisans Editor When director Chris McKay was making “Renfield” he turned to production designer Alec Hammond (“Donnie Darko”) to help deliver a fresh and updated take on the Dracula story, by taking “a big monster movie, rooting it in the classic movies, but subverting any expectations.” The film starring Nicolas Cage as Dracula and Nicholas Hoult as his faithful sidekick Renfield, begins in 1931, in black-and-white. It was important, Hammond says, to set up Cage’s world in the historic context of harkening back to classic Dracula movies before jumping to the present day. The Charity Hospital in New Orleans, which had been abandoned since Hurricane Katrina, was the perfect location for Hammond to set Dracula and Renfield’s modern-day lair.

Jordan Moreau Universal’s latest monster movie, the blood-sucking “Renfield,” is sinking its teeth into the domestic box office with $900,000 from 2,750 theaters in Thursday previews. It expands to 3,375 locations on Friday. This modern take on Dracula won’t be able to drive a stake through the heart of last week’s box office champion, “The Super Mario Bros. Movie.” The animated, family-friendly video game adaptation will get another high score at the box office this weekend, with an expected $58 million to $66 million in its sophomore outing. “Renfield,” starring Nicolas Cage as Dracula and Nicholas Hoult as his lowly servant, is projected to make just $10 million in its opening weekend. Considering the horror-comedy carries a $65 million price tag, it’s not a great start to its run. It will also have to battle the fellow R-rated horror “The Pope’s Exorcist,” which opened to $850,000 in previews and is also on track to earn $10 million this weekend. The upside to the Sony horror movie, starring Russel Crowe as the Vatican’s lead exorcist, is that it only cost the company $18 million.

The new Dracula movie Renfield is now in theaters and it’s expected to be the biggest new release of the weekend.

Stuck in a movie theater seat watching “Renfield” plod along, the answer is a resounding meh.As the Count from “Sesame Street” would say, “‘Renfield’ gets TWO stars! Ah, ah, ah.”Cage — whose career has become so goofy he recently played a parody version of himself who gets kidnapped by a Spanish drug lord — is as funny and self-aware as the evil old vampire. Crazy, it would seem, has become Cage’s new normal. But don’t come looking for a wacky sendup of the story in the vein of Mel Brooks’ “Young Frankenstein.” It’s actually not even as hilarious as that director’s much-worse 1995 movie “Dracula: Dead and Loving It,” and outside of a few basic details the film has little to do with Bram Stoker’s book.“Renfield,” directed by Chris McKay, has more in common with the (far better) “Zombieland” series, with high-body-count action sequences, quick-cut comedy and an unlikely, socially awkward hero. That would be Robert Montague Renfield (Nicholas Hoult), Count Dracula’s beleaguered “familiar,” who has been gifted an unnaturally long life in exchange for bringing the vamp fresh victims.

Few characters manage the passage of time quite like Dracula. From the character’s iconic beginnings as a Universal Studios monster to more recent attempts to craft a shared universe, Dracula adaptations often offer the clearest reflection of both the film industry and broader societal trends.

Jenelle Riley Deputy Awards and Features Editor Brandon Scott Jones loves horror films — but despite starring in the CBS series “Ghosts” as forgotten Revolutionary War soldier Captain Isaac Higgintoot, the actor and writer has yet to appear in the horror genre. That all changes with the April 14 release of “Renfield,” starring Nicolas Cage as the legendary Dracula and Nicholas Hoult as his put-upon underling. Jones plays Mark, the leader of a co-dependency support group who advises Renfield — with no idea just how toxic his relationship with Dracula truly is. Jones will also be seen in the third season of “The Other Two,” hitting HBO Max on May 4, reprising his role as Curtis, the confidante to aspiring actor Cary.

There have been so many variations and film versions of Bram Stoker’s classic Dracula, from 1926’s Nosferatu to Tod Browning’s 1931 Dracula to Francis Coppola’s well-regarded take with Gary Oldman to even comedic satires like Love at First Bite with George Hamilton taking on the role. Now in Universal’s latest effort to rescue its horror classics and make them new again, we have the perfectly cast Nicolas Cage as the Prince of Darkness. Even he has done an offshoot before, in 1988’s Vampire’s Kiss. However this time around the film is not centered on Dracula himself, but rather his beleaguered servant, henchman, whatever you choose to call him, Renfield, and it is another Nicholas, as in Hoult, who has the title role this time in Renfield. Cage’s part, though meaty, is actually supporting as the emphasis turns to the long-suffering assistant who was tasked with bringing his boss’ prey directly to him, consuming bugs of all sorts in order to get superhuman powers to conquer them, and basically taking the fall for anything this narcissistic vampire does not find to his liking.

Chris McKay returns to theaters for the first time since 2017’s “The LEGO Batman Movie” with “Renfield” on April 14. And even though McKay directed “The Tomorrow War” in between, most movie fans still associate the director with his 2017 animated jaunt that features Will Arnett as the Caped Crusader.

Variety Thursday.“Nic wanted to emote and annunciate properly, so it was important the veneers were thin,” he said, explaining that the technology allowed him to make quick adjustments to the sharp dentures when needed.In order to put the 3-D printing to good use, Tinsley had to scan Cage’s teeth and then digitally sculpt them so they could fit in his mouth perfectly.The “National Treasure” actor also spent over three hours daily in the hair and makeup chair.“It was a full head of prosthetics, dentures, full body, torso, arms, hands and nails,” Tinsley noted. “Those take time.”Cage also stayed in character for the whole time they were shooting the flick, even when the camera wasn’t on him.

Want to know how the iconic Dracula teeth were made?

Jazz Tangcay Artisans Editor For Chris McKay’s “Renfield,” Nicolas Cage spent up to three hours each day transforming into the role of iconic vampire Dracula. But the biggest hurdle was developing Dracula’s razor-sharp teeth, makeup artist Christien Tinsely tells Variety. With the teeth design, it was important to consider how Dracula’s teeth would extract from the gums. Tinsley says McKay also wanted all of Dracula’s teeth to be sharp — not just the canines. Tinsley, whose credits include “The Passion of the Christ” and “Emancipation,” says he wanted to be able to make swift adjustments once Cage was on set, meaning he wouldn’t have much time to prep dentures and teeth casting using traditional denture methods. The eventual solution was to use 3D printing.